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Deep Sea

Deep sea exploration involves diving at depths greater then humanly possible without a submersible vehicle, or greater than 1000 feet below the surface. In this series are moving images of hydrothermal vents, deep sea sharks, the sinking of the Russian nuclear submarine Komsomollets, and ocean floor ecology. Also featured are items that explore the process of both underwater exploration and underwater cinematography in deep sea settings. Recordings are of varying stages of production from raw footage to full productions. Some of the recordings are in Russian.

MacInnis, Joseph B.

Lakes

In this series are moving images of underwater explorations of lakes in Canada (Lake Huron, Lake Erie) and a Russia (Lake Baikal). Also featured are items that explore the process of both underwater exploration and underwater cinematography in lake settings. Recordings are of varying stages of production from raw footage to full productions and promotional videos.

MacInnis, Joseph B.

Breadalbane

The items in this series all have to do with the discovery of the wreck of the HMS Breadalbane. The Breadalbane sank on August 21, 1853 in the Canadian Arctic.\~It was a British re-supply vessel sent out in search of the Franklin Expedition that had disappeared in 1846.\~Despite the fact that the Breadalbane sank only 15 minutes after colliding with ice, there were no casualties. The entire crew was rescued by the Phoenix, which was traveling with the Breadalbane. The Breadalbane shipwreck was discovered in August of 1980 by Dr. Joe MacInnis and his team during their 3rd search expedition. Recordings made during that expedition are in varying stages of production, from the raw footage to complete television and radio interviews.

MacInnis, Joseph B.

General

Items from this series are items that do not fit into any of the other categories or that have not been viewed and have not been placed in another series as of yet. Some of the types of recordings in this series are raw footage of jellyfish from mid waters and CBC live coverage of Pierre Eliot Trudeau’s funeral. This series also contains oceanography related documentaries and footage of miscellaneous dives

MacInnis, Joseph B.

Titanic

The Titanic, the largest and most luxurious passenger ship in the world for her time, sank during her maiden voyage in the North Atlantic Ocean on April 15, 1912, two hours and forty minutes after a collision with an iceberg. Over 1,500 people perished. In 1985, the wreck of the Titanic was found on the ocean floor by a research team led by Robert Ballard and Jean Louis Michel. Dr. Joe MacInnis became the first Canadian to dive to the Titanic shortly afterwards. The footage in this collection features images of the ship obtained during a 1991 dive that formed the basis of the IMAX production Titanica. Recordings are of varying stages of production from raw footage to feature length films, and include programs from television and radio.

MacInnis, Joseph B.

Edmund Fitzgerald

The items in this series all have to do with the ship the Edmund Fitzgerald, which sank in Lake Superior on November 10th, 1975. The recordings concern the 1994 expedition led by Dr. MacInnis and his team’s efforts to find an answer for the demise of the vessel. Included are all stages of the cinematic process from raw footage to feature length films, as well as television and radio interviews about the ship and the process of recording the ship.

MacInnis, Joseph B.

Camera accessories series

Series contains various photographic tools for use with a variety of camera models from many manufacturers. Accessories include: plate and film holders, tripods, cable releases, bellows, remote controls, adapters, clamps and various adapters.

Darkroom and printing equipment series

Series contains a variety of objects used in the development of film and the production of photographic prints using chemicals and light sensitive paper. Items include film developing tanks, developing trays, lighting systems, filter kits, paper easels, and enlargers.

Photographic chemicals series

Series contains a variety of chemicals used in the development of photographic film and paper and the processing of photographic prints. Items include toning chemicals, developing chemicals and print retouching tools.
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Early cameras

This series consists of original and duplicate early cameras from the beginning of the history of photography. Based on the basic design of the camera obscura and produced between about 1820 and 1870, these simple devices were usually solid or sliding box cameras with uncomplicated lenses. The shutter was normally outside of the lens, in the form of a lens cap that was simple removed and replaced for exposure, or a rotating metal plate on the front of the lens, which held the aperture. These cameras mainly predated dry plate and flexible film photography, and were used to take Daguerreotype, wet-plate and salted paper photographs.

To browse the individual items in this series, click on the "View the list" link under the "File and item records are available for this series" title (to the right of the page).

