Item is a white cabinet card with gold letterpress at bottom edge. On the left, a design with a shield and the letters "L" "C" and "O" intertwined. On the right, "Owens Ground floor Studio/ S. MILL ST./ NEW CASTLE, PA." Photograph is a vignetted portrait of two children about 2 and 4 years old, with white blouses and large white ties done in bows around their necks.

Item is a dark brown cabinet card with gold letterpress at the bottom reading "Smith/ Galt". Photograph shows two children in dark dresses with pleating down the front seated on hay with palm fronds in the background and holding a picture book open on their laps. On verso, at bottom right, a sticker with the handwritten ink "$4.00/ SW".

Item is a grey card with embossed scroll decoration around an oval photograph of two women in front of a studio backdrop with abstracted plants and a window (probably meant to resemble a conservatory). At bottom left, gold embossed text "STEWART'S STUDIO/ WEST BADEN SPRINGS/ IND."

Item is a light grey cabinet card with photograph of two women in matching dark dresses with large, leg o' mutton sleeves and wide lapels. The image is vignetted, and printed on very white paper.

Item is a cream coloured card with single fold and light grey design at top left - a diagonal with 2 squares. Inside, photograph of 2 women with hats and gloves on either side of a young man, soldier(?). Studio setting.

Item is a cream coloured cabinet card with light green border and embossed decoration at bottom, with raised text "Senior" and "MAIN ST./ EXETER." on either side. In the bottom centre, a drawing of an artist's palette with brushes contains the text "EXTRA/ FINISH". The photograph is of two young girls, probably about 1 and 2 years of age, in dark dresses with wide lace collars. The younger sits in a wooden rocker with horse cut-outs on either end.

Item is a cabinet card portrait of woman sitting and wearing Victorian dress. Black text on back of card reads, 'Bradley & Rulofson San Francisco, United States, The World, Vienna 1873, Gold Medals, 429 Montgomery Street San Francisco. Cal'

Item is a portrait of woman in Victorian dress. Black text below photograph reads, 'Wilkinson Bros. Cookshire, Que.' Inscription in black ink on back of card reads, 'Alfred and Florence with love from the original'

Item is a cabinet card portrait of woman in lace shawl. Black text below photograph reads, 'Kirkland Cheyenne, Wyo.' Brown text on back of card reads, 'Kirkland's Studio Cheyenne Wyo. Finest Appointed in the west Portraits in crayon, ink and colors. Fine large work a specialty. Duplicates from this picture can be had at any time.'

Item is a full length portrait of woman in Victorian dress. Black text below photograph reads, 'Phot E. Bondonneau 173 Palais Royal'. Black text on back of card reads, 'Cliché No. Il suffit d'indiquer ceNo poar obtenir des epreuves semblables. Emile Bondonneau Photographe Editeur. Galerie de Valois, 173 (Palais Royal.) Entree des Voitures, 1, Rue de Valois Paris.'

Item is a cabinet card portrait of woman. Gold imprint below photograph reads, 'Elmer Chickering 21 West St. Boston'. Black text on back of card reads, 'The royal studio, Massachusetts charitable mechanic association founded 1795 inc. 1806. Awarded at the seventeenth exhibition 1890, highest award, Elmer Chickering Proprietor 21 West St. Boston, Duplicates can be had at any time', inscription in pencil on back reads, '86503'

Item is a cabinet card portrait of woman. Text below photograph reads, 'Rockwood, 17 Union Square (West) N.Y.' Text on back of card reads, 'Rockwood Photographer 17 Union Square (west) N.Y.'

Item is a cream coloured cabinet card with image of a woman in tall straw hat and bustled gown leaning in a doorway with a child in single-breasted jacket holding a straw boater seated in hay at her knees. Flowers are painted onto the faux-stone wall of the studio scene. At bottom, in gold letterpress, "Wallis." and at right "PHOTOGRAPHER/ 61 SPARKS STREET, OTTAWA."

Item is a cream coloured cabinet card with gold edging (almost gone) and photograph of a woman in a black dress with puffed sleeves standing behind a round chair with blankets and furs, on which two children are seated. In the background, a painted scene features a farmhouse, fence and trees.

