Item consists of a cream coloured mount with embossed text at bottom right, "HARRODS LTD./ BROMPTON TOAD/ S.W." Photograph is a of a young man in suit and tie with high collared shirt. On verso, handwritten in ink, "Jack Fellows Laubert(?)/ age 17 years." Mount slides inside a glassine tissue envelope with the same Harrods logo at top left.

Item is a cream card with silver letterpress at bottom edge, "Regent Portraits Ltd., London & Provinces." Photograph is a portrait of a young woman in plain white blouse with her short hair curled forward on either side of her face, and a section pulled up and rolled back on top - a very popular style for the 40s. On verso, "Further copies may always be obtained/ from our local Studio by quoting index/ letter and Negative Number." Handwritten in pencil, "PA61.99.8" and again in letterpress, "OR FROM/ REGENT PORTRAITS Ltd.,/ 30/31 GREAT SUTTON ST.,/ LONDON, E.C. 1."

Item is a white cabinet card with brown letterpress at bottom, "H. Yeo" and "169 UNION ST/ PLYMOUTH." At the bottom centre, decorative etching of two medals from the Photographic Society of Great Britain with the dates 1853 and 1875. Text surrounding the medals reads "HIGHEST AWARD/ 1892/ SOCY OF GT. BRITAIN". Photograph is a portrait of a woman in embroidered blouse with broach, and puffed sleeved jacket seated in wooden chair with furs piled beside her on the left. On verso, black letterpress reading "H. Yeo Photographer/ 169,./ Union Street,/ PLYMOUTH./ REG. C.E. & C." At top left, handwritten in ink, "No. 44546g(?)" and at mid-right, also handwritten, "Aunt Blanche/ Maddiford".

Item is a photograph of four young women mounted on a postcard backing. The image is a full-length portrait, wiht three women in white blouses and dark, plain wrap-style skirts (the one at the far right has buttons decorating the seam) and the youngest in a sailor style dress. On verso, in black ink, "POST CARD/ BRITISH MADE" and a line dividing two sections for "Correspondence" and "Address". At the far left, printed sideways, "Kestin Photographer Skipton".

Item is a photograph with a white border area. Depicts a man and woman wearing heavy overcoats and hats, the woman wearing gloves posed in front of a painted landscape backdrop with trees and leaves. Embossed into photo at lower right, "J. W. Smith,/ SILSDEN." On verso, printed in black ink, "POST CARD/ CORRESPONDENCE/ ADDRESS ONLY".

Item is a beige card with full length portrait of a black woman in dress with hoop skirt, dark embroidery down the bust areat with button details, and a belted waist. She wears a small bonnet on the back of her head. Photograph taken in studio setting with drapery and small side table. She rests her hand on a book on the table. On verso, photographer's stamp with the letters "R" and two "h"s intertwined followed by the text "HUGH H. RITCHIE/ PHOTOGRAPHER/ 146 PRINCES STREET/ OPPOSITE THE LOTHIAN ROAD/ EDINBURGH".

Item is a beige card with full length portrait of a man in highland dress in a studio setting with column at the left. On verso, geometric interlace border with text at the centre, "Wm REEVIE,/ PHOTOGRAPHER,/ BALLATER./ More of this can be had at any/ time on sending name." Above text, a royal crest with phrase from the Order of the Garter, "Honi Soit Qui Mal Y Pense".

Item is a cream coloured card with thin brown border and brown letterpress at the bottom edge, "A. W. STEELE/ LEITH". Photograph is a vignetted portrait of a man in sack coat and tie. On verso, pink card backing is lithographed with a ribbon containing the text "PERSEVERE" and the design of a tall ship with a lady at the centre. Below, the letters "A" "W" and "S" are intertwined. The bottom half of the card contains the text "A. W. STEELE/ FINE ART & PHOTOGRAPHIC STUDIO,/ 8, Bernard Street,/ LEITH./ Copies may be had/ PORTRAITS ENLARGED OR DIMINISHED/ COLORING ARTISTICALLY EXECUTED/ Marion Imp Paris".

