The techniques of the masters videoconference series poster for Jane Evelyn Atwood's lecture "Cross Cultural Experiences".

The techniques of the masters videoconference series poster for Jerry Uelsmann's lecture "A Remarkable Blending of Image and Imagination".

The techniques of the masters videoconference series poster for Marilyn Bridges' lecture "Seeing the World from Different Perspectives".

The techniques of the masters videoconference series poster for Moneta Sleet's lecture "Cross Cultural Experiences".

The techniques of the masters videoconference series poster for Rudy Muller's lecture "Staging the Set, Telling a Story".

The techniques of the masters videoconference series poster for Sebastiao Salgado's lecture "A Salute to Black-and-White".

The techniques of the masters videoconference series poster for Sheila Metzner's lecture "Images to Stir the Soul"

Portrait of King George V, King Edward VII and Prince Edward, Duke of Windsor (King Edward VIII) on board the Royal Yacht 'Victoria and Albert. Print is mounted on 34.5 x 29.5 cm cardboard.

Item is a tintype in an ornate handmade cardboard and papier mache frame.

Item is a leather-bound locking family album containing 48 Tintypes from the late 1800s beginning with 1873.

The image is of two men, identified from their name tags as Tony Miller and Bill Hastings, discussing a Suzuki motorcycle.

Item consists of photographs taken on a trip to Milwaukee. Subjects include stilt houses, water bodies, parks, and family portraits.

Item is a dry plate negative depicting 9 adults and children posing during a tug of war game.

Item is a photograph of two girls in traditional dress. Text beneath photograph reads, 'Delintraz Phot. Rue Duphot, 9.' Text on back of card reads, '9, Rue Duphot, 9 Cidevant No 15, en face l'Eg de la Madeleine a l'Entree du Boulevart. Delintraz Photographe Specialite de reproductions et tous genres. PARIS'

Item is a colour illustrated brochure outlining Eastman Kodak Company's equipment manufacturing facilities and capabilities.

Series contains pamphlets, maps, guides and publications for cultural sites and photographic exhibitions between 2000 and 2005. Venues include:

Bath Abbey, England
The Boston Public Library
East Lambrook Manor Garden, England
The Finnish Museum of Photography
Forma International Centre of Photography, Milan
Glastonbury Abbey, England
Harry Ransom Humanities Research Centre, University of Texas at Austin
Harvard University Art Museums
The High Desert Museum, Bent Oregon
Horn Park Gardens, Dorset
International Visual Society Association
Japanese Gardens, Portland
Memorial to the Murdered Jews of Europe
Museum of Contemporary Art, San Diego
Museum fur Photographie, Berlin
National Film Theatre, London
National Museum of Natural History, Washington
National Trust, UK
Oregon History Centre
Peabody Essex Museum
Perth Institute of Contemporary Arts
Pittock Mansion, Portland
Parnham House, England
Portland Art Museum
Salvadore Dali Museum, Florida
San Francisco Museum of Modern Art
Society for the Preservation of New England Antiquities
Suntory Museum of Art, Tokyo
The Tate Modern, London
The Victoria and Albert Museum, London
University of Oxford Botanic Garden

Van Gogh Museum, Amsterdam

Item consists of a toned black and white photograph of a group of men and women on a sailboat. Five women dressed in long skirts and three men in turtlenecks or ties stand and sit on one end of the boat, posing for the photographer. In the foreground, a boy is turned away from the camera, looking at the group. He is wearing a hat and has his sleeves rolled up. The boat seems to tilt sharply to the left. On the back of the photograph is handwritten in pen "Une Voyage Commence" which is French, and translates to "a trip / journey begins".

Item consists of two wet plate negatives of an archaeological site that has been edited for printing using paper and retouching (particularly in the sky).

File consists of 10 portraits, originally taken during late 1800s - early 1900s. Reprinted.

Item consists of eight photographs taken at Unionville of a young boy and a young girl. The children are accompanied by adults in two of the photos. In one of them both children are carried by adults with another woman standing by. In the other the young girl is standing in front of a man.

Series consists of gelatin silver prints, albumen prints, acetate negatives, and various colour photographic processes produced by amateur photographers, usually in an informal, outdoor setting.

File includes promotional material, VHS tapes, and manuscript notes from 1988 to 1990 related to Visions in View, a series of commercial/industrial photography seminars offered by Kodak.

