Title and statement of responsibility area
General material designation
- Multiple media
Other title information
Title statements of responsibility
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Edition statement of responsibility
Class of material specific details area
Statement of scale (cartographic)
Statement of projection (cartographic)
Statement of coordinates (cartographic)
Statement of scale (architectural)
Issuing jurisdiction and denomination (philatelic)
Dates of creation area
194? - 2004 (Creation)
- Hackborn, Robert
Physical description area
Publisher's series area
Title proper of publisher's series
Parallel titles of publisher's series
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Statement of responsibility relating to publisher's series
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Archival description area
Name of creator
Directly after graduating from the OCA, Mr. Hackborn travelled throughout Europe. While touring the European continent, Mr. Hackborn continued to develop his painting technique while he also regularly played gigs as a jazz drummer. Along with a group of musicians that included Michael Snow, Hackborn was contracted to Club Med, playing in their clubs in Italy, Yugoslavia, and The French Alps. After travelling Europe and living in Malaga Spain for 3 months over Christmas and New Years, Mr. Hackborn returned to Canada in 1954 and took a post working as an advertising illustrator and artist for S.W. Caldwell in Toronto.
In 1955 Hackborn embarked on what would become a long and important career in the design and production of sets and special visual effects for television when he took a position in the nascent Television Production unit at the Canadian Broadcasting Corporation (CBC). Hackborn started his career as a scenic paint artist then subsequently transferred to the set design department in 1958. Hackborn continued to work for the CBC for nearly four decades, helping to design the look for a staggering array of variety, comedy, musical, sports, news, children’s, and scripted television dramas. Hackborn’s career saw him work both in-studio with multi camera shooting setups and later, with 16mm film cameras on a variety of sets and exterior locales. Starting with The Juliette Show in the late 1950’s, and stretching to the 1990’s, Hackborn’s designs and special visual effects enhanced the production values of a vast number of shows at the CBC. Shows featuring Hackborn’s input include but are not limited to: Mr. Roger’s Neighbourhood, Mr. Dressup, The Tommy Hunter Show and Tommy Hunter’s Canada Entertains, World Tour '67, Wayne & Shuster, I Married the Klondike, Fraggle Rock, The Royal Canadian Air Farce, and The Kids in the Hall. Hackborn also worked as a production designer with director Donald Brittain on several CBC/National Film Board (NFB) co-productions including: Canada's Sweetheart: the saga of Hal C. Banks and The King Chronicles. His contributions to these and many other shows are of great cultural and technological significance.
Scope and content
Records: [textual ; graphic ; photographic; audio visual; artifacts ; publications]
194? - 2004 : 36 Bankers boxes and 23 map cabinet drawers.
The Robert Hackborn fonds contains the records that Mr. Hackborn generated during the course of his television production career and maintained at his private residence after his retirement in 1993. This includes documentation going back to Mr. Hackborn's youth and earliest professional days. The research value of the records in this fonds is significant as it relates to the history of Canadian television production, and the specific programs that Mr. Hackborn contributed to. As an example, the fonds contains photographic and textual documentation of the earliest stages of the show development process for the important children's television programs Mr. Dressup and Mr. Rogers Neighbourhood. The fonds also contains extensive documentation of the creative processes behind the development of Jim Henson's Fraggle Rock, including images of, and correspondence with Mr. Henson.
During his career, Mr. Hackborn was also responsible for the execution of a very large collection of photographs that document the processes of working on a television set. With a professionally trained eye for composition and his camera, Mr. Hackborn systematically documented the television production process of the shows that he worked on. As a result of this work, the Robert Hackborn Fonds contains an impressive collection of this photographic documentation, which should serve as a valuable resource for future academics looking into the history of Canadian cultural output. Note on arrangement: This Robert Hackborn Fonds has been arranged in a manner that pays as much respect to the concept of Original Order as practically possible. Although the collection has been separated into Series based on General Material Designation in the finding aid and database, the physical arrangement of the collection remains identical to the manner in which Hackborn organized and stored his records, except where issues of physical size made such arrangement impossible. The oversized materials in this collection have therefore been arranged and stored in map cabinets designed to accommodate their physical dimensions. In addition, there is a small collection of oversized objects that have been stored on shelves above the collection owing to their size.
Access: There are no restrictions on access to this collection. Researchers must schedule an appointment with Ryerson Archives & Special Collections in order to view the records, and no records are permitted to leave the reading room or to be loaned out.