- The art or process of making photographs, which are pictures produced by means of the chemical action of light on a sensitive film, glass, paper, metal, or by digital means.
- Getty Art & Architecture Thesaurus
- UF Photographic
586 Archival description results for Photography (process)
119 results directly related Exclude narrower terms
File contains auction catalogs from various companies featuring photographs, photo-books and photographic technology.
- F 733
Noted professional fine art photographer Dave Heath was born in Philadelphia in 1931. His work has been exhibited at the Museum of Modern Art, the Art Institute of Chicago, George Eastman House, and the Heliography Gallery. His work has been published in Photography Annual, Popular Photography, Modern Photography, Camera 35, Infinity, Contemporary Photographer and Contact. He was the recipient of two Guggenheim Fellowships (1963. 1964). Heath taught at Ryerson as an instructor in the Image Arts program between 1970 and 1997.
[biographical information taken from "Dialogue with Solitude".]
This fonds contains the book "Dialogue with Solitude" by Dave Heath, and a photocopy of a review of the book titled "A Dialogue with Solitude David Heath" from Journal vol. 34, no. 5, October 1979.
- F 435
Linda R. Lewis is Professor Emeritus in the School of Fashion at Ryerson University. Lewis earned her Bachelor of Interior Design from the University of Manitoba. She began her career at Ryerson in 1969 in the Department of Photographic Arts, where she taught until 2004, when she became a faculty member and Chair of the School of Fashion. During her tenure at Ryerson, Lewis lectured in design, art history and film theory and also served as Director of the Film Studies program. She has written extensively about design and has been recognized by the community as a design advocate. She was the founding President of the Design Exchange, Toronto, and remains involved with the organization as a member of the Collection Committee. In 2009, she was appointed a leader of the National Design Policy Committee, an initiative led by Design Exchange in partnership with Canadian associations, universities seeking to establish a design policy at the federal government level. Lewis retired to Emeritus status in 2010. After her retirement, the School of Fashion established the Linda Lewis Award in recognition of student excellence in fashion design history, design theory, communication design and fashion design.
Fonds consists of books, committee documents, and curriculum records authored or co-authored by Lewis, as well as one photograph and one exhibition poster.
Series consists of gelatin silver prints, albumen prints, acetate negatives, and various colour photographic processes produced by amateur photographers, usually in an informal, outdoor setting.
- F 351
This fonds contains, one photographic print, and one periodical containing a review of a Bergerson exhibition.
- F 823
Fonds consists of published materials authored or co-authored by Tremblay.
- [ca. 1870]
Item consists of a black and white photograph of a man with a mustache. The man is wearing a suit, vest and tie, and is looking off to the left. Behind him is a plain white backdrop. He has a large mustache that connects to his sideburns. The photograph is 6.5 x 3.75 cm and is mounted to a white card that is unevenly cut at the bottom.
- [ca. 1860]
Item consists of a toned black and white photograph of a girl. She is wearing a dress with a ruffled collar and a hat. Her hair is long and curled. She is looking off to the left. The photograph is mounted to a piece of card painted gold.
Series contains audio recordings of 6 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1996-1997 academic year. The Deepa Mehta lecture was recorded in both audio and video formats, the Diana Thorneycroft lecture was recorded in audio only, and the Robin Collyer, Timothy Druckrey, and Perry Hoberman lectures were recorded in video only. The lecture schedule was as follows:
Diana Thorneycroft (American photographer), January 23, 1997
Deepa, Mehta (Canadian filmmaker), February 6, 1997
Robin Collyer (Canadian photographer and sculptor), February 20, 1997
Timothy Druckrey (American writer and curator), March 13, 1997
Perry Hoberman (American installation artist), March 27, 1997
Series contains audio recordings of 6 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1997-1998 academic year. Lectures were recorded in both audio and video formats, with the exception of the Vincent LaVoie lecture, which is only available in audio. The lecture schedule was as follows:
Jochen Gerz (German conceptual artist), December 12, 1997
Julian Cox (American curator) on Julia Margaret Cameron (UK photographer), January 30, 1998
Vincent LaVoie (French Canadian historian), February 5, 1998
Laurie Simmons (American photographer and filmmaker), March 6, 1998
Ed Burtynsky (Canadian landscape photographer), March 20, 1998
Jeffrey Shaw (Australian media artist), April 3, 1998
Series contains audio recordings of lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2000-2001 academic year. Lectures were recorded in both audio and video formats. A lecture by Jeremy Podeswa, scheduled for February 16, 2001, was cancelled and is not included in the recordings. The lecture schedule was as follows:
Martin Parr (UK photographer), October 13, 2000
Daniel & Geo Fuchs (German photographers), October 27, 2000
Ernie Gehr (American filmmaker), November 11, 2000
Abelardo Morell (American photographer), November 17, 2000
Stan Douglas (Canadian photographer & installation artist), January 18, 2001
Robbert Flick (American photographer), February 9, 2001
