Item is a dark purple cabinet card with portrait of a child standing in a winter scene with showshoes at his side. The child wears a double breasted fur coat with toque. At the bottom of the card in gold letterpress, "J. W. POWELL./ 163 Princess Street,/ KINGSTON, ONT."

Item is a dark brown cabinet card with gold letterpress at the bottom reading "Smith/ Galt". Photograph shows two children in dark dresses with pleating down the front seated on hay with palm fronds in the background and holding a picture book open on their laps. On verso, at bottom right, a sticker with the handwritten ink "$4.00/ SW".

Item is a white card with full length portrait of a boy with curls and a suit with frilled dress shirt in Fauntleroy style. A fur pelt is on the ground at the right and the boy holds a gun. At the bottom edge in gold letterpress, "Lind/ MARINETTE,/ WIS." At the centre of the text, a design with shield, a ship and the text "SEMPER FIDELIS". On verso at bottom right edge, handwritten in pencil, "10-".

Item is a green card with gold border and full length portrait of a young boy (about 5 years old) leaning against a wooden fence holding a walking stick. He wears a sailor style suit with rope necklace and a dark hat with ribbon sits at his feet. Painted landscape with trees behind him. On verso, elaborate gold lithographed design with oval pearl and ribbon border and the text "W. H. GOUGH/ Artist/ & PHOTOGRAPHER,/ 7, SWANSWEEL ST./ COVENTRY./ ALL NEGATIVES KEPT/ COPIES CAN ALWAYS BE OBTAINED THIS OR ANY/ OTHER PORTRAIT CAN BE ENLARGED & FINISHED/ IN OIL OR WATER COLORS." Handwritten at the upper left corner in ink, "24/ Aug 1885".

Item is a green card with gold letterpress at bottom edge, "F. C. D. Hure SHEPTON MALLET." Photograph is a portrait of an old woman in a white bonnet with long side panels seated by a table with a vase of flowers. She wears a fitted blouse buttoned up the front and a wool skirt. On verso, also in gold and printed sideways on the card, "F. C. D. Hure/ Artist,/ Portrait & Landscape Photographer./ 10, COWL STREET, SHEPTON MALLET." At top left "COPIES MAY BE/ HAD AT A REDUCED/ PRICE." And at top right, "BY SENDING/ NAME, DESCRIPTION,/ AND DATE WHEN/ TAKEN." Handwritten in pencil at the top of the card, "L-5.00"

Item is a white card with raised oval photograph of a woman with an embroidered jacket and her hair pulled back in braids. On the bottom of the card, in gold letterpress, "WILLIAM NOTMAN PHOTO". On verso, photographer's stamp lithographed in gold, "W. NOTMAN" with the Royal Crest at the centre and a ribbon wrapping that which reads "PHOTOGRAPHER TO/ HER MAJESTY" followed by the location of studio in "MONTREAL". At four corners of the design are images of medals, which read clockwise from top left, "LONDON" "1862/ LONDINE/ HONORIS/ CAUSA/ 1862" "1867" and "NAPOLEON III EMPEROR/ PARIS". Below the design, also in gold, "Branches at/ Toronto and Halifax." Handwritten lightly at top edge, "77159".

Item is a white card with raised oval photograph of a woman with her long hair loose on her shoulders. On verso, photographer's stamp in a ribbon design lithographed in gold, "THE NOTMAN STUDIO,/ W. J. TOPLEY, Prop./ OTTAWA." A crown with three feathers tops the design, the heraldic badge of the Prince of Wales. At the top of the card, handwritten in blue ink, "Jessie Freelane".

Item is a green cabinet card with gold box at bottom edge of card and the text, "Perkins/ 293 YONGE STREET/ TORONTO." Photograph shows a man and woman standing next to a tall, thin table. The woman holds a card in her right hand. The mean wears a dark coat and waist coat with pinstriped trousers. The woman wears a plain dress with fabric gathered over the bustle in the back.