Item is a white card with black letterpress at bottom edge, "BEVAN,/ LOWESTOFT." Photograph is of a man dressed in long, double breasted coat holding a quill in his hand and leaning on a writing desk. Studio backdrop features a column with view to conservatory at right. On verso, photographer's stamp in the design of an artist's palette with brushes contains the text "H.W. BEVAN,/ PORTRAIT PAINTER/ AND PHOTOGRAPHER,/ LOWESTOFT."

Item consists of a photograph of two young men in front of a studio backdrop. The boy on the left sits in a wooden chair and wears a pinstriped suit of a light colour. The boy on the right is perched on the arm of the chair and leans over with an arm around the other boy. He wears a plain dark suit with striped tie. The photo is mounted on a postcard backing with the text "POST CARD" and a line delineating space for correspondence and address. At the far right, printed sideways, "Riley Bros, Cresshills."

Item is a photograph of a boy approximately 10 years old wearing a suit jacket, short tie pinned to a plain white shirt and shorts. He sits on the edge of a table. The photo is mounted on a postcard backing with the text "POST CARD" and a line delineating space for "CORRESPONDENCE" on the left and "ADDRESS ONLY" on the right. At the far left, printed sideways, "Hall & Siggers, Keighley." Handwritten in brown ink across the postcard, "December 31/ 1916/ To Cousin Annie & Maurice/ With Love & Best Wishes/ for/ The New Year".

Photograph of two girls in light coloured blouses with wide collars. The girl on the left has her hair pulled back with a large ribbon. The photograph is mounted flush with a postcard backing. On verso, the text "POST CARD" is followed by a line delineating space for "CORREPSONDENCE" on the right and "ADDRESS ONLY" on the left. At the far right, printed sideways, "Hall & Siggers, Keighley".

Item is a pale yellow cabinet card with portrait of a woman in a flower patterened coat and high collar, gloves and feathered hat, leaning against a stone wall with potted plants. On verso, the motto and arms for the city of Aberdeen (showing three castles, two leapords and the motto "Bon Accord") followed by the photographer's stamp in black, "ARTIST/ &/ PHOTOGRAPHER/ W. Carey,/ 35 & 37 BACK WYND,/ ABERDEEN./ Pictures of every description,/ Copied, enlarged and finished in Oil,/ Water, or Crayon./ George Mason & Co."

Item is a cream coloured card with vignetted portrait of a young man with a plaid tie. At bottom edge, in blue letterpress, "Williams & Williams PHOTOGRAPHERS." On verso, elaborate lithographed design with woman standing on a globe holding an upside down cornucopia out of which spill circular portraits. The photographer's stamp gives 7 locations in the UK. "Williams & Williams" "67, THE TRIANGLE, BRISTOL/ 53, QUEEN STREET, CARDIFF/ ARCADE STUDIO NEWPORT/ 208a HIGH STREET, SWANSEA/ 90 TAFF ST, PONTYPRIDD/ 56 ELGIN STREET, HEREFORD/ 48 HIGH STREET, SHREWSBURY." At the bottom left, printed "No." and handwritten in pencil beside that, "33023". Text follows, "NEGATIVES ARE/ PRESERVED COPIES/ OR ENGLARGEMENTS CAN/ BE MADE FROM THIS OR ANY/ OTHER PHOTOGRAPH." Also written in pencil at the very bottom, "Dudjer(?)".

Item is a beige cabinet card with embossed lettering at bottom edge, "Brigham SCARBOROUGH". Photograph is a full length portrait of a young girl standing on a table in front of a stone wall (painted). The giel wears a frilly dress and bonnet and holds a small wooden shovel or scoop. On verso, elaborate border design resembling lace lithographed in a brown ink and at the centre, the text "W D Brigham/ 20, ESPLANADE/ SCABOROUGH". In small print a tthe bottom, "COPYRIGHT Marion, Imp Paris".