Item is a beige cabinet card with brown letterpress at bottom, "W. Crooke/ 103 PRINCES STREET/ EDINBURGH." Photograph is of a mother and two daughters. The woman sits on the left, wears a tight jacket with lace sleeves and a narrow bonnet with crushed fabric decoration at brim and large silk bow tied under her neck. The older girl on the right wears a dark fabric, probably velvet, dress with lace collar and lace trimming on short sleeves. The infant on the mother's lap wears a lace dress and bonnet. Only the infant looks toward the camera.

Item is a portrait of woman standing with hand on a mantle wearing cape and bonnet.

Item is a brown folded card card with gold letterpress on front, "DeLille's/ STUDIO./ Toronto". Inside, sepia-toned portrait of a woman in a romantic bun and a lacey, floral wrap. On photograph, in white ink, "DeLille's/ Toronto". Photograph is pasted onto brown tissue on top of cream card.

Item is a cabinet card portrait of woman in furs. Illegible inscription in ink below photograph. Gold text on back of card reads, 'Pittaway & Jarvis, Photographers, No. 117 Sparks Street, Ottawa, Ont.'

Item is a beige carte-de-visite with photograph of a woman with silk tie and small, feathered hat. On verso, printed at a diagonal in black letterpress, "J.W. BOYCE,/ Photo,/ BELLEVILLE/ Ontario."

Item is a cabinet card portrait of woman in hat and furs. Gold text below photograph reads, 'Wilkinson Bros. Cookshire, Que.'

Item is a cream coloured gold edged cabinet card. Photograph affixed with woman in velvet jacket with elaborate lace neckline, leaning against flower-covered rock in studio setting with birch trees painted on a backdrop. She holds a copy of Picturesque Canada Vol II and displayed to the right are a cabinet card, a conch shell and a straw hat with flowers. On verso, in red ink, an artist's palette and brushes are depcited with the text "95/ Windham St./ Guelph/ Marshall."

Item is a portrait of woman in veil holding flowers. Information [illegible] pressed into tin on top of object.

Item is a marbled brown bi-fold card with oval overmat on photograph of a young woman wearing pearls and a gauzey wrap. At bottom righ ton mat, in brown letterpress, "Barrett Studio/ 327 YONGE ST./ TORONTO." On front left flap, art nouveau style design embossed in gold.

Item is a cream cabinet card with scalloped, gold-leafed edges and gold letterpress at bottom, "Goodwin/ EXTRA FINISH/ SYRACUSE, N.Y." Photograph is a full length portrait of a young boy, probably about 5 years old, wearing a lace shirt with dark cuffs and a dark ascot tie, trousers cut off at the knee, and holding a stick in one hand and a hat in another. He sits on the edge of a stone pillar with a background of abstracted leaves for a backdrop. On verso, an etching of a waterfall with the text "Goodwin./ 314 SO SALINA ST/ ART Photography./ INSTANTANEOUS PROCESS". At the top edge, handwritten in ink, "Georgia Wilson".

Item is a black card with oval photograph surrounded by an embossed ivy border, showing a young man in suit with tie and waistcoat. At the bottom right, in white letterpress, "Keenan/ BARRIE."

Item is a cabinet card portrait of young man with vignetting. Gold text below photograph reads, 'Summerhayes & Walford Montreal'

Item is a photograph of a boy standing in a studio. Inscription on verso reads, 'W. Roylance Gourt'

Item is a cream card with photograph attached to tissue. On pencil, on tissue, "Guttenbery/ Manchester." Photograph is a young man in suit and tie. On verso, grey ink "Guttenber/ Manchester/ No A622." In pencil, at top right, "3309 Kuld must Kant."

Item is a green card with beige border around photograph of a young soldier (same as 2008.001.158). Soldier wears hat with design of two crossed rifles and the number 2 and letter B. On collar, an "H" is pinned to the left lapel. Card has been cut down on left and right to approximate a cabinet card size.

Item is a cream coloured cabinet card with gold letterpress at bottom, "G. Dahms, BRADY ST./ Bet. 2nd and 3rd/ DAVENPORT,/ IOWA." Photograph shows a young man (same as in 2008.001.159) against studio backdrop with tropical plants. Man wears uniform of the Iowa National Guard with carbine belt and insignia of two rifles with the letter "B" on the hat.