Item is a brown cabinet card with gold letterpress at bottom edge, "Dixon/ COR. KING & YONGE STS./ Toronto." Photograph shows a man standing next to a small statue of a horse and rider, the rider holds a fox or small animal upside down while two dogs at the horse's feet jump up at it. On verso, also in gold letterpress, "ELECTRIC LIGHT PHOTO GALLERIES" followed by a design with front and back of a medal by the Industrial Exhibition Association of Toronto. Text continues "Highest Award at Toronto, Kingston and Hamilton/ S. J. Dixon/ Member of the Photographer's Association of America/ ALL PHOTOS MADE WITH THE NEW PROCESS/ No Change of Expression. The Exposure is but One/ Second./ STUDIOS/ CORNER/ KING AND YONGE STREETS AND CORNER/ YONGE & TEMPERANCE STS./ TORONTO".

Item is a white cabinet card with grey letterpress at bottom edge, "J. F. BRYCE 107 KING STREET WEST, TORONTO". Photograph is a full length portrait of a man and woman standing in in front of a painted nature scene with birch tree. The woman holds an unopened parasol and her hat rests on a rock between them. The man holds his hat behind him.

Item is a beige cabinet card with gold scalloped edges and brown letterpress at bottom edge, "A. W. Phipps, NEW CASTLE, PA." Photograph is a portrait of an older woman in bonnet and glasses. On verso, a design with flowers, brushes, and the text "INSTANTAENOUS/ PORTRAITS/ OF CHILDREN/ A SUCCESSFUL/ SPECIALITY./ ARTISTIC/ PHOTOGRAPHY/ A. W. Phipps,/ 6 1/2 Washington Street,/ NEW CASTLE, PA./ DUPLICATES CAN BE/ PROCURED/ AT ANY TIME." Handwritten in blue ink at the top edge, "Ruth Vogan Hamilton/ Mother of Mary Jane Marshall/ (My grandmother)/ Stoughton".

Item consists of a photograph mounted on cream card with decoratively frayed edges. Handwritten note at bottom of image on card in black ink, "With Best Wishes/ Sincerely/ Ed Auselle(?)" Photograph is portrait of a man in suit and tie, turned 3/4, against dark background.

Item consists of a photograph mounted on cream card with decoratively frayed edges. Handwritten note at bottom right of image on card in black ink, "To my friend 'Alf' Martin/ P Lauren(?) Druehl" Photograph shows a man in dark suit with pinstriped shirt. Underneath the text, embossed in the card, "RICE/ MONTREAL". On verso, handwritten in pencil, "65769".

Item is an unmounted tintype featuring an image of a young blond girl sits in a chair, in a studio portrait with elaborate background. Her one leg is crossed underneath her. The chair is made of wood, and looks like branches. She wears a sailor style dress.

Item is an unmounted studio portrait of two men, seated and smoking pipes. Both have facial hair, and are wearing hats and jackets. Casual pose, man on right has legs crossed and looks at camera. Man on left looks away from the camera, and leans in his chair, arm resting on the back. Both men's cheeks are tinted pink.

Item is an unmounted studio portrait of one young boy and one older boy. The older one sits in a chair, while the younger perches on the armrest, on his right. The younger boy is wearing a jacket that is buttoned up. The older boy has a jacket, only top button done up, with vest and tie. Both arms are on armrest, with legs crossed. The younger boy's face is slightly blurred, from moving it during exposure. It looks to be same studio, props and seating arrangement as 2008.001.1811.

Item is an umounted portrait of two men in suits and hats, sitting on rocks outdoors. Not studio setting. Man on left holds a cane with both hands resting on it, with a ring on his finger, cigar in his mouth, chain watch, suit with vest and tie and hat. Man on right sits with legs crossed, one hand in his pocket and other across his lap, cigar in mouth and suit with vest and tie and chain watch and hat.