Item consists of photographs from the wedding of "JE McKane".

Item consists of photographs taken at the wedding of Mr. and Mrs. McClure in 1925. Subjects include various group photos, a large boat, a Ford Model A, horse carriages, a large drum with the Prince of Wales on it, canoes, and dog carriages.

Item consists of photographs taken of Mr. and Mrs. JE McKane at a wedding.

Item is a cabinet card portrait of baby. Brown text below photograph reads, 'Copyright Barraud 263 Oxford St London A few doors West of The Circus'. Brown text on back of card reads, 'Mr. Barraud 263, Oxford St. W (regent circus) London. Mr. Barraud bestows particular attention on enlargements, miniatures and reproductions which can be made from any photograph. All negatives registered and carefully preserved. Mr. Barraud's studios are approached by a lift constructed on the most approved patents which will be found a great advantage to sitters as no stairs have to be ascended, childrens portraits the same prices as other sitters.' Inscription in ink on back of card reads, Willi a Kiss, from Phyllis Margaret Dickson'.

Item is a white cabinet card with thin gold border and a photograph with oval border of a woman in apron and chef's hat. A basket of vegetables is slung under her right arm. On verso, handwritten in blue ink, "Mother". In pencil, "L-30.00".

The photograph envelope is printed for the Owl Drug Store, of 336 Bloor St. West, and noted that the customer is "Mrs. Atwood, 23 Spadina." The negatives are of a woman wearing a white ensemble.

Item is a cabinet card photograph of a character from Wagner's opera Lohengrin. Mostly illegible script written on photograph, except, '1894'. Text below photograph reads, 'Lohengrin, Bayreuther Buhrenfest - Spiel'. Text on verso reads, 'W. Hoffert, Hof Photograph. Breslau, Hamburg, Leipzig, Berlin, Magdeburg, Dresden, Hannover. Photographische Kartenfabrik v. Paul Suss, Dresden.

Item is a white cabinet card with thin gold border and a photograph of a woman in an apron holding a large basket with greens balanced on her head in front of a studio backdrop. On verso, handwritten in blue ink, "Mother". In pencil, "L-40.00".

Item is a wooden frame with a sticker on it. Sticker has two leaves on it and a logo in the middle with the initials "E.P." Sticker also has writing on it"(first words illegible) . . . und Zigenbock."

Item is a cardboard boxed filled with 54 stereoscopic images. Item comes with one handheld, compact, metal accordion fold black stereoscope. This object was used to view two nearly identical photographs, or stereographs, as one three dimensional image. The stereograph would be placed in the sliding card holder and adjusted to fit the user's vision until the two images overlap to mimic a three-dimensional effect. Images are vernacular photographs sent to A.P. Manners Ltd. to develop, print, and then return images to photographers. Written by previous owners on a small yellow post-it-note : recoverying from W.W. II English Military Sectary.

Written on box : A.P. Manners Ltd. Finest Quality Developing, Printing, Enlarging and 35 mm Process In Services Photographic and Cine Specialists, 11 Westover Road, Bournemouth.

File includes a blank multiple choice "Achievement Test" on the subject of photography and a blank form letter addressed to the Eastman Kodak Company, used to recommend students for enrollment in the Young Photographers League.

Item is a carte de visite portrait of a young man dressed as jester. Text below photograph reads, 'Camille Rensch Phot.'. Text on back of card reads, 'Camille Rensch Photographe 19 Rue Royale St. Honore Au premier PARIS'.

Item is a carte de visite of a young man in a jester costume sitting in a photography studio. Text below photograph reads, 'Camille Rensch, Phot' Text on verso of card reads, 'Camille Rensch Photographe 19 Rue Royale St Honore au premier PARIS' Inscription on verso reads, 'Mon ami Alfred Roe, Garcia William, 8 Mars 1866'

Item is a leaf of promotional text that originally accompanied a set of reproductions of the July 20, 1969 lunar landing. The text outlines the role of Kodak film in this landing and in space exploration in general. Photographic reproductions are missing.

Item is a nitrate 8x10 negative. Inscription on negative "Eastman - Nitrate - Kodak 137." Nitrate film was manufactured between 1887 and 1950, but Notman studios operated until 1936, and this negative was housed in a Notman envelope. Image is a portrait of a man with a mustache, with the background completely blocked out (painted in opaque red paint), and his face has been touched up with pencil. The man's face is closely cropped, to one side. Unidentified man.