Steven Mann (Canadian computational photographer), March 16, 2001
Series contains audio recordings of 8 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1998-1999 academic year. Lectures were recorded in both audio and video formats, with the exceptoin of the David Plowden, scheduled for January 29, 1999, whic was cancelled and no audio or video is available. The lecture schedule was as follows:
Adam Fuss October 23, 1998
William Ewing October 23, 1998
Carolee Schneeman November 13, 1998
Larry Fink November 20, 1998
Sophie Ristelhueber January 21, 1999
David Plowden January 29, 1999 (cancelled)
Donigan, Cumming March 5, 1999
Thomas Roma May 5, 1999
Series contains audio recordings of 7 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2000-2001 academic year. Lectures were recorded in both audio and video formats. The lecture schedule was as follows:
Nicolas Baier (French Canadian multidisciplinary artist), October 19, 2001
Tom Hunter (UK photographer), November 2, 2001
Rineke Dijkstra (Dutch photographer), February 8, 2002
Roni Horn (American visual artist), February 15, 2002
(Lorna Simpson (American photographer), February 22, 2002
Janet Cardiff & George Bures Miller (Canadian multi-media and installation artists), March 15, 2002
Joan Fontcuberta (Spanish conceptual artist), March 22, 2002
Series contains audio recordings of 4 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2005-2006 academic year. Lectures were recorded in video format. The lecture schedule was as follows:
Mariko Mori (Japanese photographer), October 7, 2005 Stream online: https://ryecast.ryerson.ca/6/Watch/488.aspx
Fiona Tan (Australian-Dutch film and video installation artist), January 27, 2006 Stream online: https://ryecast.ryerson.ca/6/Watch/490.aspx
Chris Buck (Canadian portrait photographer), March 10, 2006 Stream online: https://ryecast.ryerson.ca/6/Watch/491.aspx
Steve Schapiro (American documentary photographer), April 7, 2006 Stream online: https://ryecast.ryerson.ca/48/Watch/492.aspx
Series contains audio recordings of 7 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2003-2004 academic year. Lectures were recorded in video format and the schedule was as follows:
Sultan, Larry (American photographer), October 24, 2003 Stream online: https://ryecast.ryerson.ca/6/Watch/500.aspx
David Cronenberg (Canadian filmmaker), November 7, 2003 Stream online: https://ryecast.ryerson.ca/6/Watch/501.aspx
Jemima Stehli (UK photographer), November 14, 2003 Stream online: https://ryecast.ryerson.ca/6/Watch/502.aspx
Max Dean (Canadian installation artist), January 30, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/503.aspx
Lauren Greenfield (American documentary photographer and filmmaker), March 5, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/505.aspx
Andres Serrano (American photographer), March 12, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/506.aspx
Shirin Neshat (Iranian filmmaker), March 19, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/507.aspx
Series contains audio recordings of 5 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2006-2007 academic year. Lectures were recorded in video format. The lecture schedule was as follows:
Jeremy Podeswa (Canadian film and television director), January 26, 2007 Stream online: https://ryecast.ryerson.ca/6/Watch/482.aspx
Joanna Berzowska & SX Labs (Concordia University), February 23, 2007 Stream online: https://ryecast.ryerson.ca/6/Watch/483.aspx
Jamel Shabazz (African-American photographer), March 29, 2007 Stream online: https://ryecast.ryerson.ca/6/Watch/484.aspx
Alain Fleischer (French filmmaker), April 27, 2007 Stream online: https://ryecast.ryerson.ca/6/Watch/485.aspx
Roger Ballen (American-South African photographer), May 11, 2007 Stream online: https://ryecast.ryerson.ca/6/Watch/486.aspx
- 1840-1970, predominant 1860-1900
The collection consists of a large number of studio portrait photographs from the late 19th and early 20th centuries in carte-de-visite or cabinet card formats. There is a large collection of landscape and industrial imagery dating from the Victorian era to the 1960s. The collection also comprises many vernacular photographic albums, good examples of glass and metal photographic processes including cased daguerreotypes, ambrotypes and tintypes. The fonds is comprised of the following 8 series: Portraits (sub-series for Groups and Celebrities), Vernacular Photography (amateur snapshots), Landscapes and Industry (sub-series for Slides), Albums, the A.T. Orr collection and a Miscellaneous group of images which were generally created in mixed media.
The techniques of the masters videoconference series poster for Annie Leibovitz's lecture "Two Decades".
Kodak Canada Inc.
- ca. 1890
Item is a cream coloured cabinet card with gold letterpress at bottom edge, "Dixon/ Cor. King & Yonge Sts./ TORONTO." Photograph is a full length portrait of three children, with the youngest wearing a velvet coat, tartan skirt and matching socks and seated on a bannister on the left. A girl is seated in a rustic tree branch chair on the right. The boy in the centre wears a sack coat with only the top button fastened. On verso, a lithographed design in gold with the text "ELECTRIC LIGHT PHOTO GALLERY." followed by the image of the front and back of a medal for the Industrial Exhibition Association of Toronto Opened Setp 5th 1879. Beneath that, "Highest Award at Toronto, Kingston and Hamilton./ S. J. Dixon,/ MEMBER OF THE/ Photographers'. Association. of. America./ All Photos made with the New Process./ NO CHANGE OF EXPRESSION./ The Exposure is but One Second./ GALLERY,/ Cor. King and Yonge Sts./ TORONTO./ Not Connected with any other Gallery of the/ Same Name."