Item is an unmounted studio portrait of a young boy, with body stand obvious in background. Little boy is standing, with right arm leaning on chair armrest. He wears short trousers, above the boot tops, and the boots have side-button closures, in keeping with the style of the 1870s. His cheeks are tinted pink.

Item is an unmounted studio portrait of a boy in dark suit with white shirt and black bowtie. Chain watch in vest. He is sitting and his right arm leans on the armrest. White cloth as background. His hair is combed forward across forehead, and wings out at the sides - hairstyle is in keeping with boys hairstyles of 1870s. Top corners of tintype are rounded.

Item is an unmounted group portrait of four women and four men. All four women wear hats and dresses with puffy sleeves in keeping with fashion of the 1890s. Men wear sutis with jackets and vest with chain watches. Two top corners angled off.

Item is an unmounted studio portrait of a young girl in a dress sitting in a chair with a cap and tassle hanging off the left side. Her feet are crossed and her hands rest on her lap. Her head rests against the back of the chair. She is wearing a frilly blouse with a necktie under a coat with a skirt.

Item is an unmounted group studio portrait of six children set agains a landscape background. Four children in front are seated,and two stand behind. Two seated on the same chair on the right appear to be toddlers. The two standing behind, one girl & one boy, are older than the rest. The girls wear dresses with big white lace collars, very fashionable in children's fashion from the 1870s. All four corners are angled off.

Item is an unmounted studio portrait of two men seated, with a flowered curtain behind them, and a plaid carpet at their feet. Both men have facial hair. Both are wearing hats, and are holding pipes - man on right holds it in his mouth, and on left in his hands. One on right has a bandaged finger on his left hand. Man on left has his legs crossed, and is holding something white in his right hand, pipe in his left. White sticker on back of tintype with the letter 'c' written on it.

Item is an unmounted studio portrait of a man seated, and a woman standing with her hand on his shoulder. The background is simple, no colour or decoration. Armrest of chair man sits in, is fringed.

Item has a cream card-frame embossed opening, with embossed letters "Potter's Patent March 7 1865." Which is how we dated the tintype. Photograph is a studio portrait of two women, both standing, side by side. Both women wear hats. One on left wears a dark shirtwaist, with a striped full skirt with hair tied neatly back and little bow at the neck. Woman on right has a dark dress, buttons down the front with a small white collar, in fashion in the 1860s. Her hair is shoulder lenght ringlets, also in fashion in the 1860s. Both have pink tinted cheeks.

Item is an unmounted portrait of two women seated side by side, with a studio backdrop of waterfalls (maybe Niagara Falls), with a steamboat in the water. Bird cage in upper left corner of image. The two women wear long dresses and big hats, with feathers. Their hands are folded in their laps and they look right at the camera. Left top and bottom corners angled off.

Item is an unmounted portrait of a man sitting with his arm on a table. The whole background has been painted over with opaque paint, singling out the subject. He wears a suit jacket, vest, cravat and chain watch. He has facial hair. His cheeks are painted pink.

Item is an unmounted portrait of a woman standing against a doorway.She stands somewhat informally staring at the camera. She is wearing a dark dress with white collar, and a chain hanging down the front. She wears jet earrings.

Item is a brown hinged case with daguerreotype inside, held in with a brass mat, cover glass and brass preserver. Opens with metal clasps. Inside cover is a soft red velvet cushion with detail of flowers. Red cloth frames image side too. Image is of a man looking directly at camera. He has long sideburns that come down to under his chin, and hair in a high wave off his forehead, similar to the hairstyles of the 1840s. His cheeks are tinted pink. He wears a checked suit with matching vest.

Item is a cased ambrotype, but front cover does not match back cover, not hinged, separated from each other. Front cover is brown with two metal clasps, and back cover is black case with one metal clasp. Inside front cover is a red velvet soft cushion with detail of a flower. Image side has brass mat, soft brass preserver but no cover glass, ambrotype is not protected. Image is of two young girls sitting side by side and holding hands. They look directly at the camera. Both wear dresses, one on left has a plaid one on, and girl on right has a polka dotted dress. Girl on right has long ringlets and has freckles. Girl on left has her hair up and parted down the middle. Both wear the same necklace with locket. Their cheeks are tinted pink.