Dry plate cameras

This series contains cameras designed for use with commercially manufactured dry plate negatives. Produced between about 1880 and 1900, these cameras began to be marketed to amateur photographers due to the relative ease of using dry plates. Exposure times shortened, necessitating faster shutters, within the lens or camera. The equipment also became more compact, allowing for hand-held photographs.

To browse the individual items in this series, click on the "View the list" link under the "File and item records are available for this series" title (to the right of the page).

Field cameras

This series contains view cameras whose lighter and more compact design, as compared to larger, studio style cameras, allowed for them to be easily transported for use in outdoor settings and for travelling. Alterations like collapsible bellows (folding into either the back of the camera, the front or both), smaller lenses, and folding bodies allowed for the camera to be collapsed for easier movement. The advent of pre-prepared photographic dry plates (and later sheet film). further facilitated landscape and other outdoor photography.

To browse the individual items in this series, click on the "View the list" link under the "File and item records are available for this series" title (to the right of the page).

Folding (bellows) cameras

This series contains cameras designed for roll film and employed a folding design, in which a front flap opened and lens and bellows extended from the camera body. This design balanced the need to produce large sized negatives while making the cameras smaller, and more convenient than the box format cameras. Many were variations on the basic Kodak design that, when folded, resembled a long, flat box with rounded ends. Both brilliant viewfinders and optical direct finders were used in these designs and lenses were generally more advanced than the simple box cameras, with shutter speed and focus adjustments possible.

To browse the individual items in this series, click on the "View the list" link under the "File and item records are available for this series" title (to the right of the page).

Box and snapshot roll film cameras

Series contains simple, snapshot cameras designed for mass public consumption, taking advantage of the new flexible roll film that was developed in 1883. The box camera was a logical follow up from the original simple camera obscuras, often having only one shutter speed, simple lenses with minimal f-stop capabilities and manual winds.

The trend arguably began with George Eastman's in 1888 with the first, amateur, handheld camera, "The Kodak", which came pre-loaded with 100 exposures. After exposure, the entire outfit was returned to the Eastman Kodak company, where the film was developed, prints made and sent back to the customer with the camera, now re-loaded with more film.

Many millions of similar cameras were sold, both high and low end, manufactured by different companies and eventually developing into the modern point-and-shoot camera.

To browse the individual items in this series, click on the "View the list" link under the "File and item records are available for this series" title (to the right of the page).

Detective cameras

Items in this series are photographic devices designed to be inconspicuous, intended for photographers to make candid exposures without the subject being aware. The first detective cameras appeared with the production of commercially available dry plates and designs were simple box camera style constructions. These were, in fact, very similar to standard cameras of the time, but were smaller, handheld and able to make exposures relatively quickly. As smaller, flexible film materials became available, these cameras began to be produced disguised as objects such as pocket watches, ties, books, hats, pens and walking sticks.

To browse the individual items in this series, click on the "View the list" link under the "File and item records are available for this series" title (to the right of the page).

Scovill & Adams Company

Panoramic cameras

Series contains cameras designed to take wide-angle photographs (images that are least twice as wide as they are tall). Cameras of this nature began to be produced soon after photography was invented, as photographers have always wanted to capture large group portraits, landscape views and skylines. Panoramic photographs are achieved by stitching several exposures together to create one image or with purpose built cameras of several designed, including banquet (similar to standard cameras with wider aspect ratios, designed to take photographs of large groups indoors), short rotation (uses a curved film plane, swinging lens and split shutter that the lens rotates around), and full or long rotation (capable of producing 360 degree views by rotating the camera and film past the shutter).

To browse the individual items in this series, click on the "View the list" link under the "File and item records are available for this series" title (to the right of the page).

Miniature and sub-miniature cameras

This series contains cameras designed to take photographs on flexible film sized smaller than 135 format film (24mm x 36mm). The size of the camera also tended to be very small, and often simply designed. While several companies manufactured high quality miniature cameras (including Minox and Rollei), many others were cheaply made and did not produce relatively poor results.

Film formats for miniature cameras were often priority, created by manufactures for their cameras specifically, and included the following sizes: 10mm x 14xx (16mm film), 13mm x 17mm film (110 film cartridges), 14mm x 14mm (used by "Hit" type cameras), 8mm x 11mm cartridge roll film (Minox), 11mm x 8mm disc film (Kodak).