Item consists of two photographs of a baby in a white dress sleeping in a bed. The baby is propped up on some pillows in a single bed. These appear to be the same photograph printed twice at different exposures.

Item consists of two black and white photographs of a baby in a wicker pram. The baby is bundled in white blankets and pillows and is wearing a hat and hood. The pram is indoors next to a large window. There are houseplants and a fern by the pram.

Item consists of a black and white photograph of a boy and young girl sitting on a hammock. The boy is wearing shorts and boots and has his mouth open, laughing. The young girl is wearing a white dress and headband. They are sitting close to one another. Behind the hammock are trees and a ball in the grass, and in the background, there is a lake. The photograph has some motion blur. There is a 0.4 cm white border around the image.

Item is a silver gelatin print that has been adhered to centre of a matt board. Matt board is grey. Image is a profile portrait of a bulldog. Inscription on verso "$15/4."

Item consists of seven sepiatoned black and white photographs of what appears to be a family at a beach. Three of the photographs show a man in a swimsuit with a young girl and boy in swimsuits. They are sitting and standing in shallow water. One photograph depicts a woman sitting on a large rock with a young girl. Another shows the woman on the rocks alone. The sixth photograph is of four girls in dresses and hats standing on a large rock. The seventh photograph is of a woman standing on a rocky beach with a hat beside her and a building and trees behind her. There is a small white border surround each image, and on the back of each photograph is written in pencil "998a".

Item consists of a black and white photograph of two woman posed with four children sitting in the sand. The image is round, likely taken with a "Kodak", Eastman Kodak's first snapshot camera.

File contains three cream-coloured cards embossed with the coat of arms of the University of Guelph and the words "Macdonald Hall/ Guelph" in the upper left corner. On the lower right, the photographer's studio is identified as "The O'Keefe's/ Guelph, Ontario". Two of the portraits are duplicates. The third portrait is identified as "Jennie". Each card has a piece of glassine tissue covering the photo inside.

Item consists of a black mat with five oval openings and a portrait in each. All five portraits are of the same young boy, in different hats, but same suit. The last image is one of him, with no hat. He wears a cowboy hat, a military cap or fez hat, a top hat and a boater hat. The black matt has flower details around each opening. On verso, sticker with "$3.50 sw."

Item consists of a black matt with five oval openings and a portrait in each. All five portraits are of the same woman, in different poses. In two of the portraits there is a parasol behind the woman, in one she is holding a top hat, in two others she is looking away from the camera. The black matt has flower details around each opening. On verso, sticker with "$3.50 sw." Same design as 2008.001.1891.

Item consists of two black and white photographs of a girl standing in a garden. The girl is wearing a light coloured shirt, skirt, cape and hat. In one photograph, she is wearing the hat, and in the other she is holding it. She is standing in the grass and looking at the camera. A 1 cm white border surrounds the images. On the back of each photograph is handwritten "July 7 / 31".

Item is an unmounted studio group portrait of five men, three seated and two standing. All men are wearing suits with jackets, white shirts and ties. They all have mustaches and beards. Background of house and trees.

Item is an unmounted studio group portrait of five men, three seated and two standing. Two of those seated have legs crossed, the other is seated on an armrest. Man standing behind seated man on armrest, has his hand on his shoulder. Two of the faces are blurry from movement during exposure. One man on left and centre man (both seated) have handkerchief in breast pocket. All are wearing suits, with jakets and vest, bowties, hats and chain watches. Top left corner is angled off.

Item is an unmounted studio portrait of four women. Two are sitting, and two stand between the seated ones. All cheeks have been tinted pink. They are wearing fitted dresses with skirts looping in front, narrow sleeves and high collars, most wear a brooch at the throat. Style is suggestive of 1880s fashion. Hair is up, with curled bangs. All four corners of tintype are angled off.

Item is an unmounted group portrait of four women and four men. All four women wear hats and dresses with puffy sleeves in keeping with fashion of the 1890s. Men wear sutis with jackets and vest with chain watches. Two top corners angled off.