Item is a portrait of a young woman in an off-the shoulder wrap holding flowers at her chest. Her image has been artistically blurred and warm toned.

Item is a photo postacard portrait of young woman in hat.

Item is a bi-fold card with greenish marbled paper. Inside, a photograph of a young woman in a flowered dress, standing in front of a window and table. On inside front-left flap, handwritten in ink, "To Cara".

5 photographs of the same woman in light-coloured blouse, different poses and backgrounds. Each image is stamped "PROOF ONLY" on the front, and again on the back with more explanatpry text. The studio's name is given as "The Stride Studios". The sitter was identified as "Miss Helen Ballock." on a manilla envelope which contained the images. [Envelope removed]

File consists of prints featuring various indoor and outdoor portraits for various occassions, such as weddings.

This file contains photographs of Hack Yates, likely by photographer Mike Peake.

Item is a cream cabinet card with gold letterpress, partially obscured by the photograph which is pasted on top, sideways. "Van Aken/ ELMIRA, N.Y." with a decoration with letters "V" and "A" intertwined. Photograph shows two individual circular portraits of a man and a woman. Handwritten in ink at the base of the woman's portrait is "1851" and the man's, "1850". Given the style of dress and hair, this is probably the date of the original picture and not a birth or death date. On verso, an elaborate border and design with griffon and foliage, with the text "E.M. Van Aken/ Photographic/ Art/ Studio./ Practical Photographer,/ 120 West Water Street,/ ELMIRA, N.Y./ COPYRIGHTED 1889."

Item is a photograph of two seated women in white blouses and plain, dark skirts. The one on the right has a wrap skirt with buttons at the seam near the waistband and holds a book loosely in her right hand. A young man stands between them, wearing a suit and tie of a dark colour. On verso, printed in black ink, "POST CARD/ CORRESPONDENCE/ ADDRESS ONLY".

Item is a grey card with an oval photograph showing a man seated in a wooden chair, resting his arm on a table with floral-patterned cloth and with a floral studio backdrop. Embossed at lower right on card, "Jas.? Mason/ PENETANG & ELMVALE."

Item consists of a portrait format poster featuring a spashot image of a puppy and text in French that discusses the benefits of using Film Verichrome Kodak for your snapshots.

Item consists of one broken, printed cartoon lantern slide, with only 1 vignette remaining. Image depicts a Punch & Judy puppet show.

Item is a cabinet card of a professor with a long beard. Imprint below photograph reads 'Kellie and Co. Portraits', illegible inscription on surface of photograph. Inscription on verso reads, 'From Prof. Duchariue to his pupil Florence L. Roe Dec 26th 1893. 900 Dorchester St Montreal'.

File contains copies of RADmag - Ryerson Art + Design magazine. It is a creative magazine spotlighting students all the schools under the Faculty of Communicaiton and Design. Issue 00 was an alumni edition and Issue 01 was published with 3 different covers.

File contains one copy of the inaugural issue of RADmag. Issue 00 is the alumni edition - its contributors all graduates of the various Ryerson programs under FCAD.

File contains 1 copy each of the three different covers for edition 01 of RADmag.

File contains 1 copy of issue 10 of RADmag - the Fifth Anniversary Issue

File contains 1 copy of issue 11 of RADmag

File contains 1 copy of issue 02 of RADmag.

File contains 2 copies of issue 03 of RADmag.

File contains 1 copy of issue 04 of RADmag.

File contains 1 copy of issue 05 of RADmag.

File contains 1 copy of issue 06 of RADmag.

File contains 1 copy of issue 07 of RADmag.

File contains 1 copy of issue 08 of RADmag.

File contains 1 copy of issue 09 of RADmag.

File contains records created in the production and publication of promotional photographs. Documents include: image captions for photographs of individuals, products, and war-related munitions work; picture files for photographs for the 1962 annual report; correspondence with external individuals requesting usage rights; correspondence regarding the Kodak commemorative stamp photographs, product images, and Kodak Ltd.'s coronation photographs; and photography release forms. Most records in file were unfortunately divorced from their accompanying photographs at some point during their life cycle.

