- 2008.001.2044
- Unidad documental simple
- 1932
Image of a forest scene. Photograph is bright green color. Inscribed in black ink on bottom of photograph, 'Port Elgin, ONT' Pencil inscription on back of photograph reads, '9-1932 Glass Between'
Image of a forest scene. Photograph is bright green color. Inscribed in black ink on bottom of photograph, 'Port Elgin, ONT' Pencil inscription on back of photograph reads, '9-1932 Glass Between'
Item is an unmounted albumen print of governor's palace at edge of Oaxaca plaza. Numerous figures stand outside. Verso inscription: "Gov. Build, & Governor's Palace: Oaxaca."
Item is an unmounted albumen print of a paddle boat docked in lack with mountains in background. Reto caption "Ben Nevis from Corpach. 1615. G.W.W." Verso inscription, ink: "M.S.D. with […] from P.B."
Item is an unmounted albumen print depicting shore of lake with ruins of castle. Reto caption: "Urquhart Castle (from N). Loch Ness. 1397. J,V." Verso inscription "M.S.D. with his love from P.B."
[Sir Walter Scott Monument, Edinburgh]
Item consists of an albumen print with no border, mounted on thick paper of the same size. Depicts the Sir Walter Scott monument in Edinburgh, Scotland, and surrounding park landscape.
Taber Photo: Arroyo Seco near Pasadena Cal.
Item is an unmounted albumen print depicting orchard and farmhouse in mountainous landscape. Man stands in the orchard. Recto bottom caption: "B2036 Arroyo Seco, near Pasadena, Cal. Taber Photo, San Fransisco."
Item is an albumen print mounted on white mat board. Depicts exterior of four storey white stone building in the style of the early Chicago school. Horses and carriages are on the street in front. Top of building reads "McInnes & Co."
Item is an albumen print of engraving, hand coloured, mounted on card. Depicts four children playing on a wooden gate in a wooded setting. Verso inscription, ink: "Happy as a Thing."
Item is a folding album with a black lacquered wood cover, including painted and ivory inlay decoration. White accordion folded pages. Tissue interleaving. 24 albumen photographs are mounted with glue. Images are hand coloured.
Photographs include scenic views and landscapes, architecture of buildings, portraits - mostly of women engaged in cotton-spinning or other activities.
albumen print of engraving mounted on card. Depicts woman and two haloed children in pastoral landscape. Verso caption, blue: "156 Madonna im Grunen v. Raphael."
Cyanotype image of a man feeding three chickens. Man wears a suit and hat. Inscription handwritten in pencil on verso "Breakfast time." Paper is very thin.
Green cardboard mount. Captions recto and verso: "Authorized Ansco Color Finisher; Insist on Ariston Color Prints." Depicts a river in winter, agricultural landscape with red barn.
Green-grey cardboard mount, captions recto and verso: "Authorized Ansco Color Finisher; Insist on Ariston Color Prints." Depicts trees with autumn leaves.
Colour transparency film. Depicts a pagoda at the edge of a lake. Edge marked "Kodak safety film."
Lantern slide, glass slide. Handpainted over B&W image. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 1. No wood frame. Image is handpainted, but looks like a B&W photograph underneath. It is of a man standing alone in the middle of nature, on the side of a mountain on a cliff, looking up at the sky. There's mountains around him, trees towering over him. The sky is blue with some clouds. Date based on research that shows Edward Van Altena's studio was active during 1890s-1910s. This series part of Life Model Slides. "The most popular slides in Victorian times were 'life model slides', which depicted popular sentimental stories of the day.The slides were produced by arranging actors in costume in front of a painted back drop. Stage props were placed in front of the actors and the scenes from the story were photographed. The slides were often hand tinted with colour and sold in boxes, along with a text to be used as a reading.In particular the temperance movement and political speakers used slides to convert a mass audience." (http://www.driffieldtoday.co.uk/wally-simpkins-look-at-east-riding-history/Shadow-shows-and-magic-lanterns.2696708.jp)
Lantern slide, glass slide. Handpainted over B&W image. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 5. Perhaps the fifth one in a series, because the man in the slide is the same man from 2008.001.1303. Image of two men talking by a gate, at what looks to be a ranch. The one man is the dressed in a black suit, holding a briefcase or suitcase, perhaps a doctor. The second man is holding a cowboy hat, and has a beard. The image is handpainted over a B&W slide.
