- F 404
This fonds contains a collection of published materials, audio visual items, textual records, photographs, electronic resources, and artifacts.
This fonds contains a collection of published materials, audio visual items, textual records, photographs, electronic resources, and artifacts.
The Heritage Camera Collection is comprised of cameras, mainly from the Wilhem E. Nassau Camera Collection, the Irving G. Rumney fonds, and several other small, individual donations.
This collection traces the evolution of the tools of popular photography from the turn of the nineteenth century to the current digital age. Many of the cameras were manufactured by Kodak Canada or Eastman Kodak, but there are also examples from many other manufacturers, such as: Ernst Leitz, Minox, Polaroid, Nikon, Rollei, Mamiya, Olympus, Contax, and several companies that pre-date, and were eventually amalgamated into Kodak, including the Rochester Optical Company.
Items in the collection are arranged in series according on their form and function; the categories are based on the research and publications of Michel Auer and Todd Gustavson, and often overlap chronologically.
Series are as follows:
Dry plate cameras
Folding (bellows) cameras
Box and snapsot roll film cameras
Miniature and sub-miniature cameras
Single lens reflex cameras
Twin lens reflex cameras
In-camera processing (instant) cameras
Point and shoot caemras
Digital and pre-digital cameras
Toy and promotional cameras
To browse the series, click on the "View the list" link under the "See the sous-fonds, series or sub-series lists for this collection" title (to the right of the page).
The Kodak Canada collection contains records and artifacts from the Kodak Heights manufacturing facility in Toronto, as well as the historical collection belonging to the Kodak Heritage Collection Museum. The collection consists of photographs, negatives, advertising records, magazines, pamphlets, daily record books, recipe books, cameras and other photographic equipment produced by Kodak Canada Inc., or other Kodak plants around the world. The collection includes a small selection of financial records, blueprints for Kodak facilities in Canada, and other corporate ephemera, as well as photographs of events, buildings and individual employees that illustrate the social life of the company.
Kodak Canada Inc.
The collection consists of more than 800 items featuring the image of Vladimir Ilych Lenin, the founder of the Soviet Union. There is a variety of media, including paper, textile, bronze, alloy, gold, clay, wood, porcelain, stone as well as books, posters, postcards, and 35mm black and white film. The collection was assembled between 1989 and 2003 in Moscow, Leningrad, Kiev, Vilnius and Kaliningrad. The items in the collection have been arranged in the following series: Documentary Films, Posters, Postcards, Books and Periodicals, Records, Pins, Bookplates, Paintings, Rugs and Embroidery, Postage Stamps, Notes, Coins and Commemorative Medals, Sculptures, Reliefs, Flags.
The archive contains thousands of negatives and photographs taken for publication in Canadian Architect magazine. As announced in the magazine's inaugural issue, Canadian Architect reviewed and documented both public and private structures, including churches, homes, businesses, airports, government offices and public spaces. The subjects of the photographs are generally modern Canadian structures, but images of some International sites and early 20th century Canadian buildings can be found in the collection as well. The collection also contains images of entries to the annual national design awards program sponsored by the magazine, the "Awards of Excellence." The collection also functions as a record of the changing nature of magazine production over the latter part of the 20th century. Canadian Architect was the first business publication in Canada to make engravings on site from original photographs, allowing for a rich selection of both prints and negatives. Instructions by editors and layout artists regarding their eventual printing in the magazine are often written directly on the prints, along with photographer's stamps, credit lines or captions.
The collection consists of small pamphlets or periodicals issued by camera manufacturers to promote the sale of camera equipment or encourage the use of their films and apparatus. Most issues were published by the Eastman Kodak Company in Rochester, NY, but there are a few issues from other Kodak branches and other photographic companies. A couple of fiction stories and comic books on the topic of crime photography are included as well.
Many books on the history of photography were also part of the collection, catalogued in the Ryerson Library database: http://innopac.lib.ryerson.ca/search~S0/X?graver+collection&SORT=AX
This fonds contains published and grey-literature textual records collected by the architect Pamela Cluff and her firm “A.W. Cluff & P.J. Cluff Architects” and used as part of the firm's small reference library. The items in this collection have a strong subject focus on architecture and interior design for elderly and alternately-abled users.
Collection consists of theatre programs from Great Britain and Ireland, Broadway venues in New York, and from various theatres in the provinces of Quebec and Ontario, including the Shaw and Stratford Festivals. Opera and symphony programmes are also included in this collection.