Item is a hinged union case (plastic case) with design of "Night with Her Children, Sleep and Death" based on an engraving of Bertel Thorvaldsen's popular bas-relief. "The angel is a messenger holding dominion over Sleep and Death," p. 149 of same book mentioned in 2008.001.1870. Casemaker is S. Peck and Company which began manufacturing after 1852. Chosen case reflects sentiments of a newspaper clipping found inside case that reads :

"Died . Holmes - In Adeleide, on the 15th of February, 1878, of diptheria, Emma Margaret, aged 4 years, and Ellen Jane, on the 20th February, 1878, aged 10 years and 4 months, daughters of Mr. O.C. Holmes, of Adelaide. The grief-striken parents have the sympathy of their neighbors in their great bereavement."

Image is a tintype of a baby in long white gown, pink cheeks, being held by unidentified person, most likely the mother. Inside cover has a red velvet cushion which falls out when case is opened, to reveal hidden beneath it a piece of floral cloth as well as the newspaper clipping. Image is held in place with a cover glass, brass matt and brass preserver. Date for tintype based on daughters ages from newspaper clipping.

Item is a portrait photograph of a woman in studio setting, seated in a chair with a blanket draped over the side. She wears a loose, gathered vest over her dress in a style popular in the 1910s.

Item is a cream coloured bi-fold card (3 flaps) with an embossed ribbon on the front flap at lower right. Inside, a vignetted photograph of a man in Canadian army uniform, with a badge on his right shoulder labeled "Toronto". The back of the photograph is stamped "HALKSWORTH WHEELER/ 109A SANDGATE ROAD./ FOLKESTONE". This is handwritten on the front of the photograph, and the date August 1917 is written on the card.

Item is a light brown card with photograph of a man from the shoulders up, on a plain background. Embossed into the card at the base is the studio mark for William Notman and Son at 14 Phillips Square, Montreal. On verso, the name Guy Bulloch with the date 1900s is handwritten in blue ink.

Item is a cream coloured card with photograph of a man wearing a suit with hand-coloured purple tie. On verso, design in gold ink for the Notman Studio: "W. NOTMAN" with the Royal Crest at the centre and a ribbon wrapping that which reads "PHOTOGRAPHER TO/ HER MAJESTY" followed by the locations of studios in "MONTREAL/ OTTAWA/ TORONTO/ & HALIFAX". At four corners of the design are images of medals, which read clockwise from top left, "LONDON" "1862/ LONDINE/ HONORIS/ CAUSA/ 1862" "1867" and "NAPOLEON III EMPEROR/ PARIS".

Three of these photographs are stamped on verso by the photography studio of H. R. Niebel, Orillia, Ont., and four are written on verso: "Peggy Grant and Muray infant", "Muray Grant, July / 26 - 17 mos.", "Florence Grant, Muray Grant, and Chris Wallace in Orilia", and "Cameron Grant and fella."

Photographic image is of a two-horse team standing on a dirt road with cart and driver in front of residential buildings. The card mount is taupe and dark gray.

The image is of two men, identified from their name tags as Tony Miller and Bill Hastings, discussing a Suzuki motorcycle.

Item is a postcard portrait of a boxer in shorts and gloves. On recto inscribed in black ink below image reads: "Frankie Kaeth Featherweight".

Item is a postcard portrait of a boxer in shorts and gloves. On recto inscribed in black ink below image reads: "Frank Kaeth Featherweight".

Item is a cabinet card portrait of a group of 23 boys wearing uniforms, standing in 3 rows around an older gentleman in a bowler hat. Behind them is a brick wall and two wooden panels. Mounted on cream coloured card.