Item consists of a read leather album. The album has the words "Where Rolls the Oregon" etched onto the front cover. Includes several family photographs and group portraits as well as images of locations in the United Kingdom such as Pass of Killiecrankie (Scotland), Queenstown Harbour (Ireland), Balmoral castle (UK). Other subjects of photographs include people on horse-drawn carriages, in military settings, playing sports, on farms, weddings, and chronological baby photos at the end of the album.

Photograph is of a woman sitting in front of a fireplace, with Redbook magazine open on her lap. The support for the image is a neon-red paper. On the lower right of the tan card mount is embossed the studio logo. On the verso is inscribed in green ink: "To Jessie, Wishing you many happy returns of the day. Violet. Jan. 1 1912."

File contains reproductions of photographs used by corporate communications and also likely by the Kodak Canada Heritage Collection and Museum. Subject matter includes: Plant and facilities at Colborne and King streets; Kodak Heights; factory work; employees; wartime; product images; dental and medical photography; George Eastman; corporate events; and others. Some reproductions annotated.

Managed by William Hebb until 1876, when Oliver M. Hill took over the position.grey card which fades from light to dark from left to right, with round portrait of a woman with a ruffle-collared dress. At bottom right, embossed in white on a diagonal, "F. W. Wood Ltd. 347 & 349 EDGEWARE RD. ,W./ 8, 22 BISHOPS RD., W." On verso, handwritten in pencil, "112330".

One cardboard box meant for holding dry plates manufactured by the Canadian Kodak Co. Originally came with instructions inside the package. Contained one dozen plates measuring 4 x 5 inches.
The Gelatin or Dry Plate photographic process was invented in 1871 by Dr. Richard L Maddox. This involved the coating of glass photographic plates with a light sensitive gelatin emulsion and allowing them to dry prior to use. This made for a much more practical process than the wet plate process as the plate could be transported, exposed and then processed at a later date rather than having to coat, expose and process the plate in one sitting. The gelatin dry plate process technique was developed and eventually led to the roll film process.

Item consists of photographs of two men and a woman at "Scarboro Heights". On the side of one negative is written "6th June 1925".

Item is a portrait of seven men. Stamp on back of card reads, 'F.H. Denison, Photographer, Dealer in Picture Frames, Chromos, Oil paintings, Stereoscopic Views, Albums, Wall Pockets, Brackets, &c. Court St. Fergus Falls, Minn.'

Item is a pamphlet designed to accompany a Sinar course on large-format photography. The pamphlet provides an overview of the course syllabus, illustrations of common problems with large-format photography, and space for participants to write notes.

Item is a snapshot album produced by Canadian Kodak Co. Ltd. The album includes 34 leaves with paper corners to hold photographs. No photos are included.

Item consists of photographs taken on Christmas day in the snow by a brick house. People photographed include "Dot [a dog], Joe & Norman, Ethel & James & Etc."

The book consists of artistic photographs and text, with an accompanying DVD of snow, rain, light, and wind in moving images and still photographs, including those projected on building exteriors. File also contains a news release on the book.

Snow, Rain, Light, Wind : Weathering Architecture is a component of a larger project investigating "material innovations in architecture within the context of local and global climate and its changes...entitled, 'Malleable Matter.' " Filiz Klassen,Weathering Architecture.

Brown/maroon bound cover labeled "6". Notations in pencil. Photographs are mounted behind window-cutouts on the pages. Some photographs quite faded.

Locations include: Granada, Alhambra, Algeciras, Spain; Scheveningen, Netherlands; Southamphton, England.
Sites include: Rio Genil, Puerta de Elvira, Rio Frio, S.S. Olympic.

Themes include: portraits, scenic views, bullfighting, ships, sailing.

Folder contains published material by the RULA Special Collections including posters, pamphlets, brochures etc.