Dixon, Samuel J.
- ca. 1890
Item is a brown cabinet card with gold letterpress at bottom edge, "Dixon/ COR. KING & YONGE STS./ Toronto." Photograph shows a man standing next to a small statue of a horse and rider, the rider holds a fox or small animal upside down while two dogs at the horse's feet jump up at it. On verso, also in gold letterpress, "ELECTRIC LIGHT PHOTO GALLERIES" followed by a design with front and back of a medal by the Industrial Exhibition Association of Toronto. Text continues "Highest Award at Toronto, Kingston and Hamilton/ S. J. Dixon/ Member of the Photographer's Association of America/ ALL PHOTOS MADE WITH THE NEW PROCESS/ No Change of Expression. The Exposure is but One/ Second./ STUDIOS/ CORNER/ KING AND YONGE STREETS AND CORNER/ YONGE & TEMPERANCE STS./ TORONTO".
Dixon, Samuel J.
Item is a grey card with embossed oval border around a photograph of a black woman with white polka dotted blouse and tartan scarf. On verso, handwritten in pencil at the top right, "7.00".
- 12 December [194-]
The photograph envelope is printed for the Owl Drug Store, of 336 Bloor St. West, and noted that the customer is "Mrs. Atwood, 23 Spadina." The negatives are of a woman wearing a white ensemble.
- ca. 1850
Item is a white cabinet card with gold border and image a young girl, seated on a window ledge with a jump rope and a small (stuffed or stone?) birl to the left. At bottom of card, in gold letterpress, "VANDYKE & BROWN/ PHOTOGRAPHERS" and at right "31 BOLD ST & 34 CASTLE ST/ LIVERPOOL." On verso, royal seal appears at top with large sideways lettering in centre "Vandyke & Brown". At upper left, "ARTISTE(sic) PHOTOGRAPHERS/ MINIATURE & PORTRAIT PAINTERS." Mid right "31, BOLD STREET/ AND/ 34, CASTLE STREET/ LIVERPOOL." At bottom right, "Negatives kept/ Copies may be had." and at centre "CARTES & CABINET PORTRAITS/ COLOURED TO ORDER."
Vandyke & Brown, Photographers
- December 26th 1893
Item is a cabinet card of a professor with a long beard. Imprint below photograph reads 'Kellie and Co. Portraits', illegible inscription on surface of photograph. Inscription on verso reads, 'From Prof. Duchariue to his pupil Florence L. Roe Dec 26th 1893. 900 Dorchester St Montreal'.
Kellie and Co. Portraits
- ca. 1885
Item is a black papered cabinet card with gold letterpress at bottom, "FOURTEENTH ST./ Between/ LARIMER & LAWRRENCE./ HORACE E. HUNT,/ DENVER, COLO." Photograph of a man with neatly parted hair and a trimmed moustache in a sack coat with plain starched collar and a thin, light bowtie.
Horace E. Hunt
- ca. 1900
Item is a photograph mounted on card backing, showing 4 children in outdoor setting with studio backdrop. Boy at centre sits on a swing with his sisters on either side, and the youngest seated on a log. On verso, in pencil, "McCallums - Ailsa Craig/ Lived next-door to us -".
- ca. 1880?
Item is a light grey card with photograph of a man holding a piece of paper(?) and standing outdoors. Image is vignetted and trees are blurred in background. Man has a suit jacket and starched white collar, and white mutton chops.
- 5 January 1885
Item is a cream coloured cabinet card with oval fram decoratively drawn on card to mimick a heavy wall frame, complete with nail and hanging ropes. Photograph shows a young girl in checkered blouse holding flowers. On verso, a US 2 cent stamp, c. 1862-1871. Cancelled "[illeg] MILLS PENN YAN N.Y./ Jan 5, 1885."
- [after 1904]
Item is a paperweight with a circular albumen print sealed on the top. The photograph depicts the Howe Monument, sculpted by Louis-Philippe Hebert and erected at Province House, Halifax, Nova Scotia in 1904.
- [ca. 1890]
File consists of four card mounted photographs, 3 of the same man in various poses and 1 of a woman. All mounted on black card by studios in Montreal. The photographs were found inside the Agnes Osberg album (2009.005.023) with a yellow sticky note that read: Came from the same family But Not this album.
Item is a light brown card with photograph of a man from the shoulders up, on a plain background. Embossed into the card at the base is the studio mark for William Notman and Son at 14 Phillips Square, Montreal. On verso, the name Guy Bulloch with the date 1900s is handwritten in blue ink.
- [ca. 1890]
Item is a cream coloured card with long rectangular photograph of a girl in a photographer's studio, leaning against a cloth-draped side table with an open book. On the back of the card, a handwritten message to Marion Morris, to whom the card was given.
