At Kodak Heights was a bimonthly magazine, first published in January 1921, intended to foster communication among employees of Canadian Kodak Co. Ltd.

The full lineage of internal publications for Kodak Canada employees ran as follows: At Kodak Heights was succeeded by Kodak in 1936. In 1955, the name was changed to Canadian Kodakery. In 1975, the name was changed again to Kodak Canada News. In 1986, this publication was succeeded by In Focus; and in 1994, the name changed to its final title, Kodakery Canada.

File consists of photographs of employees from Kodak's Camera Repair department. Includes groups shots and portraits of employees at their work stations. Some names of the employees photographed are listed on the envelop and image verso.

Item consists of a mounted photograph depicting the cast of the Kodak Minstrel Show, that took place on May 3rd, 1920. The cast of 35 includes 32 men, most of whom are in blackface, wearing wigs and makeup, and three women in regular dress. Minstrel variety shows were performed during the 1920's by Canadian Kodak employees as part of the Kodak Athletics Association (KAA) activities.

Minstrel shows are a style of variety show, most popular during the late 19th and early 20th century, in which white performers use make-up and costumes to depict racist and stereotypical caricatures of Black people. The genre originated in the United States, but Canada had its own troupes and touring companies, and the format was popular with schools, community groups, and religious organizations.

Black leather cover, gold embossing ("photographs" and "showboat days"). Black pages with photographs glued in. Album bound by black braided string. "No. A Balmoral Album / Made in Canada by Canadian Kodak Co. Limited (Genuine Leather)."

Mostly collage work, cut out from show program, newspaper clippings of reviews and photographs from the London Kiwanis Club "Showboat Days Revue" at the Grand Theatre.

The review included glee club performances, theatrical acts and minstrel shows. The minstrel performances included several white performers in blackface.

Minstrel shows are a style of variety show, most popular during the late 19th and early 20th century, in which white performers use make-up and costumes to depict racist and stereotypical caricatures of Black people. The genre originated in the United States, but Canada had its own troupes and touring companies, and the format was popular with schools, community groups, and religious organizations.

Item is a group portrait of a minstrel show. 42 performers, including children and adults, are posed seated or standing on a stage. Six of the performers appear in blackface, wearing makeup and wigs.

Minstrel shows are a style of variety show, most popular during the late 19th and early 20th century, in which white performers use make-up and costumes to depict racist and stereotypical caricatures of Black people. The genre originated in the United States, but Canada had its own troupes and touring companies, and the format was popular with schools, community groups, and religious organizations.

A two-page hand-written eulogy was found with the photograph that begins "Ella Roberts age 85 years of Galena, Ohio died November 28, 1949..."

The first image, Burgess & Seymour, a study in black and white, depicts two Canadian Kodak employees, one identified as draftsman F.A. Seymour and the other as R. Ainslee Burgess. They performed a skit originally performed in the Canadian Kodak Minstrel Show of February 17-18, 1921, which was, according to an included clipping, repeated at a bazaar held by the Toronto Technical School. The skit consists of two easels, on which the two performers have drawn sketches of different Kodak girls. One of the performers (Burgess) is in blackface, as part of the Minstrel variety show performed during the 1920's by Kodak employees as part of the Kodak Athletics Association (KAA) activities.

The second image is a group portrait of the Kodak minstrel troupe consisting of 29 men in black face and their accompanying 7 musicians and conductor. They performed at the same event as Burgess and Seymour, February 1921.

Minstrel shows are a style of variety show, most popular during the late 19th and early 20th century, in which white performers use make-up and costumes to depict racist and stereotypical caricatures of Black people. The genre originated in the United States, but Canada had its own troupes and touring companies, and the format was popular with schools, community groups, and religious organizations.

The photograph depicts a female group of 9 women with blackface in costumes of matching striped hats and dresses. The Minstrel Show of which this troupe was one act, held three performances at the Crystal Theatre in April 1922.

The performers were part of a Kodak Minstrel Show, performed by Canadian Kodak employees and held by the Kodak Athletics Association (KAA) during the 1920's.

Minstrel shows are a style of variety show, most popular during the late 19th and early 20th century, in which white performers use make-up and costumes to depict racist and stereotypical caricatures of Black people. The genre originated in the United States, but Canada had its own troupes and touring companies, and the format was popular with schools, community groups, and religious organizations.

The three duplicate, mounted-on-board photographs depict the minstrel troupe of 32 male participants, one not being blackface and another being a child in blackface on the Crystal Theatre stage with a dimensional painted backdrop. Accompanying them is a 7 member orchestra plus conductor. The Crystal Theatre was located on Dundas St. West, west of Keele St. (re-named the Apollo in 1934).

The performers were part of a Kodak Minstrel Show, performed by Canadian Kodak employees and held by the Kodak Athletics Association (KAA) during the 1920's.

Minstrel shows are a style of variety show, most popular during the late 19th and early 20th century, in which white performers use make-up and costumes to depict racist and stereotypical caricatures of Black people. The genre originated in the United States, but Canada had its own troupes and touring companies, and the format was popular with schools, community groups, and religious organizations.

Files consists of photographs taken during multiple CBC productions, including The Tommy Hunter Show, Ombudsman, Trust a Thief, Music of Man, Anne Murray and Umbrella.

There are four images in the file with racist depictions of Black individuals. They are on-set photographs from a staged blackface performances taken during the production of the CBC television show "The Music of Man" (1979) hosted By Yehudi Menuhin. The images are related to the 6th episode titled "The Parting of the Ways" which explores the influence of African cultures on American music at the turn of the century, resulting in blues, minstrel shows and ragtime. The images show a group of six men in blackface wearing white suits, and a man without makeup holding a banjo at the centre. The performers are on a theatre stage and the seated audience of actors are wearing late 19th century clothing.

Minstrel shows are a style of variety show, most popular during the late 19th and early 20th century, in which white performers use make-up and costumes to depict racist and stereotypical caricatures of Black people. The genre originated in the United States, but Canada had its own troupes and touring companies, and the format was popular with schools, community groups, and religious organizations.