Item is a cream coloured card with portrait of boy leaning against a book on top of a table. He holds a stick in his right hand and a hat in his left, and wears a sack jacket and waistcoat and his short hair parted in the middle. On verso, and red lithographed photographer's stamp on a green background. "W. H. MIDWINTER,/ Artist and/ Photographer/ 24, College Green,/ BRISTOL./ Copies may be had any time." At the top right, printed sideways in pencil, "4".

Item is a white carte de visite with photograph of a young girl in dres with short lace sleeves and a dark sash around the waist. She is seated on fur. At the bottom of the card, in black letterpress, "Grimmett, INSTANTANEOUS PORTRAIT/ PARSONS ST BANBURY." On verso, a form is laid out sideways on the card. "IN ORDERING COPIES IS NOT NECESSARY/ TO SEND THIS PHOTOGRAPH SIMPLY QUOTE/ THIS NO". In black ink, no is given as "1136". "GRIMMETT,/ Art Photographer/ ALL PORTRAITS TAKEN BY AN INSTANTAEOUS PROCESS/ Parsons Street,/ Banbury./ THE NEGATIVE OF THIS PORTRAIT WILL BE PRESERVED SO THAT COPIES MAY BE HAD AT ANY TIME IT CAN BE ENLARGED OR/ REDUCED AND FINISHED IN OIL OR WATER COLOURS".

Item is a black card with gold embossed lettering at the bottom of the card reading "Squiers./ 9 Frances RD/ EDGBASTON." The photograph is a vignetted portrait of a man with a thick mustache with his eyes scrunched up in a laugh.

Item is a cream card with light pink backing. Vignetted portrait of a woman in a high collared dress with vertical ribbon decoration. At bottom of front of card, in brown letterpress, "G. W. Secretan 210a TUFNELL PARK Rd". On verso, also in brown, "210a TUFNELL PART Rd/ LONDON N./ G. W. Secretan/ FROM Mora NEW YORK/ GROUNDS ATTACHED TO THE STUDIO/ FOR PHOTOGRAPHING CYCLISTS GROUPS/ & EQUESTRIAN PICTURES./ NEGATIVES ARE NEVER DESTROYED./ COPIES CAN BE HAD AT ANY TIME./ NO...../ ALEX:LINDNER, BERLIN".

Item is a cream coloured card with gold border and a portrait of a child in tartan dress seated on a rocking horse and holding a whip. At the base of the horse, a hat with feathers is sitting on the floor. On verso, handwritten in pencil, "Wemyss Chisholm" followed by the text in pen, "1864-1954". At the centre of the card, a photographers stamp in brown ink, "J. H. GRIFFITHS,/ PHOTOGRAPHER,/ London, C. W./ Copies may be had."

Photograph of a family group with husband in naval uniform and child seated between the husband and wife wearing the husband's hat, which reads "HMS TIGER". Behind them, a painted landscape scene. Embossed at the lower right corner, "M. Johnson/ TEDDINGTON". The photograph is mounted flush with a postcard backing. On verso, the text "POST CARD/ BR1778 MADE" is followed by the text "CORREPSONDENCE" on the leftt and "ADDRESS ONLY" on the right. There is a square printed on the upper right with the numbers "23533". Handwritten sideways in pencil, "1920/ Fred Heley/ Wife & Son".

Item is a green card with gold border and full length portrait of a young boy (about 5 years old) leaning against a wooden fence holding a walking stick. He wears a sailor style suit with rope necklace and a dark hat with ribbon sits at his feet. Painted landscape with trees behind him. On verso, elaborate gold lithographed design with oval pearl and ribbon border and the text "W. H. GOUGH/ Artist/ & PHOTOGRAPHER,/ 7, SWANSWEEL ST./ COVENTRY./ ALL NEGATIVES KEPT/ COPIES CAN ALWAYS BE OBTAINED THIS OR ANY/ OTHER PORTRAIT CAN BE ENLARGED & FINISHED/ IN OIL OR WATER COLORS." Handwritten at the upper left corner in ink, "24/ Aug 1885".