- [ca. 1880]
Item is a cream coloured card with photograph of a boy seated in a studio setting. At the bottom of the card, in gold letterpress: "H. D. Wallis, Photographer, 61 SPARKS STREET OTTAWA". On verso, elaborate design in gold ink repeating the photographer's name and studio address, along with a handwritten note and negative number. A cartoon of two Chinese (?) men appear in the lower left of the design. The card design was provided by Free Press Print, Ottawa.
Wallis, James D.
Item is a cream coloured card with photograph of a man wearing a suit with hand-coloured purple tie. On verso, design in gold ink for the Notman Studio: "W. NOTMAN" with the Royal Crest at the centre and a ribbon wrapping that which reads "PHOTOGRAPHER TO/ HER MAJESTY" followed by the locations of studios in "MONTREAL/ OTTAWA/ TORONTO/ & HALIFAX". At four corners of the design are images of medals, which read clockwise from top left, "LONDON" "1862/ LONDINE/ HONORIS/ CAUSA/ 1862" "1867" and "NAPOLEON III EMPEROR/ PARIS".
Item is a cream card with light pink backing. Vignetted portrait of a woman in a high collared dress with vertical ribbon decoration. At bottom of front of card, in brown letterpress, "G. W. Secretan 210a TUFNELL PARK Rd". On verso, also in brown, "210a TUFNELL PART Rd/ LONDON N./ G. W. Secretan/ FROM Mora NEW YORK/ GROUNDS ATTACHED TO THE STUDIO/ FOR PHOTOGRAPHING CYCLISTS GROUPS/ & EQUESTRIAN PICTURES./ NEGATIVES ARE NEVER DESTROYED./ COPIES CAN BE HAD AT ANY TIME./ NO...../ ALEX:LINDNER, BERLIN".
George William O Secretan
- [c. 1890]
Item is a cabinet card of a man and woman on a sled. Text below photograph reads, 'Summerhayes & Walford, Montreal'. Text on verso of card reads, 'Summerhayes & Walford Photographers, Montreal'. Illegible inscription on verso.
Summerhayes & Walford
Item is a cabinet card photograph of a character from Wagner's opera Lohengrin. Mostly illegible script written on photograph, except, '1894'. Text below photograph reads, 'Lohengrin, Bayreuther Buhrenfest - Spiel'. Text on verso reads, 'W. Hoffert, Hof Photograph. Breslau, Hamburg, Leipzig, Berlin, Magdeburg, Dresden, Hannover. Photographische Kartenfabrik v. Paul Suss, Dresden.
W. Hoffert Hof Photograph
- c. 1900
Item is a cabinet card portrait of woman. Gold imprint below photograph reads, 'Elmer Chickering 21 West St. Boston'. Black text on back of card reads, 'The royal studio, Massachusetts charitable mechanic association founded 1795 inc. 1806. Awarded at the seventeenth exhibition 1890, highest award, Elmer Chickering Proprietor 21 West St. Boston, Duplicates can be had at any time', inscription in pencil on back reads, '86503'
- [ca. 1850]
Item is a cabinet card portrait of baby. Brown text below photograph reads, 'Copyright Barraud 263 Oxford St London A few doors West of The Circus'. Brown text on back of card reads, 'Mr. Barraud 263, Oxford St. W (regent circus) London. Mr. Barraud bestows particular attention on enlargements, miniatures and reproductions which can be made from any photograph. All negatives registered and carefully preserved. Mr. Barraud's studios are approached by a lift constructed on the most approved patents which will be found a great advantage to sitters as no stairs have to be ascended, childrens portraits the same prices as other sitters.' Inscription in ink on back of card reads, Willi a Kiss, from Phyllis Margaret Dickson'.
- c. 1850
Item is a cabinet card portrait of woman sitting and wearing Victorian dress. Black text on back of card reads, 'Bradley & Rulofson San Francisco, United States, The World, Vienna 1873, Gold Medals, 429 Montgomery Street San Francisco. Cal'
Bradley & Rulofson
- c. 1900
Item is a portrait of young woman. Black text on back of card reads, 'Bradley & Rulofson, San Francisco, United States, The World, Vienna 1873 Gold Medals, 429 Montgomery Street, San Francisco. Cal.' Inscription in pencil reads, 'Anna G.'
Bradley & Rulofson
- ca. 1900
Item is a cabinet card portrait of woman. Text below photograph reads, 'Rockwood, 17 Union Square (West) N.Y.' Text on back of card reads, 'Rockwood Photographer 17 Union Square (west) N.Y.'
- c. 1890
Item is a cabinet card portrait of woman in furs. Illegible inscription in ink below photograph. Gold text on back of card reads, 'Pittaway & Jarvis, Photographers, No. 117 Sparks Street, Ottawa, Ont.'
Pittaway & Jarvis
- ca. 1890
Item is a beige cabinet card with embossed lettering at bottom edge, "Brigham SCARBOROUGH". Photograph is a full length portrait of a young girl standing on a table in front of a stone wall (painted). The giel wears a frilly dress and bonnet and holds a small wooden shovel or scoop. On verso, elaborate border design resembling lace lithographed in a brown ink and at the centre, the text "W D Brigham/ 20, ESPLANADE/ SCABOROUGH". In small print a tthe bottom, "COPYRIGHT Marion, Imp Paris".