To browse the individual items in this series, click on the "View the list" link under the "See the sous-fonds, series or sub-series lists for this collection" title (to the right of the page).
Canadian Opera Company
The collection consists of a large number of studio portrait photographs from the late 19th and early 20th centuries in carte-de-visite or cabinet card formats. There is a large collection of landscape and industrial imagery dating from the Victorian era to the 1960s. The collection also comprises many vernacular photographic albums, good examples of glass and metal photographic processes including cased daguerreotypes, ambrotypes and tintypes. The fonds is comprised of the following 8 series: Portraits (sub-series for Groups and Celebrities), Vernacular Photography (amateur snapshots), Landscapes and Industry (sub-series for Slides), Albums, the A.T. Orr collection and a Miscellaneous group of images which were generally created in mixed media.
This collection consists of early optical devices commonly known as magic lanterns. The first report of the construction of a magic lantern is generally considered to be referring to the Dutch scientist Christiaan Huygens in 1659. The lanterns in this collection are dated from the early 1800s until the mid 1900s and include large professional devices as well as consumer models and toy magic lanterns.
The collection also holds over 500 lantern slides on a wide range of subjects. The slides demonstrate different iterations of glass slide projection and the evolution from hand-painted imagery to photographic and mechanical slides.
For more information about the history of magic lantern projection, please see our blog post: https://library.ryerson.ca/asc/2017/10/new-exhibition-projecting-magic/
Fonds consists of audio reels and video tapes (VHS, U-Matic and Betacam) with excerpts of interviews, television shows and specials intended for broadcast on the Canadian Broadcasting Corporation's (CBC) English Television Network. The tapes were compiled by Paddy Sampson during the course of his employment with the CBC as a television producer.
The collection consists of audio, video and film recordings made by Dr. Joe MacInnis and his team during his underwater dives from the 1970s to 2004. The bulk of the collection concerns the shipwrecks of the Titanic, the Breadalbane and the Edmund Fitzgerald. There are also many films that highlight deep sea ecology and oceanography, particularly hydrothermal vents and deep sea sharks. Most recordings in the collection consist of rough or unedited footage. The collection also includes television and radio programs on which Dr. MacInnis appeared and some video and audio recordings by MacInnis' friends and colleagues. There is a small selection of footage collected by MacInnis for research purposes, including footage of William Beebe and Otis Barton's deep sea dives in their revolutionary 'bathysphere' in 1934.
MacInnis, Joseph B.
Fonds consists of 181 comic books, produced in Canada, mainly during World War II, after the War Exchange Conservation Act (WECA), on December 2, 1940 classified American comics as "luxury goods" and limited their importation. Generally referred to as the "Canadian Whites" (due to the fact that the comics were black and white, except for the covers), the comics were published by Commercial Signs of Canada, which consisted of brothers Cyril (Cy) and Gene Bell, with investor John Ezrin. Publication began in the summer of 1941 and included titles Wow Comics, Active Comics, Dime Comics, and Joke Comics. '
In the winter of 1942, Commercial Signs absorbed another publishing house, Hillborough Studios, and renamed the company Bell Features. The acquisition brought the "Triumph Comics" title, and two more, Dizzy Don Detective (later retitled The Funny
Comics), and Commando Comics, soon followed.
When WECA was repealed in June of 1944 and American comic books were once again available to Canadians, Bell Features attempted to remain competitive by expanding their market into the US and the UK, and by publishing some titles in colour. Due to a lack of available newsprint, however, the company shifted its focus on Canadian content and began reprinting American titles.
Source: Scanlon, Meaghan. (10 July, 2015). Written, Drawn and Printed in Canada ---- by Canadians!”
Bell Features, CanCon, and the Perception of Comics in Postwar Canada. Presentation for SHARP Montreal.
Bell Features and Publishing Company Limited
Collections contains historical and contemporary books on the history of Toronto, featuring tourist guides and souvenirs from the city form the late 19th and early 20th centuries.
All books are catalogued on our library catalogue: https://catalogue.library.ryerson.ca/search/X?SEARCH=N:(%22macintosh%22)&SORT=D&b=mspc1 (search for " from the collection of Robert MacIntosh" )
This Fonds consists of documentation and promotional materials produced for the annual Hot Docs Canadian International Documentary Festival, calendars and information related to the year-round programming at the Ted Rogers Hot Docs Cinema, and various administrative materials associated to the non-profit cultural organization.