Item is a green card with gold letterpress at bottom edge, "F. C. D. Hure SHEPTON MALLET." Photograph is a portrait of an old woman in a white bonnet with long side panels seated by a table with a vase of flowers. She wears a fitted blouse buttoned up the front and a wool skirt. On verso, also in gold and printed sideways on the card, "F. C. D. Hure/ Artist,/ Portrait & Landscape Photographer./ 10, COWL STREET, SHEPTON MALLET." At top left "COPIES MAY BE/ HAD AT A REDUCED/ PRICE." And at top right, "BY SENDING/ NAME, DESCRIPTION,/ AND DATE WHEN/ TAKEN." Handwritten in pencil at the top of the card, "L-5.00"

Item is a beige cabinet card with black letterpress at bottom edge, "Turner & Drinkwater/ 8, Regents Terrace/ Hull." Photograph is a portrait of a man leaning against a chair with his right hand in his pocket. He wears a checked suitjacket and matching waistcoat with plain trousers. There is a thin piece of glassine tissue attached at the top of the card that folds over the front of the card. The tissue has a design lithographed on it with the heraldic badge of the Prince of Wales above the text "TURNER & DRINKWATER/ THE STUDIO ROYAL, HULL./ NO. 8/ REGENT'S TERRACE." On verso, black text printed sideways, "Photographers to Their Royal Highnesses/ The Prince & Princess of Wales,/ Duke of Edinburgh and/ Duke of Cambridge". Handwritten in pencil at the lower left corner, "43825".

Managed by William Hebb until 1876, when Oliver M. Hill took over the position.grey card which fades from light to dark from left to right, with round portrait of a woman with a ruffle-collared dress. At bottom right, embossed in white on a diagonal, "F. W. Wood Ltd. 347 & 349 EDGEWARE RD. ,W./ 8, 22 BISHOPS RD., W." On verso, handwritten in pencil, "112330".

Item consists of a grey card with oval photograph of a woman in white dress with large bouquet of roses pinned to the right side of the chest. She wears a several feathers in her hair from which falls a long veil. On verso, a design lithographed in brown with square corners, arches, cherubs and decorative interlace with the text "MOPLEY/ PHOTOGRAPHER BY APPOINTMENT TO/ HIS EXCELLENCY/ THE MARQUIS OF LORNE/ AND/ Her Royal Highness/ THE PRINCESS LOUISE./ 132 SPARKS ST./ OTTAWA". Handwritten in black ink at the top edge, "Mrs. W. E. Haskell/ Feb 9 1900". At very top right, in pencil, "79081".

Item is a white cabinet card with gold embossed text at bottom edge, "F. Lupson & Co./ 27, HERTFORD ST/ COVENTRY." Photograph shows a young boy in a dress and bonnet reclining against a stone column and holding a basket in his right hand.

Item is a white cabinet card with red letterpress at bottom edge, "CABINET PORTRAIT/ S. PORTER, PHOTO, CHIPPENHAM". Photograph shows a young girl in peasant-style costume with long braids and a small basket slung across her right wrist. A painted landscape backdrop. On verso, large red lithograph design of a potted plant with the British royal crest followed by the text "Artist &/ Photographer/ S. Porter./ ST PAUL'S STREET,/ CHIPPENHAM/ THIS PORTRAIT CAN BE REDUCED/ FOR TEH SMALLEST LOCKET/ OR ENLARGED TO LIFE SIZE AND FINISHED IN/ OIL, CRAYON OR WATER COLORS ETC./ Negatives Kept/ Copies can always be had./ REEVES & HOARE, LONDON".