Item consists of a black and white photograph of a man with a mustache. The man is wearing a suit, vest and tie, and is looking off to the left. Behind him is a plain white backdrop. He has a large mustache that connects to his sideburns. The photograph is 6.5 x 3.75 cm and is mounted to a white card that is unevenly cut at the bottom.

Item consists of a toned black and white photograph of a girl. She is wearing a dress with a ruffled collar and a hat. Her hair is long and curled. She is looking off to the left. The photograph is mounted to a piece of card painted gold.

Consists of two group portraits of women in Victorian aprons, white dresses and bows in their hair. One portrait is set indoors and one is an exterior shot. Both prints have the Topley Ottawa stamp at the bottom left corner.

Brown suede cover slip with some sort of faded decorative drawing; slipped over maroon hard-cover. Grey pages. Some photograph peeling away from pages; protective paper inserted between pages. A few lose photographs. Many pages left blank.

Themes include portraits, horse-drawn carriages, landscapes, waterscapes.

Includes a photograph of B. Heyman Furniture Co. in Phoenix, Arizona while located at the Anderson building on the northwest corner of Washington and 1st Street. The Anderson Building was built in 1888 and lasted until the 1980's. Also includes a photograph of Davidson's Cash Store, believed to be in Phoenix, Arizona c. 1902.

Black cover album with black pages bound by black braided string. The word "Photographs" is embosed on front cover in gold lettering. Photographs held in with black photo corners.

Photographs are mostly family snapshots, on the beach, at home, having a picnic and by the lake; some include domestic animals. Some photographs taken Ottawa, and Niagara Falls, and at Balboa Island, California, among other destinations.

Photo stores include Thompson's Camera and Art Store.
Date on the back of a loose photograph says "Apr. / 30".

Brown leather cover with inset star surrounded by gold embossed patterns and blue beads. Spine also has embossed design and letters- "Photographs." Two gold clasps decorated with gold ribbons and rings. Inside cover has pink and gold pattern. Title page and index page included. White pages with window openings and gold borders. Page edges gilded and embossed. Some hand tinting on tintypes.

Item consists of a dark blue album with the words "Scenes By the Way" written in white ink on the cover. Pages are grey with cutouts to slide in and hold photographs. Photographs consist of cartes de visite, cabinet cards and tintypes and are either loose or glued onto the pages. Some have captions written in fading white ink.
Photographs were taken at studios in Charlottetown, Prince Edward Island; New Westminster, British Columbia; Summerside, Prince Edward Island; Ottawa, Ontario; and Chicago, Illinois, and all consist of single-figure portraits.

Photographers and studios include: C. Lewis, E. R. Turner

Item consists of one glass mounted colour transparency of a man standing in a building construction site near a sign that reads "Danger Keep Out".

Item consists of one glass plate autochrome of a pathway, residential building and flowering trees.

Item is an audio recording of American photographer Hiro speaking about his work at Ryerson University as part of the Kodak Chair Lecture Series at Ryerson University on November 14, 1986.

Item consists of photographs of a family at Brechin. Subjects include family portraits and photographs with various farm animals including birds, horses, cats, and goats.

Item consists of photographs of the Fulton and McKane families, the dog dot, and a wedding cake.

Item consists of 2 hand painted, medium format lantern slide with 8 individual images. Illustrations resemble Punch and Judy cartoons.

Item is a hand painted, medium format lantern slide with 4 tableaus in one illustration depicting winter scenes in a village. Produced by Ernst Plank, Germany.

Items contains 88 digital images of the Phototeria taken at the Baldwin, Ontario farm owned by Jim McCowan (a distant cousin of the inventor, David A. McCowan), where the booth was stored until 2015.