Item is an unmounted group studio portrait of six children set agains a landscape background. Four children in front are seated,and two stand behind. Two seated on the same chair on the right appear to be toddlers. The two standing behind, one girl & one boy, are older than the rest. The girls wear dresses with big white lace collars, very fashionable in children's fashion from the 1870s. All four corners are angled off.

Item is an uunmounted studio portrait of three women. One is standing, one is perched on a stool, and one is sitting on the ground. All three have hats, two are wearing them, and one is holding it in her hands. All wear black dresses, two have purses. There's an umbrella leaning on stool. Cheeks are tinted pink. Given their clothing perhaps they are in mourning. All four corners are angled off.

Item is an unmounted group portrait of four men and one woman sitting in a car. It is believed to be a Ford Model A car dating from 1903 which is how the photograph is dated. All four men are wearing bowlers hats, and suits with jackets and ties. Woman is wearing a large hat with flowers. Man behind wheel and another in backseat both have mustaches. Studio backdrop. Black band across top of image.

Item is a cyanotype image featuring a portrait of a man dressed in the Canadian Navy uniform, on his hat is written H.M.C.S. He stands in what looks like the back yard or garden of a house. Paper is very thin.

Item is an unmounted, hand-coloured tintype of a man and woman, both sitting and looking directly at the camera. The woman wears a dress buttoned down the front, with a white lace collar. The man wears a dark suit, with jacket and tie.

Item consists of two black and white photographs of a little girl popping out of a baby carriage. In one photograph, the little girl is looking up, and in the other photograph she is looking out. The carriage is parked in the front or back of a house. There is ivy covering the house. There is a 0.5 cm white border surrounding the image. The back of both photographs are stamped in black ink "532C".

Item consists of a toned black and white photograph of a man leading two women on camels. The women appear to be tourists. They are both older women in hats, gloves and glasses. They appear to be tourists, sitting atop camels that have ornamental blankets on their backs. The man leading the camels is wearing a long white robe, has a beard and a turban. They appear to be in the desert. There is a 0.5 cm white border surrounding the image. On the back of the photograph is handwritten in pen "Miss Livingstone & H."

Item consists of two black and white photographs of a man and a dog. The man is wearing is suit and tie and hat, and is scratching a black and white dog behind its ears. They are in front of a house, and the dog is sitting on the steps. The man is looking at the camera. It appears as though the photograph was developed or fixed incorrectly, as there are marks from developing the image. The two photographs are identical, but different exposures. There is an uneven white border around both images. On the back of each photograph is written in pencil "28" and "50¢"

Item consists of two black and white photographs of a man and a woman with a baby. In each photograph, they hold the baby individually. They appear to be on the front porch of a brick house. The man is wearing a suit and the woman is wearing a long dark dress.

Sub-series consists of photographs of the McKane family and their friends at various events and locations.

Consists of two group portraits of women in Victorian aprons, white dresses and bows in their hair. One portrait is set indoors and one is an exterior shot. Both prints have the Topley Ottawa stamp at the bottom left corner.

Item consists of 23 photographs of family portraits by a house and by the water.

File consists of four card mounted photographs, 3 of the same man in various poses and 1 of a woman. All mounted on black card by studios in Montreal. The photographs were found inside the Agnes Osberg album (2009.005.023) with a yellow sticky note that read: Came from the same family But Not this album.

Item is an unmounted tintype is a photograph of a photograph of an older couple. Original photograph is in a decorative frame/case (daguerreotype or ambrotype?), and it is a studio portrait of a man and woman, sitting side by side, looking straight out at the camera, hands folded in lap. Woman wears a white bonnet and checked dress. Clothing of sitters suggest that original photograph dates from the 1850s. Handwriting on the back in pencil, not able to decipher.

Item is a piece of photographic jewelry, a pendant with makeshift loop at top for chain. Very detailed gold plated metal pendant with glass image in centre. Image is adhered beneath a rectangular piece of glass, brown colour. Image is a portrait of a man standing, in a top hat and suit and bow tie. The glass is adhered to the centre of the piece.

Item consists of twelve snapshots taken with the Kodak No. 1, the first rollfilm camera under the name "Kodak". Subjects include a house in a forest, a group of women posing in front of the house, a man walking by the house, cows, and men playing cricket or baseball. The images are round on a white background with a black border and gold gilded edges. On the back of one photograph is handwritten in pen "Set 2.00" on a piece of masking tape.