Item consists of a painted photograph of a man in light brown trousers and black sac jacket, seated in an upholstered chair at a writing desk. A top hat is upturned on a table to his left. Paint is applied very roughly. At top edge of image, a phrase (illegible) handwritten in black ink. On verso, in pencil, "Mr. Rae/ fit (illegible) oval matt wpa(?)" At top edge, in red ink, "RAE".

This glass lantern slide is representative of personas from Imperial Militaria Germany (1871-1918). It has four portraits of men, they have been identified as Pope Leo XIII (1878-1903), Frederick III (Emperor in 1888 for 99 days, successor to William I and predecessor of William II), Helmuth von Meltke the Elder (Chief of Staff of the Prussian Army from 1822-1888) and Otto von Bismarck (Chancellor from 1871-1890). In the portrait of Frederick III, he is wearing the Order of the Black Eagle, which means he was Emperor in this picture. Since Frederick III only ruled in 1888, and the other three were either still in power or just retiring, we have tentatively dated the piece for after 1888. This year refers to the Year of Three Emperors, because it was the year that William I died, the year Frederick III ruled and died, and that William II took over as Emperor. The images are in colour, potentially colour halftone process on a glass slide. Just one pane of glass, printed on verso.

Item is a cream coloured bi-fold card (3 flaps) with an embossed ribbon on the front flap at lower right. Inside, a vignetted photograph of a man in Canadian army uniform, with a badge on his right shoulder labeled "Toronto". The back of the photograph is stamped "HALKSWORTH WHEELER/ 109A SANDGATE ROAD./ FOLKESTONE". This is handwritten on the front of the photograph, and the date August 1917 is written on the card.

Frederick III, (1831-1888) and Wilhelm II, (1859-1941), look on while great-grandfather Wilhelm I, (1797-1888), holds the newborn Wilhelm, (1882-1951).

Item is a cabinet card portrait of 3 men in uniform, the man in the centre is seated and holding a baby.

Commemorative composite photograph celebrating Wilhelm I and Augusta of Saxe-Weimar on their golden wedding anniversary.

Item is a cabinet card group portrait of a family seated around a piano. Inscriptions on recto in German.

Item is a cabinet card copy portrait of Christoph Willibald Gluck, German opera composer of the early classical period.

Item is a cabinet card portrait of Queen Victoria.

Portrait of Earl of Strafford holding a top hat and cane.

Portrait of King George V, King Edward VII and Prince Edward, Duke of Windsor (King Edward VIII) on board the Royal Yacht 'Victoria and Albert. Print is mounted on 34.5 x 29.5 cm cardboard.

Item is a carte de visite photograph of women dressed as witches stirring a cauldron from Shakespeare's MacBeth. Photographer's stamp on verso reads: "Wm. REEVIE / PHOTOGRAPHER, / BALLATER."

Item consists of a brown coloured cabinet with a cream coloured verso. Adhered to the recto is an image of a man, woman, and two young girls sitting in a cardboard prop of a late nineteenth-century automobile. An older woman leans against the hood of the vehicle. All are wearing hats. The backdrop to this studio setting features a landscape. Recto reads: "W. Lees / PHOTOGRAPHER (left) / 23 BATH ST. / PORTOBELLO. (right)" and the verso has "7.00" inscribed with graphite.

Item is a publicity photograph of two men in tuxedos and top hats holding canes. Identified to be Cressie Leonard (1887-unknown) and Billy Leonard (1891-1974), both Irish-born English variety theatre entertainers, musical comedy actors and singers. Here they are photographed for the 1916 and 1917 touring revue, "A la Carte".

File consists of 33 black and white prints of various attractions in London including Ludgate Hill and St. Paul's Cathedral, Piccadilly Circus, Buckingham Palace, Hyde Park, British Museum, Trafalgar Square,, Warwick Castle, etc.

Item consists of a Jules Carpentier Photo-Jumelle, a rigid-bodied binocular camera. One lens is for viewing and the other is for taking single exposures. This jumelle-type camera is not a stereo camera. The magazine holds 12 plates that are 4.5 x 6 cm or 6.5 x 9 cm in size. There is also a rare stereo version of this camera.