[Three people poking head out of door]
Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 6, follows the same series. Heavily painted. Two men and one woman poke their heads out from a doorway, looking at something 'off-screen' - perhaps the two men talking at the gate from the previous slide 2008.001.1304.
[Little boy kneeling next to deer]
Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 13 in the series. Heavily painted. Image is of a young boy kneeling next to a deer, with a dog next to him, outside the house. He's next to three tree stumps. There are two other unidentified animals in the scene.
Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 16 in the series. Black paper around glass edges. Heavily painted. Image is of a young couple holding hands standing on the side of a mountain (?), with more moutains in the distance.
[Man and woman standing at fence]
Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Slide is numbered 19 in the series. Slide is in a cardboard mount. Heavily painted. Image is of a woman and man standing together at a fence outside a house.
[Three men standing by fence post]
Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 33 in the series. Black paper around glass edges. Heavily painted. Image is of three men standing by a fence post, looking off to one side. They don't look happy.
[Three men and young boy outside a house]
Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 34 in the series. Black paper around glass edges. Heavily painted. Image is of three men and a young boy, standing outside a house, near a watering trough and well, where a sheep is drinking, and dog is watching. There are sheep in the field behind the men, and the house.
[Two men standing, one man and young boy crouching next to sheep]
Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 36 in the series. Black paper around glass edges. Heavily painted. Image is of three men and a young boy outside a house. Two men are standing next to a fence, third man and boy crouching near fallen sheep.
Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 51 in the series. Black paper around glass edges. Heavily painted. Image is of a man holding a young boy in his arms. The boy's eyes are closed and the man is looking up to the sky.
Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 57 in the series. Black paper around glass edges. Heavily painted. Image is of two men with what looks like fallen trees. Could be they have fallen on their house.
Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 62 in the series. The number 99-183 is scratched into slide, BRC. Black paper around glass edges. Heavily painted with pinks and blues. Image is of a landscape view of a canyon or pit.
Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 67 in the series. Black paper around glass edges. Heavily painted. Image is of a couple embracing, man looks to be comforting the woman. Looks like there's paint on the sides of the image, like the colourist was testing his colours before painting slide.
[Man and woman standing together]
Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 11 in the series. Black paper around glass edges. Heavily painted. Image is of a man and woman standing together underneath an arbour, that seems to be covering machinery of some sort. Perhaps woodworking machines?
[Outdoor scene with heavy damage to image]
Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is not numbered. Black paper around glass edges. Image is an outdoor scene, with barn, bridge, people, machinery and horses.
Glass slide, handpainted over B&W image. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 4. No wood frame. Black paper around glass edges. Image of a man standing in a field looking up at the sky. He's in a field with a wood fence, housing sheep, and there's buildings in the background. The sky is painted blue and pink.
Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 9 in the series. Black paper around glass edges. Heavily painted. Image is of a woman standing with a horse, holding its reins, in a field, there's sheep in the background with trees. The sky is blue with pink/white clouds.
[Two men and a dog on the porch]
Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 12 in the series. Heavily painted. Image is of two men, one standing with his arms and fists in the air, one sitting with a dog in his lap. They're on a porch of a log cabin, with sheep in the field next to them. Trees and blue sky.
[Little boy sitting with animals]
Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 14 in the series. Black paper around glass edges.Heavily painted. Image is of a young boy sitting on a log with a baby sheep on his lap, a dog at his feet and a squirrel on his shoulder.
[Man and young boy in field with sheep]
Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 24 in the series. Black paper around glass edges.Heavily painted. Image is of a man and young boy standing in a field, surrounded by a dog, deer, bear and sheep.
Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 32 in the series. Black paper around glass edges. Heavily painted. Image is of a man and boy with dog in a field of sheep. Sky is blue and pink.
[Three men and young boy near trough]
Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 35 in the series. Black paper around glass edges. Heavily painted. Image is of three men and a young boy next to a watering trough and water well with a house behind them. Two sheep have fallen (dead?), one still stands with his head in the trough and a fourth sheep is laying down. The dog stands with his two front paws on the edge of the trough. The men looks upset and confused.
Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 37 in the series. Black paper around glass edges. Heavily painted. Image is of a group of people standing together outside the house, with the young boy still kneeling and sheep at his feet.
Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 49 in the series. Black paper around glass edges. Heavily painted. Image is of a young boy kneeling and looking up to the sky, beside a tree with no leaves, beside him is a dog and a deer with antlers.
Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 53 in the series. Black paper around glass edges. Heavily painted. Image is of men and sheep, outside two barns.
[Outdoor barn scene with sheep]
Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 54 in the series. Black paper around glass edges. Not as heavily painted as the other slides. Some of the black & white image shows through, like it was never hand painted. Image is a scene of people in carriages, on horses, a barn, a ditch, some sheep.
[Group of people with fists in air]
Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 59 in the series. Black paper around glass edges. Heavily painted. Image is of an outdoor barn scene, people in carriages and on horses, standing around looking at one man talking on a bridge. The group has their fists raised in the air.
[Group of people surrounding one man laying on ground]
Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 61 in the series. Black paper around glass edges. Heavily painted. Image is of an outdoor barn scene, people in carriages and on horses, standing around one man who is laying on the ground, his head resting in a woman's lap.
Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 64 in the series. The number 99-14 is scratched into slide. Black paper around glass edges. Heavily painted. Image is of a landscape view of a field with sheep in it, and lots of sky with clouds.
[Man standing in field with dog and sheep]
Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 68 in the series. Black paper around glass edges. Heavily painted. Image is of a man standing in a field with a dog by his side, and sheep in the field behind him.
Lantern slide, glass B&W slide in wood frame. Sticker with Y on wood frame. Handwritten in ink on a sticker on the glass "107 Baden Baden vu au…" left blank because this part of sticker has been ripped off. Image framed in black and gold pain. Landscape image of a town in mountains or hills.
Lantern slide, glass B&W slide in wood frame. Image framed in black and gold. Sticker on wood frame of a Y. Sticker on glass in ink "2418. Florence prise de San Mimacho (sp?), Italy." Image is of a skyline view of Florence, the Basilica di Santa Maria del Fiore (the Duomo) is visible, with a road in the foreground and mountains in background.
Lantern slide, glass B&W slide in wood frame. Image framed in black. Sticker of a Y on wood frame. Printed on the slide "J. Levy & Cie Sucrs de Ferrier P.F. & Soulier - Paris." In ink "9118 Mount Blanc, from d'Sivier" in french, difficult to read that second word 'Sivier' (note that Mount Blanc means White Mountain). Image of mountains in the distance, in the foreground there's a road, trees, grass. Mount Blanc, also referred to as The White Lady (La Dame Blanche), is a mountain in the Alps. The mountain lies between the regions of Aosta Valley, Italy, and Haute-Savoie, France.
Item is a photograph of a lake with a boating dock in the distance. Inscription on verso reads, 'H.M.C.S. Cornwallis Main Drill Deck & Police Office Main Gate Flag Pole, Oct. 45'
Item is a photograph of a view of water and trees from camp.
Man feeding animal in the water
Item is a photograph of a man feeding an animal in the water.
Green cover with missing spine. Grey pages with openings to insert photographs. Some photos held in with photo corners. Handwritten notations in white ink.
Locations include: Isola-Bella, Isola-dei-Pescatori, Italy; Monte Generoso, border between Italy and Switzerland; Andermatt, Swizerland.
Themes include: group portraits, scenic landscapes and views, houses, early railroad.
Image of a mountainous landscape with a road running along the edge of one mountain, a car is seen on the road.
Image of waterfall and surrounding landscape. Text in white on surface of photograph reads, '1923 Kemcowaterfall Copy 5'
Image of waterfall and surrounding landscape. Text in white on surface of photograph reads, '1917 Kemco oauth 2'
Image of landscape with a river running through the middle of it. Reflections of trees in water.
Image of a the fields of an aloe farm tucked into the foothills of a mountain.
Image of stone bridge and surrounding landscape. People dressed in white strolling.
Image of men working in a field. Text in white on surface of photograph reads, '213'.
Image of cliff and water, with canoe in the foreground. Inscription on back of photograph reads, 'Specimen - $4.50'.
Native Mexican archaeological site
Unmounted print depicting three Mexican men in a courtyard of a possible native Mexican archaeological site (perhaps the Zapotec site of Mt. Alban). The stone walls are covered in geometric carved designs.
Mexican archaeological site with columns
unmounted POP print depicting an archaeological site with walls on either side and a row of columns down the middle. Three figures are seen between the columns.