Item is a cream cabinet card with scalloped edges and red letterpress at bottom edge, "E. R. Owen, RED BUD, ILL." At the centre, printed inside a design of artist's palette and brushes, the text "EXTRA FINISH". Photograph of a drawing of a young man in suit jacket and tartan tie, vignetted so the image is quite small. The photograph has a pink tone.

Item consists of a black and white photograph of two woman posed with two children, one woman and child are in a hammock. The image is round, likely taken with a "Kodak", Eastman Kodak's first snapshot camera.

Item is a cream coloured card with long rectangular photograph of a girl in a photographer's studio, leaning against a cloth-draped side table with an open book. On the back of the card, a handwritten message to Marion Morris, to whom the card was given.

Item is a cream coloured bi-fold card (3 flaps) with an embossed ribbon on the front flap at lower right. Inside, a vignetted photograph of a man in Canadian army uniform, with a badge on his right shoulder labeled "Toronto". The back of the photograph is stamped "HALKSWORTH WHEELER/ 109A SANDGATE ROAD./ FOLKESTONE". This is handwritten on the front of the photograph, and the date August 1917 is written on the card.

Item is a hinged union case (plastic case) with design of "Night with Her Children, Sleep and Death" based on an engraving of Bertel Thorvaldsen's popular bas-relief. "The angel is a messenger holding dominion over Sleep and Death," p. 149 of same book mentioned in 2008.001.1870. Casemaker is S. Peck and Company which began manufacturing after 1852. Chosen case reflects sentiments of a newspaper clipping found inside case that reads :

"Died . Holmes - In Adeleide, on the 15th of February, 1878, of diptheria, Emma Margaret, aged 4 years, and Ellen Jane, on the 20th February, 1878, aged 10 years and 4 months, daughters of Mr. O.C. Holmes, of Adelaide. The grief-striken parents have the sympathy of their neighbors in their great bereavement."

Image is a tintype of a baby in long white gown, pink cheeks, being held by unidentified person, most likely the mother. Inside cover has a red velvet cushion which falls out when case is opened, to reveal hidden beneath it a piece of floral cloth as well as the newspaper clipping. Image is held in place with a cover glass, brass matt and brass preserver. Date for tintype based on daughters ages from newspaper clipping.

Item is a light brown card with photograph of a man from the shoulders up, on a plain background. Embossed into the card at the base is the studio mark for William Notman and Son at 14 Phillips Square, Montreal. On verso, the name Guy Bulloch with the date 1900s is handwritten in blue ink.

Item is a white card with vignetted portrait of a young woman. On verso, an elaborate printed design featuring celtic-style scrollwork, cherubs with paint and canvas or a cornucopia. The photographer's name is given as "TOPLEY" with an address at "104 SPARKS ST/ OTTAWA". In the centre, text identifies the photographer as "PHOTOGRAPHER BY APPOINTMENT TO/ HIS EXCELLENCY/ THE MARQUIS OF LOFANE(Sic)/ AND/ HER ROYAL HIGHNESS/ THE PRINCES LOUISE."

Item is a tintype, loose from mount. Cream card-frame with gold details and oval opening. Handwritten on back of card-frame "Probably the father of Uncle John Lonctot." Tintype is portrait of a man with beard and mustache. Hair is standing up on left side, like he has just removed a hat. He stares a camera. He wears a suit jacket and vest, no tie. White shirt underneath. Cheeks are tinted pink. All four corners are angled off.

Item consists of a black and white photograph of a man with a mustache. The man is wearing a suit, vest and tie, and is looking off to the left. Behind him is a plain white backdrop. He has a large mustache that connects to his sideburns. The photograph is 6.5 x 3.75 cm and is mounted to a white card that is unevenly cut at the bottom.

Item is a grey and green mottled-pattern bi-fold card with, art nouveu floral design embossed into the upper left corner of the front flap. On the front of the right flap is embossed the name of the photographer: "Craswell/ Charlottetown, P.E.I." Inside, a photograph of a woman with a short haircut. The image is very dark, causing the rest of her body to be obscured. On the inside of the left flap, a handwritten note gives her name and the date.

Item is a cream coloured card with photograph of a boy seated in a studio setting. At the bottom of the card, in gold letterpress: "H. D. Wallis, Photographer, 61 SPARKS STREET OTTAWA". On verso, elaborate design in gold ink repeating the photographer's name and studio address, along with a handwritten note and negative number. A cartoon of two Chinese (?) men appear in the lower left of the design. The card design was provided by Free Press Print, Ottawa.