W.D. Brigham, Photographer
- ca. 1880
Item is a dark purple cabinet card with portrait of a child standing in a winter scene with showshoes at his side. The child wears a double breasted fur coat with toque. At the bottom of the card in gold letterpress, "J. W. POWELL./ 163 Princess Street,/ KINGSTON, ONT."
- ca. 1880
Item is a dark brown cabinet card with gold letterpress at the bottom reading "Smith/ Galt". Photograph shows two children in dark dresses with pleating down the front seated on hay with palm fronds in the background and holding a picture book open on their laps. On verso, at bottom right, a sticker with the handwritten ink "$4.00/ SW".
- [between 1881-1887]
Item is a cream card with gold letterpress at the bottom edge reading "Barraud Bros. BARRIE, ONT." Photograph is a full length portrait of a girl holding a puruse and standing in front of a scenic backdrop showing a river and trees. The edge of a canoe is visible on the left and a pile of hay and dried leaves on the right.
- [between 1885-1897]
Item is a beige cabinet card with black letterpress at bottom edge, "Turner & Drinkwater/ 8, Regents Terrace/ Hull." Photograph is a portrait of a man leaning against a chair with his right hand in his pocket. He wears a checked suitjacket and matching waistcoat with plain trousers. There is a thin piece of glassine tissue attached at the top of the card that folds over the front of the card. The tissue has a design lithographed on it with the heraldic badge of the Prince of Wales above the text "TURNER & DRINKWATER/ THE STUDIO ROYAL, HULL./ NO. 8/ REGENT'S TERRACE." On verso, black text printed sideways, "Photographers to Their Royal Highnesses/ The Prince & Princess of Wales,/ Duke of Edinburgh and/ Duke of Cambridge". Handwritten in pencil at the lower left corner, "43825".
Turner and Drinkwater
- [between 1893-1894]
Item is a white cabinet card with gold letterpress at bottom edge, "The Dominion TORONTO." Photograph shows an old woman seated in an upholstered chair with a book in her lap. Her dress has an elaborate ruffled front. On verso, a gold ribboned border surrounds the text "THE/ DOMINION/ Photo Studio,/ 388 Queen St. West./ 6 DOORS WEST OF BROCK. TORONTO./ Duplicates can be had at any time by sending/ name in full." Near the top of the design, a graphic with a caged bird. Handwritten in ink to the left of the bird, "Aunt Jennie/ Mrs. Rowat".
The Dominion Photo Studio
- [between 1880-1882]
Item is a white cabinet card with grey letterpress at bottom edge, "J. F. BRYCE 107 KING STREET WEST, TORONTO". Photograph is a full length portrait of a man and woman standing in in front of a painted nature scene with birch tree. The woman holds an unopened parasol and her hat rests on a rock between them. The man holds his hat behind him.
J. Fraser Bryce
- ca. 1890
Item is a beige cabinet card with scalloped edges and brown letterpress at bottom. On the right, "Phipps" and on the left "NEW CASTLE,/ PA." In the centre, a design with artist's palette and brushes and the text "PHIPPS'/ EXTRA/ FINISH". Photograph is a portrait of an infant in a dress with wide lace collar, seated on a chair draped in fabric. On verso, elaborate border design with vases and the text "A. W. PHIPPS/ PHOTOGRAPHIC/ Art Studio./ 61 1/2 Washington Street/ New Castle, Pa."
- [between 1885-1889]
Item is a white cabinet card with red letterpress at bottom edge, "CABINET PORTRAIT/ S. PORTER, PHOTO, CHIPPENHAM". Photograph shows a young girl in peasant-style costume with long braids and a small basket slung across her right wrist. A painted landscape backdrop. On verso, large red lithograph design of a potted plant with the British royal crest followed by the text "Artist &/ Photographer/ S. Porter./ ST PAUL'S STREET,/ CHIPPENHAM/ THIS PORTRAIT CAN BE REDUCED/ FOR TEH SMALLEST LOCKET/ OR ENLARGED TO LIFE SIZE AND FINISHED IN/ OIL, CRAYON OR WATER COLORS ETC./ Negatives Kept/ Copies can always be had./ REEVES & HOARE, LONDON".
- [ca. 1880]
Item is a white cabinet card with thin gold border and a photograph with oval border of a woman in apron and chef's hat. A basket of vegetables is slung under her right arm. On verso, handwritten in blue ink, "Mother". In pencil, "L-30.00".
- [ca. 1880]
Item is a white cabinet card with thin gold border and a photograph of a woman in an apron holding a large basket with greens balanced on her head in front of a studio backdrop. On verso, handwritten in blue ink, "Mother". In pencil, "L-40.00".