One cardboard box meant for holding dry plates manufactured by the Stanley Co. Box contained one dozen plates and ranked a No. 50 on the sensitometer. Box bears a logo with a man on a horse saying "On Stanley, On."
F.E. Stanley developed his own dry plate formulation and then eventually began selling plates to other photographers. The venture proved so successful that he and his twin brother, F. O. Stanley, became partners in the Stanley Dry Plate Company in 1884. Their coating machine, patented in 1886, accelerated the dry plate process, coating plates at a speed of one plate per second. The twins ultimately sold the Stanley Dry Plate Company to George Eastman of Eastman Kodak, who used the Stanley innovation to build his photography empire.
The Gelatin or Dry Plate photographic process was invented in 1871 by Dr. Richard L Maddox. This involved the coating of glass photographic plates with a light sensitive gelatin emulsion and allowing them to dry prior to use. This made for a much more practical process than the wet plate process as the plate could be transported, exposed and then processed at a later date rather than having to coat, expose and process the plate in one sitting. The gelatin dry plate process technique was developed and eventually led to the roll film process.

Item consists of two wet plate negatives of an archaeological site that has been edited for printing using paper and retouching (particularly in the sky).

Item consists of an oval photograph mounted on a black, textured card with the words "J. L. Barnes/ 149 DALHOUSIE ST./ BRANTFORD, ONT." embossed at the bottom right. Photograph shows a row of men seated, the one in the centre on a high backed gothic style chair, and a second row of men standing behind them.

Item is a pamphlet designed to accompany a Sinar course on large-format photography. The pamphlet provides an overview of the course syllabus, illustrations of common problems with large-format photography, and space for participants to write notes.

Item is vol. 17, no. 1.

Item is issue no. 3.

Item is a brown folded card card with gold letterpress on front, "DeLille's/ STUDIO./ Toronto". Inside, sepia-toned portrait of a woman in a romantic bun and a lacey, floral wrap. On photograph, in white ink, "DeLille's/ Toronto". Photograph is pasted onto brown tissue on top of cream card.

Item is a cream coloured card with gold border and photograph of a man, bearded. Inscription in ink at bottom, "Wm H Warner/ Odell, Ill". On verso, inside a decorative peach-coloured drawn frame, in black letterpress, "D.P. GROVES,/ PHOTOGRAPHER,/ ANN ARBOR, MICH." On verso, a "D" appears handwritten on card.

The techniques of the masters videoconference series poster for Moneta Sleet's lecture "Cross Cultural Experiences".

The techniques of the masters videoconference series poster for Sebastiao Salgado's lecture "A Salute to Black-and-White".

The technicques of the masters videoconference series poster for William S. McIntosh's lecture "Learn How Unsusual Settings Have Created The Portrait of Success".

The techniques of the masters videoconference series poster for David Ziser's lecture "Staging the Set, Telling a Story".

Item is a cream coloured card with gold border and a series of oval-shaped portraits arranged in an oval around two central oval portraits. Names of individuals have been lightly added in pencil, clockwise from top: [illeg.], Palmer, Lusker(?), none given, none given, [illeg.], Douglass." Across bottom, also in pencil, "Med. Faculty Mich. University 1868". On verso, in black letterpress, at centre, "R.D. PALMER,/ PHOTOGRAPHER,/ And Portrait Painter,/ Huron Street, East of Cook's Hotel,/ ANN ARBOR, MICH." And below, "Negatives preserved, Copies enlarged in India Ink or Oil."

Item is a white cabinet card with image of a man resting his hand on an onrante chair and holding a cabinet card upside down. On verso, elaborate foliate patterns with the text "FROM THE STUDIO/ OF/ C. E. PERRY,/ Artistic Photographer,/ WOODSTOCK,/ ONTARIO." All in gold. Design features a beaver on the Ontario coat of arms in centre. At upper right, in pencil, "2.00".