One cardboard box meant for holding dry plates manufactured by the Stanley Co. Box contained one dozen plates and ranked a No. 50 on the sensitometer. Box bears a logo with a man on a horse saying "On Stanley, On."
F.E. Stanley developed his own dry plate formulation and then eventually began selling plates to other photographers. The venture proved so successful that he and his twin brother, F. O. Stanley, became partners in the Stanley Dry Plate Company in 1884. Their coating machine, patented in 1886, accelerated the dry plate process, coating plates at a speed of one plate per second. The twins ultimately sold the Stanley Dry Plate Company to George Eastman of Eastman Kodak, who used the Stanley innovation to build his photography empire.
The Gelatin or Dry Plate photographic process was invented in 1871 by Dr. Richard L Maddox. This involved the coating of glass photographic plates with a light sensitive gelatin emulsion and allowing them to dry prior to use. This made for a much more practical process than the wet plate process as the plate could be transported, exposed and then processed at a later date rather than having to coat, expose and process the plate in one sitting. The gelatin dry plate process technique was developed and eventually led to the roll film process.

File consists of bound and unbound issues of Studio Light, published by Eastman Kodak Company, from 1914 at 1932 and from 1975 to 1988. The publication was targeted toward professional photographers. Some issues missing.

File consists of bound volumes containing both the American and Canadian editions of Studio Light, published by Eastman Kodak Company, from 1934 to 1940. The publication was targeted toward professional photographers.

File contains issues of the Canadian Edition of Studio Light, published by Eastman Kodak Company, from 1909 to 1929. The publication was launched in 1909 and was targeted toward professional photographers. File includes vol. 1, no. 1 (Mar. 1909) to vol. 21, no. 10 (Dec. 1929). The original name of the publication was Studio Light and the Aristo Eagle. The name was changed to Studio Light in February, 1910.

Item is the inaugural issue of Studio Light/Commercial Camera, published by Eastman Kodak Company in 1969. A continuation of the company's Studio Light publication, the magazine was designed as a resource for professional photographers.

A letter folded into the album cover, addressed to Mr. Gordon Hamblin at Canadian Kodak, Ltd. describes the content of the album as a weekend at Mr.T. F. Pevear's cottage near Rochester, NY, where Mr. Hamblin visited while attending a meeting at the Eastman Kodak Company.

Item consists of a black and white photograph of a woman posing with a dog. The woman is wearing a white dress, stripped stockings, a headband and boots. She is putting her face next to the dog's, who has its tongue out. They are sitting on the front porch of a house. There appears to be a slight light leak coming from the left side of the frame. There is a small white border around the image. On the back of the photograph is handwritten in pencil "633" and in pen "Ted & Buster"

Item is a tintype portrait of Teddy Orr as a boy with a friend. Housed in a black embossed mat. Inscription in pencil on back reads, 'Teddy Orr & Friend, April 1912'

File consists of 2 photographs featuring studio portraits of women and children.

Series consists of unpublished textual records produced as a result of the day-to-day operations of Kodak Canada from 1896 to 2005. Records pertain to the company's corporate operations, financials, plant, equipment, and supplies, communications, human resources and industrial relations activities, employee activities, and Heritage Collection and Museum. Series includes notes, correspondence, ledger and account books, financial statements, reports, recipes and instructions, contracts and agreements, publication drafts and mock-ups, lists and inventories, and other manuscript, typescript, and computer-created textual materials produced by Kodak Canada employees, contractors, and correspondents.

The technicques of the masters videoconference series poster for William S. McIntosh's lecture "Learn How Unsusual Settings Have Created The Portrait of Success".

Collection consists of an automatic photobooth, and material related to its original function. Designed by David McCowan and patented on May 21, 1929. The collection includes vintage articles and advertisements, photographs of the booth and members of the McCowan family, the booth itself, along with related accessories.

Collection includes vol. XXVI, no. 9 (Sept. 1922).

Item is an illustrated brochure promoting photographic technology and history and profiling Kodak in Canada and around the world.

Item is an illustrated colour brochure profiling Kodak's operations and history in Canada. Includes overview of photographic film and paper manufacturing process.

The techniques of the masters videoconference series poster for Annie Leibovitz's lecture "Two Decades".

The techniques of the masters videoconference series poster for David Ziser's lecture "Staging the Set, Telling a Story".

The techniques of the masters videoconference series poster for Denis Reggie's lecture "Staging the Set, Telling a Story".