- ca. 1870
Item is a cream coloured cabinet card with image of a woman in tall straw hat and bustled gown leaning in a doorway with a child in single-breasted jacket holding a straw boater seated in hay at her knees. Flowers are painted onto the faux-stone wall of the studio scene. At bottom, in gold letterpress, "Wallis." and at right "PHOTOGRAPHER/ 61 SPARKS STREET, OTTAWA."
Wallis, James D.
- [ca. 1890]
Item is a brown cabinet card with text embossed in gold at the bottom edge, "Mad/ Ed./ Gagne/ 211 rue St. Laurent/ MONTREAL." Photograph shows a young woman with a fittend, columnar dark dress with elaborate ruffled flounce a the base and a long fur scarf. She holds a fur muff in her right hand, and rest her gloved left on the top of an elaborate metal gate. The scene appears indoors despite a blanket of grass beneath her feet. She wears a flat, straw hat.
Madame Ed. Gagne
- ca. 1890
Item is a cream coloured cabinet card with gold letterpress at bottom edge, "Will D. Baldwin,/ 503 TOWER AVE.,/ 352 2nd ST.,/ SUPERIOR CITY,/ WISCONSIN." Photograph shows a man in suit seated on an upholstered chair with a woman in outdoor jacket, straw hat and holding a closed umbrella at her side, stands beside him. The photograph is taken inside against a studio backdrop of a painted mantel and low paneled wall.
Will D. Baldwin
- ca. 1880
Item is a dark brown cabinet card with gold letterpress at bottom, "E.R.T. SMITH, / CARBERRY/ MANITOBA." Photograph is a vignetted portrait of a man in a suit jacket with small lapels and a large, striped tie.
- ca. 1890
Item is a black cabinet card with gold decoration at bottom, drawn like ribbons with the text "W.H. SPINKS/ 461-463-465 DUNDAS ST./ WOODSTOCK, ONT." and the letters S, T and H intertwined in decoration at the centre. Photograph is a full-length portrait of a man and woman seated on an unpholstered bench. The man wears a jacket and waistcoat made of a horizontally striped material with a checkered tie. The woman wears a dark coloured dress with double breasted jacket. The backdrop shows a hillside scene.
- c. 1890
Item is a black cabinet card with embossed gold text at the bottom, "Robert Smith/ 100 COWCADDENS ST./ GLASGOW." Photograph shows a young woman in light coloured dress in front of a painted rocky backdrop and lighthouse holding a tennis racket at her right side.
Item is a beige cabinet card with brown letterpress at bottom, "W. Crooke/ 103 PRINCES STREET/ EDINBURGH." Photograph is of a mother and two daughters. The woman sits on the left, wears a tight jacket with lace sleeves and a narrow bonnet with crushed fabric decoration at brim and large silk bow tied under her neck. The older girl on the right wears a dark fabric, probably velvet, dress with lace collar and lace trimming on short sleeves. The infant on the mother's lap wears a lace dress and bonnet. Only the infant looks toward the camera.
Crooke, William, 1849-1928
- [between 1880-1895]
Item is a cream cabinet card with gold letterpress at bottom, "Fenner" and at right, "GALLIPOLIS. O." In between, decoration with 3 letters intertwined, "W" "J" "F". Photograph is a full length view of a young girl, probably about 2 years old, seated in a blanketed chair holding a doll in her hands. On verso, elaborate border design surrounding the text "FROM THE/ PHOTOGRAPHIC/ STUDIO/ OF/ W. J. FENNER/ ART/ PHOTOGRAPHER/ GALLIPOLIS. O." The word "art" is contained inside a drawing of an artist's palette and brushes. At the upper right, handwritten in black ink, "5.00/ D42".
W.J. Fenner, Photographic Studio
- [ca. 1880]
Item is a cream cabinet card with brown letterpress at bottom, "Duryea/ 158a Rundle Street,/ ADELAIDE." Photograph is of an infant of about 1 year old seated on an upholstered chair with furs draped on the back. The child wears a lace dress, cape and bonnet and black patent leather shoes with bows. On verso, also in brown letterpress, "From the/ STUDIO/ of/ T. Duryea/ ARTIST IN PHOTOGRAPHY/ No 158a Rundle Street/ ADELAIDE/ PORTRAITS ENLARGED AND FINISHED IN OIL,/ WATER COLOR OR CRAYON./ Additional copies obtainable at reduced rates." Handwritten in pencil at the top right and then crossed out "191" and just to the left of that, "221".
Studio of T. Duryea
Item is a white cabinet card with brown letterpress at bottom, "H. Yeo" and "169 UNION ST/ PLYMOUTH." At the bottom centre, decorative etching of two medals from the Photographic Society of Great Britain with the dates 1853 and 1875. Text surrounding the medals reads "HIGHEST AWARD/ 1892/ SOCY OF GT. BRITAIN". Photograph is a portrait of a woman in embroidered blouse with broach, and puffed sleeved jacket seated in wooden chair with furs piled beside her on the left. On verso, black letterpress reading "H. Yeo Photographer/ 169,./ Union Street,/ PLYMOUTH./ REG. C.E. & C." At top left, handwritten in ink, "No. 44546g(?)" and at mid-right, also handwritten, "Aunt Blanche/ Maddiford".