Item is a white cabinet card with gold border and image a young girl, seated on a window ledge with a jump rope and a small (stuffed or stone?) birl to the left. At bottom of card, in gold letterpress, "VANDYKE & BROWN/ PHOTOGRAPHERS" and at right "31 BOLD ST & 34 CASTLE ST/ LIVERPOOL." On verso, royal seal appears at top with large sideways lettering in centre "Vandyke & Brown". At upper left, "ARTISTE(sic) PHOTOGRAPHERS/ MINIATURE & PORTRAIT PAINTERS." Mid right "31, BOLD STREET/ AND/ 34, CASTLE STREET/ LIVERPOOL." At bottom right, "Negatives kept/ Copies may be had." and at centre "CARTES & CABINET PORTRAITS/ COLOURED TO ORDER."

Item is a grey card with white, textured front and embossed border around photograph of a baby in lace dress seated on a large, carved chair. On verso, in pencil, "To Mr. & Mrs. J Hill/ for/ Carl & Lorne./ 6 months old"

Item is a beige card with embossed frame around photograph of three young girls, seated on a bench. The youngest is perched on the edge and wears a large bow in her hair. At bottom right of card, a red stamp with decorative wreath surrounding the initials "A B" is followed by the text "A. Brien/ 640 W. NOTRE DAME/ MONTREAL." On verso, in pencil, "[illeg] gilt(?)" and "6 x 9".

Item is a beige card with portrait of a woman in dress with translucent sleeves and a large bow around the neck. Shows full view of body, with dramatically cinched waist from corset. At bottom, in brown letterpress, decoration with oval border and crown and the text, "CRAWFORD/ HAMILTON."

Item is a cream coloured card with single fold and light grey design at top left - a diagonal with 2 squares. Inside, photograph of 2 women with hats and gloves on either side of a young man, soldier(?). Studio setting.

Item is a cabinet card with black fabric lining on card with oval photograph showing a man with curled moustache and a polka dot bowtie and striped shirt. At lower right, embossed in gold, "Maxwell/ WALLA WALLA,/ WASH." A few pen marks added to enhance moustache.

Item is a green bi-fold card with a design in silver letterpress at the top left of an artist's palette and brushes with the text "The/ Gainsboro". Inside, a portrait of a woman with a wavy bobbed haircut and a fur coat with thick fur collar. At the bottom centre, in black letterpress, "THE/ GAINSBORO/ STUDIOS/ TORONTO/ HAMILTON/ ST. CATHERINES".

Item is a black card with oval photograph surrounded by an embossed ivy border, showing a young man in suit with tie and waistcoat. At the bottom right, in white letterpress, "Keenan/ BARRIE."

Item consists of a beige coloured card with scrolled edging and a full body photograph of a man and woman against a studio backcrop depicting a latticed window and romantic stormy sky. The man is seated on a wicker chair and the woman stands next to him, a pocket watch attached to her blouse.

Item is a cream coloured cabinet card with red border and red letterpress at bottom, "BRIGHAM/ SCARBORO". Full body photograph of a woman standing in front of a wooden fence against a pained backdrop depicting trees and a large house at the right. Woman wears a full hoop skirt and holds a hat. On verso, in black letterpress, "W.D. Brigham./ Photographer./ HUNTRISS ROW./ & New Queen St./ SCARBORO,/ & Pocklington." In handwritten ink, "Cousin/ Hannah Mayman."

Item is a beige cabinet card with gold letterpress at bottom, "REES" and "223 FEDERAL ST.,/ YOUNGSTOWN, OHIO." Photograph shows a seated woman with wide, popularly termed "leg o' mutton" sleeves, and a young girl standing beside her in a lightly-patterned dress with wide frilled collar. On verso, in blue ink, "Mrs. Kingdom(?) &/ daughter Mary K".

Item is a grey cabinet card with beige border and a photograph of a young girl, probably around 6 or 7 years old, in a a dark coloured dress with light coloured stiching and ribbons. She holds a bouquet of flowers in her right hand and stands next to a chair on which is seated a baby in a white dress. A studio backdrop of curtains and faux mantlepiece are behind them.