Item is a wooden, tailboard folding field view camera, for use with 13 x 18 cm (5 x 7 inch) dry plates. Field cameras are view cameras that produce studio quality images but are designed to fold down to a more compact, portable size. The camera includes a Universal Rapid Lens, series E and glass plate holder.

Item consists of a program for a dance presentation called Jerome Robbins' "Ballets: U.S.A.", held at the Saville Theatre (UK) between August 1-19, 1961.

Item consists of a program for a musical called Oliver! by Lionel Bart, held at the New Theatre (UK) in the fall of 1961.

Item consists of a program for a musical called West Side Story by Arthur Laurents, Leonard Bernstein, and Stephen Sondheim at the Streatham Hill Theatre (UK) in the summer of 1961.

Item consists of a program for a concert called the Henry Wood Promenade Concerts, held at the Royal Albert Hall (UK) on August 18, 1961.

Item consists of a program for a play called 'Tis Pity She's a Whore by John Ford, held at the MermaidTheatre (UK) after August 29, 1961.

Item consists of a program for a play called The Devils by John Whiting, presented by the Royal Shakespeare Company at the Aldwych Theatre (UK) in the fall of 1961.

Item consists of a program for a play called Time and Yellow Roses by Lesley Storm at the St. Martin's Theatre (UK) in the summer of 1961.

Item consists of a program for a play called Altona by Jean-Paul Sartre, held at the Saville Theatre (UK) in the fall of 1961.

Item consists of a program for a play called Twelfth Night by Shakespeare, presented at the Old Vic (UK) in the fall of 1961.

Item consists of a program for a play called Billy Liar by Keith Waterhouse and Willis Hall, presented at the Cambridge Theatre (UK) in the fall of 1961.

Item consists of a program for a play called Ondine by Jean Girardoux, presented by the Royal Shakespeare Company at the Aldwych Theatre (UK) in the fall of 1961.

Item consists of a program for a film presentation of a Russian Ballet film called Othello (u) presented at the Royal Festival Hall (UK) between July 23 - September 10, 1961.

Item consists of a program for a play called The Hollow Crown by John Barton, presented by the Royal Shakespeare Company at the Aldwych Theatre (UK) in the fall of 1961.

Item consists of a program for a play called The Rehearsal by Jean Anouilh, presented at the Globe Theatre (UK) in the fall of 1961.

Item consists of a program for a film presentation of a Russian opera film featuring the Bolshoi Theatre cast called The Queen of Spades, presented at the Royal Festival Hall (UK) between July 23 - September 10, 1961.

Item consists of a program for a play called The Miracle Worker by William Gibson, presented at the Wyndham's Theatre (UK) in the fall of 1961.

Item consists of a program for a play called The Taming of the Shrew, by Shakespeare, presented by the Royal Shakespeare Company at the Aldwych Theatre (UK) in the fall of 1961.

Item consists of a program for a play called King Lear, by Shakespeare, presented by the Royal Shakespeare Company at the Aldwych Theatre (UK) in the fall of 1961.

Item consists of a program for a revue called One Over the Eight, presented at the Duke of York's Theatre (UK) in the fall of 1961.

Item consists of a program for a musical called The Sound of Music by Rodgers and Hammerstein, presented at the Palace Theatre (UK) in the fall of 1961.

Item consists of a program for an opera called Fidelio, by Beethoven, at the Royal Opera House, Covent Garden (UK) on September 25, 1961.

Item consists of a program for a play called Luther by John Osborne, presented at the Phoenix Theatre (UK) in October of 1961.

Item consists of a program for a ballet presentation of Antigone, Symphonic Variations, and The Firebird, presented by the Royal Ballet at the Royal Opera House, Covent Garden (UK) on November 4, 1961.

