Item consists of a white cabinet card with embossed silver text at bottom, "Lee" and "YORK/ NEB." with the design of an artist's palette and brushes at the centre surrounding the text "SUPERIOR/ FINISH". Photograph is a portrait of a man with high collared white shirt and patterened tie with open jacket. On verso, handwritten in pencil, "John Montgomery" and in brown ink, at right, "This picture/ belongs to/ Dorothy Higby".

Item consists of a grey card with embossed text at bottom right, "F. C. Barnum/ MORRISON/ ILL." Photograph is a portrait of a young man with high starched collar and patterend bowtie. On verso, handwritten in blue ink, "Glenn Kelsey".

Item is a portrait of a young man in starched white collar and patterend tie with wool jacket. On verso, handwritten in blue ink, "Wm Morgan Higby" and in black ink, "1920/ F. G. High Graduate".

Item is a cream coloured cabinet card with gold letterpress at bottom edge, "Cabinet Portrait/ G. C. ARLESS PHOTO. MONTREAL". The text is separated in the centre with the drawing of a maple leaf. Photograph is a full length portrait of a woman with embroidered jacket standing admist cattail reeds. On verso, lithographed celtic interlace border design with the design of a crest with a maple leaf in the centre, and the letters "G" "C"and "A"intertwined. Below, "G. C. ARLESS/ Photographer/ MONTREAL/ Wm Galt. Lith." Handwritten in black ink at top, "Aug 1889".

Item is a white cabinet card with gold letterpress at bottom, "T. S. HILL/ St. Catharines/ Additional Copies can be had at any time." A design of a bird with a branch of a tree at bottom centre between the text. Photograph is a full length portrait of three children, a girl and two boys. The boy in the centre wears a plaid skirt and embroidered jacket, while the other wears a dark ribbon-trimmed dress with wide lace collar. The girl also wears a wide lace collar over her embroidered dress. They are seated on upholstered stools in front of a studio interior.

Item is a grey card with embossed scroll decoration around an oval photograph of two women in front of a studio backdrop with abstracted plants and a window (probably meant to resemble a conservatory). At bottom left, gold embossed text "STEWART'S STUDIO/ WEST BADEN SPRINGS/ IND."

Item is a photograph of four young women mounted on a postcard backing. The image is a full-length portrait, wiht three women in white blouses and dark, plain wrap-style skirts (the one at the far right has buttons decorating the seam) and the youngest in a sailor style dress. On verso, in black ink, "POST CARD/ BRITISH MADE" and a line dividing two sections for "Correspondence" and "Address". At the far left, printed sideways, "Kestin Photographer Skipton".

Item is a photograph of two seated women in white blouses and plain, dark skirts. The one on the right has a wrap skirt with buttons at the seam near the waistband and holds a book loosely in her right hand. A young man stands between them, wearing a suit and tie of a dark colour. On verso, printed in black ink, "POST CARD/ CORRESPONDENCE/ ADDRESS ONLY".

Item is a photograph with a white border area. Depicts a man and woman wearing heavy overcoats and hats, the woman wearing gloves posed in front of a painted landscape backdrop with trees and leaves. Embossed into photo at lower right, "J. W. Smith,/ SILSDEN." On verso, printed in black ink, "POST CARD/ CORRESPONDENCE/ ADDRESS ONLY".

Item features green patterned paper on black-backed mount with embossed border and thin, rectangular photograph inset of a woman seated on a bench wearing an elaborately ribboned blouse and holding a fur muff. At bottom right, embossed, "Thompson Bros/ 177 1/2 YONGE ST. TORONTO."

\li720Sub-series identifies portraits of famous persons or identifiable historical figures. Often these portraits were mass produced on a durable card backing for a commercial market.

Item is a cabinet card portrait of Emma Eames, an American soprano.

Portrait of Earl of Strafford holding a top hat and cane.

Portrait of King George V, King Edward VII and Prince Edward, Duke of Windsor (King Edward VIII) on board the Royal Yacht 'Victoria and Albert. Print is mounted on 34.5 x 29.5 cm cardboard.