Mexican archaeological site withstone carvings
unmounted POP print depicting a man standing at the end of a corridor in an archaeological site. The walls are covered in intricate stone carving designs.
borderless snapshot mounted on thin card of the same size. Depicts a wooden waterwheel with three female figures standing around it. Verso inscription: "May. The Water Wheel. Mr. L and I had half and hour 's argument- because I refused to sit upon the stump marked with a cross. if I had succeeded in getting on I should have fallen off backwards because it was much steeper behind than in front. You would hardly believe what a long jaw we had over such a silly thing. Mary has on the Russian headdress."
Borderless print depicting the exterior of areal estate office and surrounding landscape. Building sign reads "Est 1908, R. Lamont & Co Real-Estate"
Print with white border, depicting a puppy in an alley with telephone poles and garages.
Print with white border, depicting large factory building with railroad tracks running in fron of it. Steam engines/machinery sit outside near the tracks. Several smokestacks and smaller garages surround the factory.
matte borderless print mounted on wthie card with embossed floral border. Depicts two small sailbroats in water, with oriental-type sails, each with two men sailing. Recto insciption "July 1899". Verso inscription "July 16 / 99"
farmer's field with three trees
snapshot depicting a farmer's field with trees along edges of crop area, including three very tall prominent ones. Verso inscription, pencil: "The mound to the west of the pond at Gowan Brae gate. 188."
snapshot of wooded landscape with dirt road, fence, and river in distance. Verso inscription: "Souris River from Gowan Brae Gate. 188"
Snapshot of large barn with three men and wagon in foreground. Verso inscription "Gowan Brae Barn. 989."
Snapshot of house with scaffolding and worker on roof. Verso inscription "Gowan Brae House from front (left). 188."
snapshot of landscape with water visible through silhouetted trees. Fence runs along line of trees. Verso inscription "St. Peter's bay from front porch of house. 989."
snapshot of cemetary showing multiple gravestones and trees. Image obscured on right side of frame as if something was blocking the lens.
Snapshot of large house looking up at large front entrance, peaked roof and two chimneys. Verso inscription: "st. peters house."
DOP unmounted print of man standing on grass of dog racing track. Holds pad of paper in hand. Verso inscription: "A.B. Dade."
horse and rider jumping obstacle
unmounted print depicts rider on horse jumping over a wooden obstacle .another man looks on. Verso inscription: "Philosopher." verso ink stamp "This photograph was made by Pringle & Booth, 181 George St. Toronto, duplicates can be had at any time."
unmounted DOP of man in formal dress, white hat, cane, holding his gloves in outdoor setting. Verso inscription "Mr. I N George (?)" Verso partial ink stamp "[…]graph was made[…] and is not […] d permanent […] e & Booth […] Toronto"
men on horses crossing railroad tracks
borderless unmounted print depitcs four men on horses corssing railroad tracks in rural setting. Orchards are visible in background. Verso ink stamp "This photograph was made by Pringle & Booth, 181 George St. Toronto, duplicates can be had at any time."
unmounted DOP depicting man in profile smoking cigar in outdoor setting. Verso inscription "Chas M Hays."
unmounted DOP with black stripe at top of print. Depicts dogs racing down trac with crowd of people in background on bleachers. Sign in background reads "Kerr[…] Cloughen Tait Bonhag at Big Eaton […] Meet here Sat June […]" Verso ink stamp "This photograph was made by Pringle & Booth, 181 George St. Toronto, duplicates can be had at any time."
Matte print with no borders. Depicts a church exterior at night with snow on the ground. Windows and cross are illuminated. No inscriptions.
[Union Station, Washington D.C.]
Glossy print with white border. Depicts Union Station in Washington D.C. Many cars and pedestrians, as well as a large reflecting pool, are visible in foreground. No inscriptions.
RR Construction in Alberta, D.F. McArthur
Borderless print mounted on black mat board. Depicts several teams of horses pulling various wagons and construction machinery through a flat, dry, landscape. Recto caption in white, bottom left of image area: "RR Construction in Alberta, D.F. McArthur," bottom right: "8570." Verso has two halftone images (horses pulling a load of lumber through the snow, close-up portrait of a man) and printed caption: "Lumbering in Canada/ Blair's Photographs of G.T.P. Ry. Construction, Lumbering, Farming and Other Scenes Illustrating Real Life in Canada. Address, Edwin C. Blair, Edmonton, Alberta, Canada. Negative Number.........." Note: similar image from Blair's Photographs in the collection of the City of Edmonton Archives, ref. # EA-10-2088.
