Séries 2018.09.02 - Stereoscope Viewers

Zona do título e menção de responsabilidade

Título próprio

Stereoscope Viewers

Designação geral do material

  • Múltiplos suportes

Título paralelo

Outra informação do título

Título e menções de responsabilidade

Notas ao título

Nível de descrição

Séries

Entidade detentora

Código de referência

2018.09.02

Zona de edição

Menção de edição

Menção de responsabilidade da edição

Zona de detalhes específicos de materiais

Menção da escala (cartográfica)

Menção da projecção (cartográfica)

Menção das coordenadas (cartográfico)

Menção da escala (arquitectura)

Autoridade emissora e denominação (filatélica)

Zona de datas de criação

Data(s)

  • [between ca.1850 and ca. 1997] (Fabricação)

Zona de descrição física

Descrição física

162 pieces of photographic viewing equipment : 159 stereoscopes, 4 magic lanterns, 4 projectors. - 843 photographs : 40 transparency reels, 755 stereographs, 28 film reels, 14 stereoscopic colour transparency cards, 6 three-dimensional stickers. - 7 sound recordings : 7 record sound tracks. - 1 textual record : 1 hand written note. 9 drawings ; tracing illustrations

Zona dos editores das publicações

Título próprio do recurso continuado

Títulos paralelos das publicações do editor

Outra informação do título das publicações do editor

Menção de responsabilidade relativa ao editor do recurso contínuo

Numeração das publicações do editor

Nota sobre as publicações do editor

Zona da descrição do arquivo

História custodial

Âmbito e conteúdo

Series contains stereoscopic viewers, photographic images, and emphera. This includes a wide range of stereoscopes and three-dimensional viewers. Stereoscopes are devices used to view two mounted identical images as a single three-dimensional photograph commonly referred to as stereographs or stereoviews.

The first lens-based, portable stereoscopes were invented by Sir David Brewster in 1849 and presented at Crystal Palace during the London Great Exhibition between 1850 to 1851. Until a decade later when Oliver Wendell Holmes' adaptation of the Brewster stereoscope became the model for all later editions of stereoviewers during the 19th century. Holmes left his invention unpatented. This allowed other manufactures such as H.C. White, Underwood & Underwood and Keystone Viewing Company to mimic his design and increase production of stereoscopes and stereoviews. Ultimately, Holmes' decision would increase production and purchase of his invention.

Stereoscopes and stereo ephemera were meant for educational and entertainment purposes. Designs ranged from various materials like wood and aluminium, stereoscopes also had a large array of shapes and sizes from hand held to table top.

Following the 20th century, three-dimensional viewers became extremely popular. Some major manufactures such as GAF, Sawyer's View-Master and Tru-View produced iconic viewers made from metal, bakelite and other plastics. Originally, viewers and viewer emphera were developed for educational purposes but eventually became marketed as children's entertainment. Unlike stereoscopic viewers that could only look at single card stereoviews, three-dimensional viewers typically rotated black and white or colour transparency reels or multiview cards. Many original companies such as Sawyer's and GAF merged together but maintained the "View-Master" name. In 1989, the view-master brand was sold to Tycho until 1997 when Mattel and Tyco joined together. Now, view-masters are produced under the Fisher-Price title. View-masters were made from various materials and sizes. Some editions included built-in back lighting and sound recordings.

Zona das notas

Condição física

Fonte imediata de aquisição

The collection was collected by the late Dr. Martin J. Bass and Gail Silverman Bass and donated to the Ryerson University Library and Archives by Gail Bass in 2018.

Organização

Materials have been arranged by type and re-numbered according to GMD format while following a hierarchical numbering system. No determinable arrangement exists for the material and so an intellectual order was imposed. In cases where items are part of a series attempts have been made to arrange them together. Subject terms and notes fields have been used to indicate contextual relationships.

Idioma do material

Script do material

Localização de originais

Disponibilidade de outros formatos

Restrições de acesso

Open. Records are available for consultation without restriction.

Termos que regulam o uso, reprodução e publicação

Instrumentos de descrição

Materiais associados

Materiais relacionados

Ingressos adicionais

Identificador(es) alternativo(s)

Zona do número normalizado

Número normalizado

Pontos de acesso

Pontos de acesso - Locais

Pontos de acesso - Nomes

Pontos de acesso de género

Zona do controlo

Descrição do identificador do registo

Identificador da instituição

Regras ou convenções

Estatuto

Nível de detalhe

Datas de criação, revisão ou eliminação

Idioma da descrição

Script da descrição

Fontes

Darrah, C. William. (1977). The World Of Stereographs. Gettysburg Pennsylvania: W.C. Darrah

The J. Paul Getty Trust. (2004). Gerry Union List of Artist Names Online. The Getty Research Institute. Retrieved from http://www.getty.edu/vow/AATFullDisplay?find=stereoscopes&logic=AND&note=&english=N&prev_page=1&subjectid=300162919

Wing, Paul (1996) Stereoscopes: The First One Hundred Years. Nashua, New Hampshire: Transition Publishing.

Zona da incorporação