Hot Docs Canadian International Documentary Festival
The collection contains books and bound periodicals on the subject of photography. Subjects include instructional guides, process descriptions, art photography, early photographic chemistry and product catalogues. Some publications include tipped in photogrpahs. TThe primary language of the collection is German, with a few Spanish, Russian, Czech, and Japanese publications.
Allgemeine Photographische Zeitung (January 1924-December 1926)
Photofreund Jahrbuch (1924-1934)
Photographische Archiv (1866, 1871-1891)
Photographische Correspondenz (1878, 1889-1908, 1928, 1932, 1947-1951)
Collection contains books created by the winners of the First Edition Book Award. The Award was established to honor 3rd year photography students who have made exceptional achievements in photobook production. It provides incentive for them to achieve early recognition that will have a lasting legacy in our collection.
As part of MPS507, a 3rd year Image Arts class in The Photographic Book, students are expected to conceive of and create their own book. This is, in part, related to work that has been completed in the co-requisite class, MPS506 - Photographic Production. These are both required courses for the Bachelor of Fine Arts (Image Arts) Photography Studies Option.
The Award was established in 2015, enabling the Library to annually purchase the top five books in the class, as judged by the professor, and the Special Collections Librarian. Books are judged at the year end exhibition of the books and evaluation is focused particularly on design, sequencing, and integration of images and text.
Winning books are catalogued in the Ryerson Library system, including a note about the award, and housed in Special Collections. Occasional exhibits are created to showcase the works.
Rebecca Zynomirski, Sheila's Tropical Vacation (Toronto: Rebecca Zynomirski, 2014). TR655.Z96 2014
Lodoe Laura Haines, Stateless / Photographs by Lodoe Laura, forward by Tashi Wangdi (Toronto: Lodoe Laura, 2014).
Evan Hutchinson, 43.7000 79.4000 (Toronto: Evan Hutchinson, 2014).
Lucy Lu, Memories of Nowhere : A book by Lucy Lu (Toronto: Lucy Lu, 2014).
Imogen Wallis-Mayer, An Ambiguous Form (Toronto, Imogen Wallis-Mayer, 2014).
Emily Pleasance, My Relative Life : A Mapping of Memories (Toronto, Emily Pleasance, 2014)
Kristina Smith, Orillia: A Photographic Exploration (Toronto, Kristina Smith, 2013).
Andrea Chartrand, Save As. (Toronto: Andrea Chartrand, 2015).
Kayla Blaze Kelley, Dear Dad. (Toronto: Kayla Blaze Kelley, 2015).
Mina Markovic, Komlikovani Identiteti. (Toronto: Mina Markovic, 2015).
Terence Reeves, Looking Outside Looking In. (Toronto: Terence Reeves, 2015).
Gabriel Steele, Jackson. (Toronto: Gabriel Steele, 2015).
Alia Youssef, Self-portraits of my Family in our Backyard. (Toronto: Alia Youssef, 2015).
Adrian Walton-Cordeiro – Contesse De Bertren
Ailene Devries – Two Cities and a River
Fehn Foss – Remembering, Faring
Julia Garnet – Elements
Feline Gerhardt – About Mankind and the Attempt to Increase Significance
Warren Rynkun – The Yard
After Grapefruit, Clea Christakos-Gee
Untitled, Raelene Giffin
In Nocte, Rafaela Conde
In the Water, Lisa McElroy
9869518588, Heather Rattray
Home and Glory, Kalen Huxhan
It’s Good Once You Get There, Hayley Wilsdon
How to Run Away, Lucy Alguire
Istanbul, Neha Bokhari
Urban Drift, Bahar Kamali
Cowboy, Austen Ambraska
Shallow Season, Ally Ambler
Overdressed, Jared Miller
Metamorphosis by Julie Ng, 2019
Interplay of light by Jordana Petruccelli, 2019
Biotypes by Gabrielle Tyrie, 2019
Two minutes of Progress Avenue by Austin Wadell, 2019
The disposable Glitch series by Teagan Lopes, 2019
Surveillance culture by Yarden Haddie, 2019
My Mennonite Mother, by Sarah Bauman, 2020
No, You, by Freida Wang, 2020
You, the Light & Nothing Else, by Christina Oyawale, 2020
Right Here, Right Now, by Dein Squires-Rouse, 2020
Mapping Colour, by Abygail De Leon, 2020
Plant Kingdom, by Zongzhe Cai, 2020