H. Yeo, Photographer
- August 1889
Item is a cream coloured cabinet card with gold letterpress at bottom edge, "Cabinet Portrait/ G. C. ARLESS PHOTO. MONTREAL". The text is separated in the centre with the drawing of a maple leaf. Photograph is a full length portrait of a woman with embroidered jacket standing admist cattail reeds. On verso, lithographed celtic interlace border design with the design of a crest with a maple leaf in the centre, and the letters "G" "C"and "A"intertwined. Below, "G. C. ARLESS/ Photographer/ MONTREAL/ Wm Galt. Lith." Handwritten in black ink at top, "Aug 1889".
Arless, G. C.
- [between 1884-1900]
Item is a white cabinet card with gold letterpress at bottom, "T. S. HILL/ St. Catharines/ Additional Copies can be had at any time." A design of a bird with a branch of a tree at bottom centre between the text. Photograph is a full length portrait of three children, a girl and two boys. The boy in the centre wears a plaid skirt and embroidered jacket, while the other wears a dark ribbon-trimmed dress with wide lace collar. The girl also wears a wide lace collar over her embroidered dress. They are seated on upholstered stools in front of a studio interior.
T. S. Hill
- [ca. 1895]
Item is a portrait of baby standing on a chair. The mother's arm is subtley draped in the background. Embossed beneath the photograph reads, 'Phillips Square, Montreal, Wm. Notman & Son'. Inscription in black ink on back of mount reads, 'Constance Orr'.
William Notman & Son
- c. 1915
Item is a carte-de-visite style portrait of a man with a moustache. Black type beneath photograph reads, 'Summerhayes & Walford, Montreal'. Black type on back of card reads, 'Summerhayes & Walford, Photographers, No. 1 Bleury Street, Montreal'
Summerhayes & Walford
- July 30th 1881
Item is a carte de visite portrait of a young girl in a photography studio. Inscription on verso reads 'Florence Rose Orr - 6 years old - 30th July 1881. Made by Notman & Sandham, Montreal.
Notman & Sandham
- [between 1881-1888]
Item is a white carte-de-visite featuring a full length portrait photograph of a young man dressed in velvet suit jacket trimmed in lace with matching trousers that cut above the knee and have been extended down with a long lace frill. Black stockings complete what was typically a child's dress costume known as a Fauntleroy suit. He stands in front of a studio backdrop showing a doorway, and at his feet the base of a headrest is visible behind him. On verso, an elaborate lithographed design in green with the text "DORION & DELORME/ PHOTOGRAPHERS/ D & D/ 140 SPARKS ST./ OTTAWA./ ONTARIO." Someone has drawn through the image with blue pen in a zig-zag.
Dorion & Delorme
Item is a cream coloured carte-de-visite featuring a full-length portrait of a man and woman, seated in front of a studio backdrop with window frame and painted scene including trees and an acquaduct. Woman wears a dress belted at the waist with a ribbon in her hair. Man wears a suit and tie and thick beard. On verso, stamped in blue ink, "Wills & Bryant,/ PHOTOGRAPHERS,/ WOODSTOCK,/ ONTARIO."
Willis & Bryant
Item is a cream coloured card card featuring a full length portrait of a man and woman against a studio backdrop (top edge of backdrop visible) with curtain covering right side. Man is seated at a writing desk and woman stands beside him, wearing a hoop skirt that is slightly lifted off the floor. On verso, photographer's stamp "W. R. MACAULAY,/ Photographer,/ Cor. King & John Sts.,/ HAMILTON, O,/ Negatives Preserved, Dupli-/cates furnished atany(sic) time,".
W. R. Macaulay
- [between 1867-1876]
Item is a cream coloured card featuring a vignetted portrait of a man with a thick beard and balding, wearing a sack coat and shirtwaist with high collar and thin, dark tie. On verso, photographer's stamp in black ink, diagonally, "New Dominion Fine Art Gallery./ F. G. LEWIS,/ West Side of Thames Street, Ingersoll, Ontario./ NEGATIVES PRESERVED."
F. G. Lewis
- ca. 1870
Item is a cream coloured card with vignetted portrait of a woman with her curled hair tied back in a bow on top of her head. She wears a light dress with darker stripes around the shoulders and lace collar with cameo. On verso, elaborate purple stamp with cherub and flowers and the text "S. PARK,/ ARTIST,/ BRANTFORD, Ont./ All Negatives for Photographs/ preserved - ready at any time/ for additional copies, by/ mail or otherwise."
- [between 1874-1886]
Item is a cream coloured card with full length portrait of a young girl seated on a wrought iron chair wearing an embroidered dress and her curled hair tied back with a ribbon. On verso, photographer's stamp featuring a border of flowers and second border of rope with a crest with castle, unicorn and anchor, and the text "MISS M. A. HESS,/ Photo./ HAMILTON,/ ONT."
Hess, Miss Margaret A.