Item consists of a program for an opera called Die Walküre, by Wagner, at the Royal Opera House, Covent Garden (UK) on September 29, 1961.

Item consists of a program for an opera called Madama Butterfly, by Puccini, at the Royal Opera House, Covent Garden (UK) on November 14, 1961.

Item consists of a program for a series of plays under the banner of Counterpoint: Soldier from the wars returning, by David Capton, Barnstable, by James Saunders, and A Night Out, by Harold Pinter. The performance was presented at the Comedy Theatre (UK) in November of 1961.

Item consists of a program for a pair of plays called The American Dream and The Death of Bessie Smith by Edward Albee, presented at the Royal Court Theatre (UK) in October of 1961.

Item consists of a program for an opera called Falstaff, by Verdi, at the Royal Opera House, Covent Garden (UK) on October 7, 1961.

Item consists of a program for a play called Bonne Soupe, by Felicien Marceau, presented at the Comedy Theatre (UK) in November of 1961.

Item consists of a program for an opera called Aida, by Verdi, at the Royal Opera House, Covent Garden (UK) on November 29, 1961.

Item consists of a program for an opera presentation from Sadler's Wells Opera, of Il Trovatore, presented at the Sadler's Wells Theatre (UK) in November of 1961.

Item consists of a program for a ballet presentation of Ondine, presented by the Royal Ballet at the Royal Opera House, Covent Garden (UK) on November 21, 1961.

Item consists of a program for an opera presentation from Sadler's Wells Opera, including The Nightingale and Oedipus Rex, presented at the Sadler's Wells Theatre (UK) in November of 1961.

Item consists of a program for a ballet presentation of The Sleeping Beauty, presented by the Royal Ballet at the Royal Opera House, Covent Garden (UK) on December 1, 1961.

Item consists of a program for a play called Sail Away by Noel Coward at the Savoy Theatre (London) in late 1962.

Item consists of a program for a play called Heartbreak House by George Bernard Shaw at Wyndham's Theatre (London) in late 1962.

Item consists of a program for a play called The Comedy of Errors by William Shakespeare at the Aldwych Theatre (London) in late 1962.

Item consists of a program for an opera called The Girl of the Golden West by Puccini at Sadler's Wells Theatre (London) in late 1962.

Item consists of a program for a play called Fings Ain't Wot They Used T'Be by Frank Norman at the Garrick Theatre (London) in late 1962.

Item consists of a program for a play called The Irregular Verb to Love by Hugh and Margaret Williams at the Criterion Theatre (London) in late 1962.

Item consists of a program for a play called Mourning Becomes Electra by Eugene O'Neill at the Old Vic Theatre (London) in late 1962.

Item consists of a program for an opera called Let's Make an Opera! by Britten/Crozier at the Vaudeville Theatre (London) in late 1962.

Item consists of a program for a play called The Oresteia by Aeschylus at the Oxford Playhouse (Oxford) in late 1962.

Item consists of a program for an opera called Orpheus in the Underworld by Offenbach at Sadler's Wells Theatre (London) in late 1962.

Item consists of a program for a play called Le Bourgeois Gentilhomme at Comédie-Française (Paris) in January 1963.

Item consists of a program for an opera called Die Fledermaus by Strauss at Sadler's Wells Theatre (London) in January 1963.

Item consists of a program for an opera called Faust at Palais-Garnier (Paris) in January 1963.

Item consists of a program for a play called Lock Up Your Daughters by Bernard Miles at Her Majesty's Theatre (London) in January 1963.

Item consists of a program for an opera called Tosca at Palais-Garnier (Paris) in January 1963.

Item consists of a program for an opera called Les pêcheurs de perles at Palais-Garnier (Paris) in January 1963.

Item consists of a program for a play called Hamlet by Shakespere at Théatre de France (Odeon) (Paris) in January 1963.

Item consists of a program for a play called Les petits renards (The Little Foxes) by Lillian Hellman at Théatre Sarah Bernhardt in January 1963.