Item consists of a toned black and white photograph of a girl. She is wearing a dress with a ruffled collar and a hat. Her hair is long and curled. She is looking off to the left. The photograph is mounted to a piece of card painted gold.

Item is a brown bi-fold card with text at the bottom edge of the front left flap in black letterpress: "Portrait by Bayer, Charlottetown, P.E.I." Inside, a photograph of a boy in a sailor-style suit holding a small toy ship in his left hand. A piece of knotted rope hangs from his shirt pocket.

Item consists of a snapshot of a toddler in a coy push car.

Item is an unmounted studio portrait of a young girl in a dress sitting in a chair with a cap and tassle hanging off the left side. Her feet are crossed and her hands rest on her lap. Her head rests against the back of the chair. She is wearing a frilly blouse with a necktie under a coat with a skirt.

Item is an unmounted portrait of a man and woman, sitting side by side, woman's arm through the man's. She is holding a book on her lap. He has a hand inside his vest and one on his knee. Both are looking directly at camera. Both their cheeks are tinted pink. Brooche, rings and tie clips are painted in gold. Background is of a window and bookshelves.

Item is a loose daguerreotype in a frame with cover glass and brass matt, no case. Image is of a man and woman seated. Man wears a suit with vest and white shirt with black bowtie. The woman wears a dark dress with white bonnet and bow tied under her chin.

Item has a cream coloured card-frame with embossed vignetting around oval opening. Tintype is of a little girl sitting on a chair, her right arm resting on the chair's armrest. Her other hand is in her lap. She stares at the camera.She is wearing a plaid dress, with black detailing. Her hair is pulled back from her face. Her cheeks are tinted pink. Gem size?

Item consists of a snapshot of a a man and woman kissing. They are standing by a wooden fence, both holding straw hats.

Item consists of 10 unmounted albumen snapshots of a woman sitting in a living room, and images of the living room furniture and decoration, including wallpaper, photographs and hearth.

Item consists of 4 snapshots of a woman sitting in a living room, and images of the living room furniture and decoration, including wallpaper, photographs and hearth.

Item is a daguerreotype framed in cover glass and brass preserver, but no case. Image is of a man and woman. Woman wears a white bonnet with bow tied under her chin. Man wears a suit with double breasted vest and bow tie. He has a can between his legs.

Item is a cabinet card portrait of a man exercising.

Item is a daguerreotype framed in brass matt, cover glass and brass preserver, but no case. Image is of a man with a mustache and a hat. He's wearing a dark suit with vest and silk tie tied in a bow. Looks as though the daguerreotype has been removed from its case.

Item is an unmounted portrait of a man standing against a studio backdrop of a castle in the mountains with a lake and flowers in foreground. He right arm is held behind his back, the left one hangs at his side. His feet are apart, and he wears dark slippers with dark leotards. His shirt hangs down to mid-thigh, and is fringed around the bottom and at the sleeves. It has a pattern of leaves on it. He is blond, and his cheeks are tinted pink. He stands still with the aid of a body stand. Top and bottom left corners angled off.

Item has a cream card-frame with green details of ivy around square opening. Edges of card mount are rounded out, like bubbles. Tintype is a portrait of a man standing on a sidewalk outdoors. He wears a suit jacket, vest and tie with high white collar and fedora hat. There are people in the background, walking on the sidewalk, and what looks like a car parked beside him. You cannot make out any details in his face. He wears something on his lapel, maybe a handkerchief in his breast pocket. Image dated in the 1930s due to the popularity of the fedora in this decade.

Item is a cream coloured card with photograph of a man wearing a suit with hand-coloured purple tie. On verso, design in gold ink for the Notman Studio: "W. NOTMAN" with the Royal Crest at the centre and a ribbon wrapping that which reads "PHOTOGRAPHER TO/ HER MAJESTY" followed by the locations of studios in "MONTREAL/ OTTAWA/ TORONTO/ & HALIFAX". At four corners of the design are images of medals, which read clockwise from top left, "LONDON" "1862/ LONDINE/ HONORIS/ CAUSA/ 1862" "1867" and "NAPOLEON III EMPEROR/ PARIS".