Series 2018.09.03 - Stereoscopic Cameras

Title and statement of responsibility area

Title proper

Stereoscopic Cameras

General material designation

  • Multiple media

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Repository

Reference code

2018.09.03

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Statement of scale (cartographic)

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Issuing jurisdiction and denomination (philatelic)

Dates of creation area

Date(s)

  • [between ca.1850 and ca.1996] (Creation)

Physical description area

Physical description

17 pieces of photographic equipment : 17 stereoscopic cameras. - 5 photographs : film strips

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Custodial history

Scope and content

Series consists of 17 cameras designed to take identical images of the same subject from two lenses, approximately 2.5 inches apart or the same distance between human eyes. Cameras are able to make stereo pairs or single images. Cameras in this series range between ca.1850 and ca.1996.

The stereoscope was invented by Charles Wheatstone in 1838 to demonstrate binocular vision and its role in depth perception. Wheatstone used a pair of drawings to show how each eye could see a slight difference in each image, until the single images are superimposed onto each other through a stereoscope, revealing a three-dimensional effect. With the later establishment of photography, creation of Sir David Brewster's portable stereoscope in 1894 and the introduction of the wet-plate collodion process in 1851, did the stereoscopic industry rise to popularity.

Prior to the development of stereo-cameras, a single camera was used to produce either two daguerreotypes or calotypes in succession. The camera would be moved a few inches to one side between exposures in an attempt to produce pictures that looked identical or what was seen by the two eyes. However, this method was based off trial and error, as the quality of the three-dimensional effect might have been compromised by inadequate distance between exposures or alteration of camera angle, subject, and lighting conditions.

The two basic camera types designed to produce stereoscopic pairs are the single-lensed and double-lensed cameras. The double-lensed or binocular cameras allowed photographers to make simultaneous exposures for more accurate stereo photographs. The increasing demand for stereo imagery called for more portable cameras. Field cameras that folded to a compact size enabled photographers to leave the studio and produce stereos outdoors or previously inaccessible places. Later camera designs would have a standard format of 23x 24 mm with a focal length of 35mm and faster shutter speeds.

Notes area

Physical condition

Immediate source of acquisition

The collection was collected by the late Dr. Martin J. Bass and Gail Silverman Bass and donated to the Ryerson University Library and Archives by Gail Bass in 2018.

Arrangement

Materials have been arranged by type and re-numbered according to SMD format while following a hierarchical numbering system. No determinable arrangement exists for the material and so an intellectual order was imposed. In cases where items are part of a series, attempts have been made to arrange them together. Subject terms and notes fields have been used to indicate contextual relationships.

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Restrictions on access

Open. Records are available for consultation without restriction.

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Sources

Darrah, C. William. (1977). The World Of Stereographs. Gettysburg Pennsylvania: W.C. Darrah

Hannavy, John (2008) Encyclopedia of Nineteenth-Century Photography. New York, New York: Routledge

The J. Paul Getty Trust. (2004). Gerry Union List of Artist Names Online. The Getty Research Institute. Retrieved from http://www.getty.edu/vow/AATFullDisplayfind=stereo+camera&logic=AND&note=&english=N&prev_page=1&subjectid=300022659

McKeown, James. M. (2004) McKeown's Price Guide To Antique And Classic Cameras. Grantsburg, Wisconsin: James M. McKeown and Joan C. McKeown.

National Museums Scotland (2016). Stereoscopy. Retrieved from URL https://www.futurelearn.com/courses/stereoscopy/0/steps/16688

Accession area