Three of these photographs are stamped on verso by the photography studio of H. R. Niebel, Orillia, Ont., and four are written on verso: "Peggy Grant and Muray infant", "Muray Grant, July / 26 - 17 mos.", "Florence Grant, Muray Grant, and Chris Wallace in Orilia", and "Cameron Grant and fella."

Photographic image is of a two-horse team standing on a dirt road with cart and driver in front of residential buildings. The card mount is taupe and dark gray.

The image is of two men, identified from their name tags as Tony Miller and Bill Hastings, discussing a Suzuki motorcycle.

Photograph is of a woman sitting in front of a fireplace, with Redbook magazine open on her lap. The support for the image is a neon-red paper. On the lower right of the tan card mount is embossed the studio logo. On the verso is inscribed in green ink: "To Jessie, Wishing you many happy returns of the day. Violet. Jan. 1 1912."

The photograph envelope is printed for the Owl Drug Store, of 336 Bloor St. West, and noted that the customer is "Mrs. Atwood, 23 Spadina." The negatives are of a woman wearing a white ensemble.

The card-mounted photographs are all studio portraits of unidentified individuals. The first of two cabinet cards is embossed with "Quartley", and the second is embossed with "Morton." Two Cartes de visites are printed on verso with "J.F. Rowe. A fifth card is identified as a "Gem" photo card, printed on verso with "R.W. Knorr" and an advertisement for the tiny Gem format.

Photographic print of three women is trimmed into a tiny circle and set into a button assembly. The unsmiling women are shown wearing white blouses and darker neck bows. The button is black metal, with a gold metal pin.

Item is an example of an ambrotype with broken glass and worn coloured backing. Ambrotype is in a velvet-lined thermoplastic union case, showing a male sitter in front of a studio backdrop. The case was intended for use with 1/6 plate daguerreotypes, as indicated by the manufacturer's stamp on the inside back cover beneath the ambrotype plate: "Littlefield, Parsons & Co.,/ MANUFACTURERS OF/ Daguerrotype Cases./ L., P. & Co., are the sole/ Proprietors and only legal Manu-/ facturers of UNION CASES, with the/ Embracing Riveted Hinge./ Patented October 14, 1856,/ and April 21, 1857."

Item is an ambrotype photograph in a velvet-lined thermoplastic union case, showing a male sitter. A stamp on the inside back cover beneath the ambrotype plate gives the manufacturer of the case: "Littlefield, Parsons & Co.,/ Sole Manufacturers of / UNION CASES,/ with/ Embracing Riveted Hinge./ PATENTED/ October 14, 1856, & April 21, 1857."

File contains three cream-coloured cards embossed with the coat of arms of the University of Guelph and the words "Macdonald Hall/ Guelph" in the upper left corner. On the lower right, the photographer's studio is identified as "The O'Keefe's/ Guelph, Ontario". Two of the portraits are duplicates. The third portrait is identified as "Jennie". Each card has a piece of glassine tissue covering the photo inside.

Item is a portrait photograph of a woman in studio setting, seated in a chair with a blanket draped over the side. She wears a loose, gathered vest over her dress in a style popular in the 1910s.

Item is a cream coloured bi-fold card (3 flaps) with an embossed ribbon on the front flap at lower right. Inside, a vignetted photograph of a man in Canadian army uniform, with a badge on his right shoulder labeled "Toronto". The back of the photograph is stamped "HALKSWORTH WHEELER/ 109A SANDGATE ROAD./ FOLKESTONE". This is handwritten on the front of the photograph, and the date August 1917 is written on the card.

Cream coloured card with grey border and oval photograph, showing a woman wearing an off-the-shoulder dress and heart necklace. The studio stamp at the bottom right is illustrated with a stylized version of the Prince of Wales coat of arms. The text reads: "The Carbon Studio./ Fraser Bryce,/ MANAGER/ PHOTOGRAPHER BY APPOINTMENT/ TO THEIR ROYAL HIGHNESSES/ THE PRINCE AND PRINCESS OF WALES". Handwritten note on verso indicates the woman's name was Margaret and she delivered this card photograph to the Macgowan family for Christmas.