- [between 1856-1870]
Item is a beige card with full length portrait of a black woman in dress with hoop skirt, dark embroidery down the bust areat with button details, and a belted waist. She wears a small bonnet on the back of her head. Photograph taken in studio setting with drapery and small side table. She rests her hand on a book on the table. On verso, photographer's stamp with the letters "R" and two "h"s intertwined followed by the text "HUGH H. RITCHIE/ PHOTOGRAPHER/ 146 PRINCES STREET/ OPPOSITE THE LOTHIAN ROAD/ EDINBURGH".
Hugh H. Ritchie
- ca. 1880
Item is a beige card with full length portrait of a man in highland dress in a studio setting with column at the left. On verso, geometric interlace border with text at the centre, "Wm REEVIE,/ PHOTOGRAPHER,/ BALLATER./ More of this can be had at any/ time on sending name." Above text, a royal crest with phrase from the Order of the Garter, "Honi Soit Qui Mal Y Pense".
- [between 1876-1884]
Item is a cream coloured card with thin brown border and brown letterpress at the bottom edge, "A. W. STEELE/ LEITH". Photograph is a vignetted portrait of a man in sack coat and tie. On verso, pink card backing is lithographed with a ribbon containing the text "PERSEVERE" and the design of a tall ship with a lady at the centre. Below, the letters "A" "W" and "S" are intertwined. The bottom half of the card contains the text "A. W. STEELE/ FINE ART & PHOTOGRAPHIC STUDIO,/ 8, Bernard Street,/ LEITH./ Copies may be had/ PORTRAITS ENLARGED OR DIMINISHED/ COLORING ARTISTICALLY EXECUTED/ Marion Imp Paris".
Item is a pink card with photograph of a woman in striped blouse and white scarf. The image has an oval shape, visible at the corners of the photograph, but the photograph has been cropped in. It was probably meant for a larger, possibly cabinet card mount, but the woman's style of dress is still close in date to the mount style, about mid-1880s.
- ca. 1880
Item is a cream coloured card with gold border and full-length portrait of three children, the youngest seated in a high chair in the middle, standing in front of a painted landscape backdrop. They stand on a patterened floor. On verso, small circular stamp with the text, "ISAAC HORNING,/ ARTIST,/ Talbot Street,/ SIMCOE,/ C. W." At top right, handwritten in pencil, "566".
- ca. 1880
Item is a white card with full length portrait photograph of a woman in a long black dress with high collar and skirt train. She stands behind an upholstered chair, holding a book loose in her right hand. The backdrop is a painted scene with large window. On verso, lithographed in gold, "P. DOEBEREINER/ Photographer." A design with a cornucopia surrounded by an artist's palette and brushes, a camera and a scroll with the image of two people is at the centre. Drawings of cartes de visites fall out of the upturned cornucopia. At the bottom, also lithographed in cold, "CALEDONIA/ ONTARIO." At the top right corner, there is the faint impression of lettering reading "L Fox"?
- ca. 1885
Item is a pale yellow cabinet card with portrait of a woman in a flower patterened coat and high collar, gloves and feathered hat, leaning against a stone wall with potted plants. On verso, the motto and arms for the city of Aberdeen (showing three castles, two leapords and the motto "Bon Accord") followed by the photographer's stamp in black, "ARTIST/ &/ PHOTOGRAPHER/ W. Carey,/ 35 & 37 BACK WYND,/ ABERDEEN./ Pictures of every description,/ Copied, enlarged and finished in Oil,/ Water, or Crayon./ George Mason & Co."
- ca. 1880
Item is a white carte de visite with photograph of a young girl in dres with short lace sleeves and a dark sash around the waist. She is seated on fur. At the bottom of the card, in black letterpress, "Grimmett, INSTANTANEOUS PORTRAIT/ PARSONS ST BANBURY." On verso, a form is laid out sideways on the card. "IN ORDERING COPIES IS NOT NECESSARY/ TO SEND THIS PHOTOGRAPH SIMPLY QUOTE/ THIS NO". In black ink, no is given as "1136". "GRIMMETT,/ Art Photographer/ ALL PORTRAITS TAKEN BY AN INSTANTAEOUS PROCESS/ Parsons Street,/ Banbury./ THE NEGATIVE OF THIS PORTRAIT WILL BE PRESERVED SO THAT COPIES MAY BE HAD AT ANY TIME IT CAN BE ENLARGED OR/ REDUCED AND FINISHED IN OIL OR WATER COLOURS".
Grimmett Art Photographer
Item is a white card with portrait of an infant laying against a dark fabric. The child wears a tartan dress with lace collar. At the bottom edge of the card in gold letterpress, "BONGARD & TAYLOR, Oshawa, Ont." On verso, also printed in gold at a diagonal, "FROM THE STUDIO OF/ Bongard & Taylor/ SIMCOE STREET N., OSHAWA, ONT." At upper right corner, handwritten in pencil, "5-".
Bongard & Taylor
- ca. 1880
Item is a black card with gold embossed lettering at the bottom of the card reading "Squiers./ 9 Frances RD/ EDGBASTON." The photograph is a vignetted portrait of a man with a thick mustache with his eyes scrunched up in a laugh.