Item is a light grey cabinet card with photograph of two women in matching dark dresses with large, leg o' mutton sleeves and wide lapels. The image is vignetted, and printed on very white paper.

Item is a white cabinet card with gold letterpress border and text at the bottom, "W. Farmer 35 KING STREET/ HAMILTON, ONT." Photograph shows a baby in white dress seated on some fabric. On verso, printed sideways, an elaborate lithograph with a camera, woman and cherubs admiring a pictures with a city scene in the distance and the text "W. Farmer/ 35, King Street,/ Hamilton, Ont./ ENLARGEMENTS IN INDIA INK, WATER COLOR, CRAYON AND OIL./ SPECIAL DEPARTMENT FOR PICTURE/ FRAMES AND MOULDING./ DUPLICATES/ CAN BE HAD/ AT ANY TIME./ Manufacturer/ of Dry Plates./ NEG. C. E. & C."

Item is a black cabinet card with embossed gold text at the bottom, "Robert Smith/ 100 COWCADDENS ST./ GLASGOW." Photograph shows a young woman in light coloured dress in front of a painted rocky backdrop and lighthouse holding a tennis racket at her right side.

Item is a beige cabinet card with brown letterpress at bottom, "W. Crooke/ 103 PRINCES STREET/ EDINBURGH." Photograph is of a mother and two daughters. The woman sits on the left, wears a tight jacket with lace sleeves and a narrow bonnet with crushed fabric decoration at brim and large silk bow tied under her neck. The older girl on the right wears a dark fabric, probably velvet, dress with lace collar and lace trimming on short sleeves. The infant on the mother's lap wears a lace dress and bonnet. Only the infant looks toward the camera.

Item consists of a cream coloured cabinet card with black letterpress at bottom edge, "Hearn, 1104 State St., Olean, N. Y." Photograph is a full length portrait of 3 children, 2 boys and a girl. The girl on the right holds a doll in her hand with elaborate hat and lace vest. The older boy wears a plain double breasted suit and cropped trousers, and the younger wears a sailor-style fashion. They stand in front of an abstracted studio backdrop. On verso, handwritten in pencil, "16 Washington St.".

Item is a cream coloured carte de visite with gold border and photograph of a young man in dark suit and flat, plaid bowtie, seated and resting his arm on a small fabric-draped table.

Item is a cream card with silver letterpress at bottom edge, "Regent Portraits Ltd., London & Provinces." Photograph is a portrait of a young woman in plain white blouse with her short hair curled forward on either side of her face, and a section pulled up and rolled back on top - a very popular style for the 40s. On verso, "Further copies may always be obtained/ from our local Studio by quoting index/ letter and Negative Number." Handwritten in pencil, "PA61.99.8" and again in letterpress, "OR FROM/ REGENT PORTRAITS Ltd.,/ 30/31 GREAT SUTTON ST.,/ LONDON, E.C. 1."

Item is a grey cabinet card with white letterpress at bottom left, "26 W. 23RD St./ Eddowes Bros./ NEW YORK." Photograph is a full length portrait of a woman in a light patterned dress with puff-ball sleeves and a black lace overlay on the bodice of the dress. She wears a floral hat and holds a pair of gloves in her hands. She stands in front of a studio backdrop depicting a forest path.

Item is a cream cabinet card with brown letterpress at bottom, "Duryea/ 158a Rundle Street,/ ADELAIDE." Photograph is of an infant of about 1 year old seated on an upholstered chair with furs draped on the back. The child wears a lace dress, cape and bonnet and black patent leather shoes with bows. On verso, also in brown letterpress, "From the/ STUDIO/ of/ T. Duryea/ ARTIST IN PHOTOGRAPHY/ No 158a Rundle Street/ ADELAIDE/ PORTRAITS ENLARGED AND FINISHED IN OIL,/ WATER COLOR OR CRAYON./ Additional copies obtainable at reduced rates." Handwritten in pencil at the top right and then crossed out "191" and just to the left of that, "221".