Item is a cream coloured card with long rectangular photograph of a girl in a photographer's studio, leaning against a cloth-draped side table with an open book. On the back of the card, a handwritten message to Marion Morris, to whom the card was given.

Item is a light brown card with photograph of a man from the shoulders up, on a plain background. Embossed into the card at the base is the studio mark for William Notman and Son at 14 Phillips Square, Montreal. On verso, the name Guy Bulloch with the date 1900s is handwritten in blue ink.

Item is a cream coloured card with photograph of a man wearing a suit with hand-coloured purple tie. On verso, design in gold ink for the Notman Studio: "W. NOTMAN" with the Royal Crest at the centre and a ribbon wrapping that which reads "PHOTOGRAPHER TO/ HER MAJESTY" followed by the locations of studios in "MONTREAL/ OTTAWA/ TORONTO/ & HALIFAX". At four corners of the design are images of medals, which read clockwise from top left, "LONDON" "1862/ LONDINE/ HONORIS/ CAUSA/ 1862" "1867" and "NAPOLEON III EMPEROR/ PARIS".

Item is a cream coloured card with photograph of a boy seated in a studio setting. At the bottom of the card, in gold letterpress: "H. D. Wallis, Photographer, 61 SPARKS STREET OTTAWA". On verso, elaborate design in gold ink repeating the photographer's name and studio address, along with a handwritten note and negative number. A cartoon of two Chinese (?) men appear in the lower left of the design. The card design was provided by Free Press Print, Ottawa.

Item is a brown bi-fold card with an embossed design with shield and helmet on the front left flap, beneath which is the photographer's name in letterpress: "A.E. Lyon/ Photo./ Charlottetown, P.E.I." Inside, a photograph is adhered to the card showing three women in a studio, one holding a baby. All 4 are identified by a handwritten note on the inside of the right flap.

Item is a brown bi-fold card with text at the bottom edge of the front left flap in black letterpress: "Portrait by Bayer, Charlottetown, P.E.I." Inside, a photograph of a boy in a sailor-style suit holding a small toy ship in his left hand. A piece of knotted rope hangs from his shirt pocket.

Item is a grey and green mottled-pattern bi-fold card with, art nouveu floral design embossed into the upper left corner of the front flap. On the front of the right flap is embossed the name of the photographer: "Craswell/ Charlottetown, P.E.I." Inside, a photograph of a woman with a short haircut. The image is very dark, causing the rest of her body to be obscured. On the inside of the left flap, a handwritten note gives her name and the date.

Item is a white card with vignetted portrait of a young woman. On verso, an elaborate printed design featuring celtic-style scrollwork, cherubs with paint and canvas or a cornucopia. The photographer's name is given as "TOPLEY" with an address at "104 SPARKS ST/ OTTAWA". In the centre, text identifies the photographer as "PHOTOGRAPHER BY APPOINTMENT TO/ HIS EXCELLENCY/ THE MARQUIS OF LOFANE(Sic)/ AND/ HER ROYAL HIGHNESS/ THE PRINCES LOUISE."

5 photographs of the same woman in light-coloured blouse, different poses and backgrounds. Each image is stamped "PROOF ONLY" on the front, and again on the back with more explanatpry text. The studio's name is given as "The Stride Studios". The sitter was identified as "Miss Helen Ballock." on a manilla envelope which contained the images. [Envelope removed]

Photograph of a child dressed in a winter coat and hat, holding an oar and standing next to a winter sled. Snowy hills are painted on the studio backdrop. At the lower right of the card is a design with the photographer's initials intertwined: "A" "G" and "P", and the words "Pittaway/ OTTAWA,/ ONT." On the verso, and handwritten note identifying the recipient of the card.

File consists of four card mounted photographs, 3 of the same man in various poses and 1 of a woman. All mounted on black card by studios in Montreal. The photographs were found inside the Agnes Osberg album (2009.005.023) with a yellow sticky note that read: Came from the same family But Not this album.

