The Kodak Canada collection contains records and artifacts from the Kodak Heights manufacturing facility in Toronto, as well as the historical collection belonging to the Kodak Heritage Collection Museum. The collection consists of photographs, negatives, advertising records, magazines, pamphlets, daily record books, recipe books, cameras and other photographic equipment produced by Kodak Canada Inc., or other Kodak plants around the world. The collection includes a small selection of financial records, blueprints for Kodak facilities in Canada, and other corporate ephemera, as well as photographs of events, buildings and individual employees that illustrate the social life of the company.
Jack Layton was a Canadian academic, activist, environmental consultant, author, politician, and athlete, as well as a devoted husband, father, and grandfather. This fonds contains a collection of published materials, audio visual items, textual records, photographs, electronic resources, and artifacts.
The archive contains thousands of negatives and photographs taken for publication in Canadian Architect magazine. As announced in the magazine's inaugural issue, Canadian Architect reviewed and documented both public and private structures, including churches, homes, businesses, airports, government offices and public spaces. The subjects of the photographs are generally modern Canadian structures, but images of some International sites and early 20th century Canadian buildings can be found in the collection as well. The collection also contains images of entries to the annual national design awards program sponsored by the magazine, the "Awards of Excellence." The collection also functions as a record of the changing nature of magazine production over the latter part of the 20th century. Canadian Architect was the first business publication in Canada to make engravings on site from original photographs, allowing for a rich selection of both prints and negatives. Instructions by editors and layout artists regarding their eventual printing in the magazine are often written directly on the prints, along with photographer's stamps, credit lines or captions.
The collection consists of small pamphlets or periodicals issued by camera manufacturers to promote the sale of camera equipment or encourage the use of their films and apparatus. Most issues were published by the Eastman Kodak Company in Rochester, NY, but there are a few issues from other Kodak branches and other photographic companies. A couple of fiction stories and comic books on the topic of crime photography are included as well.
The collection consists of a large number of studio portrait photographs from the late 19th and early 20th centuries in carte-de-visite or cabinet card formats. There is a large collection of landscape and industrial imagery dating from the Victorian era to the 1960s. The collection also comprises many vernacular photographic albums, good examples of glass and metal photographic processes including cased daguerreotypes, ambrotypes and tintypes. The fonds is comprised of the following 8 series: Portraits (sub-series for Groups and Celebrities), Vernacular Photography (amateur snapshots), Landscapes and Industry (sub-series for Slides), Albums, the A.T. Orr collection and a Miscellaneous group of images which were generally created in mixed media.
The collection consists of audio, video and film recordings made by Dr. Joe MacInnis and his team during his underwater dives from the 1970s to 2004. The bulk of the collection concerns the shipwrecks of the Titanic, the Breadalbane and the Edmund Fitzgerald. There are also many films that highlight deep sea ecology and oceanography, particularly hydrothermal vents and deep sea sharks. Most recordings in the collection consist of rough or unedited footage. The collection also includes television and radio programs on which Dr. MacInnis appeared and some video and audio recordings by MacInnis' friends and colleagues. There is a small selection of footage collected by MacInnis for research purposes, including footage of William Beebe and Otis Barton's deep sea dives in their revolutionary 'bathysphere' in 1934.
Fonds consists of audio reels and video tapes (VHS, U-Matic and Betacam) with excerpts of interviews, television shows and specials intended for broadcast on the Canadian Broadcasting Corporation's (CBC) English Television Network. The tapes were compiled by Paddy Sampson during the course of his employment with the CBC as a television producer.
This Fonds consists of documentation and promotional materials produced for the annual Hot Docs Canadian International Documentary Festival, calendars and information related to the year-round programming at the Ted Rogers Hot Docs Cinema, and various administrative materials associated to the non-profit cultural organization.
Hot Docs Canadian International Documentary Festival