Thick card album page with cloth guiard attached. One gsp on each side of page. Recto depcits statue and surrounding park landscape. Recto inscriptions in black ink: "Lincoln Monument Lincoln Park Chicago." Verso depicts cattle, barn, and fences. Verso inscriptions in blakc ink: "#47 Steers in stock yards, Chicago. Only 10 minutes more to live." Each side has decorative borders in black ink.
[family and stone house exterior]
Matte print with white border mounted on black mat board with embossed decorative border. Depcits two men, one woman and dog in yard in front of a stone house with wire gate. No inscriptions.
[Arno River and Ponte Vecchio, Florence, Italy]
Unmounted, borderless gsp depicting a river and bridge. The bridge has shops built on it all the way across the river. An awning on one of these buildings reads: "Fratelli Tempesti Pone Vecchio."
Glossy print with no border, mounted with glue on the corners to a brown mat board. Depicts newly built homes in a prairie landscape. There is empty land in the foreground, but more neighborhoods can be seen behind. Recto caption, bottom left of image area: "188," in circular logo: "E.F. Gove, 7 Thomas Block, Calgary." Bottom right, circular logo: "C A E."
Matte borderless print mounted on thin white paper, then mounted on large brown card with deckled edges. Depicts a large church on a hill with surrounding town and landscape. Verso inscription, top left, in pencil: "Siena, S. Dominico." upper right, "N 29."
Rom. Kreuzgang S. Paolo fuori le mura [Basilica of Saint Paul Outside the Walls]
Matte borderless print mounted on slightly larger white paper, then mounted on brown card with deckled edges. Depicts a coutyard and collonnade of a large basilica. Verso inscription, pencil, top centre: "Rom. Kreuzgang S. Paolo fuori le mura." The basilica was constructed around 395 and has been restored many times since the 4th century, and it has been declared a national monument by the Italian government.
[church exterior with clock tower]
Matte print mounted on white paper, then mounted on large dark green card. Depicts the exterior of a stone church, with tile roof and clock on tower. Clock reads 2:00. no inscriptions.
Semi-gloss print with white border depicting a mountainous landscape with forest and lake. There is a path around the lake with figures on it. A parkin glot is also visible through the trees.Verso red ink stamp, bottom right: "Enlargement by Eastman Photographic Materials Ltd. Vancouver, B.C." Cardboard support (not attached to photo) reads "Just a B.C. Lake. no significance."
Matte print mounted on white paper and green mottled card. Exterior view of tudor revival style three storey house. The yard and surrounding trees are covered in snow.
Matte print with white border, mounted on mottled green card. Depicts the ecterior of a white house in winter. There is a wrought-iron fence at the edge of the property. Thre ground and trees are covered in snow.
Matte print mounted on white paper and brown card. Deckled edges. Image depicts a cottage surrounded by trees and covered in vines. Verso inscription, pencil, upper right: "Landsberg of Warthe." (Landsberg an der Warthe is German for the Polish city of Gorzów Wielkopolski)
Matte print with white border, mounted on green mottled card. Depicts a line of stores/houses along a street in what looks like Germany. No inscriptions.
[German store fronts and roof lines]
Matte print with white border, mounted on green mottled card. Depicts a line of stores/houses along a street in what looks like Germany. Several overlapping rooflines with tile roofs. No inscriptions.
Matte print mounted on white paper, then on brown card with deckled edges. Depicts a narrow street with arches over it. Figures in sihouette and in sunlight are visible walking down the street. Verso inscription, pencil, upper left: "N 34, Siena, Strassenzug." (strassenzug meaning street of houses)
Matte print mounted on white paper, mounted on brown card with deckled edges. Depicts a river with bridge over it. The bridge has shops and buildings all the way across. Verso inscription, top left, in pencil: "N25. Florenz. Ponte Vechhio[sic]."
Basilica of Saint Minias on the Mountain, Florence
Matte print mounted on white paper and brown card with deckled edges. Depicts a roadway leading to a building with tile roof. Surrounding landscape inludes evergreen trees, bushes, etc. Verso inscription in pencil, upper left: "S. Miniato, of Florenz, N 23."
Unmounted print with borders on top and bottom. Depicts a street in an old city, the focal point being a gate/arch in a battlement or city wall. Several figures are seen walking through it, some are blurred by motion. No inscriptions