Photograph of a group of 7 passengers in an early automobile, stopped along Stanley Park drive in front of the "Hollow Tree". This old cedar was a popular spot for group photographs in both cars and horse-drawn carriages. The stamp on the back of the card mount indicates this was taken by an official park photographer: "The Stanley Park Photographers, Head Office, 162 Cordova Street, Vancouver, B.C.". The negative number for ordering more prints is given as 4869a.

Bi-fold card, inside a photograph of a young woman by the name of "Nellie Mac". The photographer's stamp appears embossed at the bottom right of the mat around the image: "McKenzie/ Kingston".

Octagonal-shaped cardboard, hand-cut, with combination print of a young girl and a floral wreath.

Item consists of a carte-de-visite of a man standing beside a book and desk. He is wearing a jacket and a polka dot tie. The verso of the photograph is stamped with the studio logo for William Notman.

Consists of two group portraits of women in Victorian aprons, white dresses and bows in their hair. One portrait is set indoors and one is an exterior shot. Both prints have the Topley Ottawa stamp at the bottom left corner.

Series consists of gelatin silver prints, albumen prints, acetate negatives, and various colour photographic processes produced by amateur photographers, usually in an informal, outdoor setting.

Item is a tintype in an ornate handmade cardboard and papier mache frame.

Items are tintypes portraits of people, 8 are framed but the majority are unframed. Some show families or couples, but most focus on individuals

White mounts with patterns on them. Two have a golden border

Small card posters printed with a photographic image of a young Lenin and his younger sister Olga. This photograph was taken by photographer E. L. Zhakrzhevskaya in 1874. Beneath the photograph it reads: Volodya Ulyanov with sister Olga. It was produced in Moscow.

Small card posters printed with a photographic image of Lenin. There are 2 different poses, one in which Lenin faces the camera smiling, the second where Lenin is leaning an arm over the back of a chair. "V. I. Lenin" is written on both posters, beneath the photographs. They were produced in Moscow.

This file contains photographs of Hack Yates, likely by photographer Mike Peake.

File consists of 10 portraits, originally taken during late 1800s - early 1900s. Reprinted.

File consists of 2 photographs featuring studio portraits of women and children.

File contains commercial portraits of children, including images of children blowing up balloons, looking at photographs, and playing outside. Some duplicates.

File consists of prints featuring various indoor and outdoor portraits for various occassions, such as weddings.

Item is a contact sheet featuring portraits of Harvey Crone.

Item is a contact sheet featuring portraits of an unknown man, presumably a Kodak employee.

File contains contact sheets featuring portraits of J. ME. E. McDonell, Industrial relations taken Thurs Aug 8, 1968 at 10:30 am.

File contains commercial images of children attending birthday parties, wearing costumes, at weddings and with family. Some have captions enclosed, such as an image of children wearing fake moustaches with a caption that reads "If you want pictures in which children aren't looking directly at the camera and your subjects aren't cooperating, have them pretend that your camera is a "monster" that will get them if they look at it."

File contains two portraits of men wearing suits, presumably Kodak employees. Editing marks are inscribed.

Commerical photographs: one still life of a tea set, one advertising a fisher price camera for children - the image is of three children (two boys and a girl) and a note with the photograph reads "Put a camera in the hands of children and sharpen your own view of the world. The Fisher-Price camera was designed for younsters in the five-to-eight-year-old group". Four are head shots of a young man wth a mohawk. Two are of Grey Line red double decker buses with Kodak advertising on the side of the buses. Two are studio shots of Kodak cameras with boxes of Kodak film. One is of men in the middle of a soccer game, this photograph includes a note that reads "Participants in the 1986 Kodak 'Run for the Money' color reporduction contest will be working from this colorful sports action photo in their attempts to accurately reproduce the image for the ninth annual Kodak 'Run for the Money." Other images are still lifes of coloured umbrellas, chalk, and casino lights taken at night. As well as two commercial 'beauty' shots of two women.