Miniature cameras gained a reputation as "spy" cameras, and while some of the higher quality ones (including the Minox) were used by government agencies, most were simply for surreptitious, amateur use.

To browse the individual items in this series, click on the "View the list" link under the "File and item records are available for this series" title (to the right of the page).

Professional and press cameras

Series contains cameras designed to fulfill specific, professional functions such as surveying, aerial photography, studio portraits and press work. These cameras are often the best items in the manufacturers line, offering more features and a sturdier construction than their amateur counterparts.

To browse the individual items in this series, click on the "View the list" link under the "File and item records are available for this series" title (to the right of the page).

Stereoscopic and multi lens cameras

Series contains cameras that have with more than one lens, to create multiple images on the same light sensitive film or plate. These cameras were designed for several purposes, the most popular being the stereoscopic, or three-dimensional, image. Most stereo cameras work by taking two simultaneous images from slightly varying points of view that correspond to the distance between the human eyes. The images are then mounted side-by-side and viewed through a stereoscope (a system of two lenses that helps to converge the two photographs, to mimic the depth perception of binocular vision). Other three-dimensional cameras used four or more lenses to create images for lenticular prints.
Some multi-lens cameras were intended to create multiple copies of the same scene at one time, such as the gem tintype camera and passport camera, while others had shutters that took sequential shots to create images which show the passage of time on one frame.

To browse the individual items in this series, click on the "View the list" link under the "File and item records are available for this series" title (to the right of the page).

Single lens reflex cameras

Series contains single lens reflex, or simply reflex, cameras. This deign used a mirror at a 45 degree angle to allow the photographer to look through the lens when composing the photograph, therefore seeing exactly what will appear on the film. Brilliant and sports style viewfinders only alllowed an approximation of the image alignment.

To browse the individual items in this series, click on the "View the list" link under the "File and item records are available for this series" title (to the right of the page).

Twin lens reflex cameras

Series contains cameras designed with two identical lenses, mounted one above the other, for composition and the other for exposure. The twin-lens design allows the photographer a continuous view of the subject while photographing, as the 45 degree angled mirror is mounted to the viewing lens only and therefore does not have to list out of the way during exposure, as in single lens reflex designs. Most designs used a waist level viewfinder with a ground glass.

To browse the individual items in this series, click on the "View the list" link under the "File and item records are available for this series" title (to the right of the page).

35mm cameras

Series contains cameras designed for use with standard 35mm (135 format) film. This became the most popular film and camera format, both among professionals and amateurs. Sturdy and multi-functional, with interchangeable lenses, these cameras found their way into civil wars, riots, and natural disasters around the necks of daring photojournalists as well as in homes and on vacation with advanced amateurs and photo-enthusiasts. Once exposed, the film was wound conveniently back into light-tight metal canisters that would protect the film until it could be developed.

For 35mm cameras marketed specifically to amateur photographers, see items in the Point-and-Shoot series.

To browse the individual items in this series, click on the "View the list" link under the "File and item records are available for this series" title (to the right of the page).

In-camera processing (instant) cameras

Series consists of cameras that combine exposure and development in one step to create photographs instantaneously.
While Polaroid is by far the most well known of these cameras, the first patent for instant photography was for the Dubroni, a French wet plate camera, designed so that the glass plate could be sensitized and developed by pouring the chemicals over the plate through a tube in the camera. Later cameras were developed so small tintypes (1895) and direct paper positives (1913) could be made quickly for tourists on busy streets.
But it was the Polaroid Corporation that made instant photography a household item, beginning in 1937 when Edwin Land's young daughter's desire to see her photograph immediately, inspired him to develop the Polaroid's first instant camera: the Land Camera.

The Heritage Collection also contains Kodak Instant Cameras; produced in the late 1970's, they spawned a patent infringement lawsuit from the Polaroid corporation that resulted in the recall all of instant Kodak models sold and the discontinuation of their production.

To browse the individual items in this series, click on the "View the list" link under the "File and item records are available for this series" title (to the right of the page).

Source: <a href="http://www.shutterbug.com/content/it%E2%80%99s-instant%E2%80%94-it%E2%80%99s-not-polaroid-pre-and-post-polaroids-1864-1976">Wade, John. "It's Instant - But It's Not Polaroid: Pre- And-PostPolaroids, From 1864 to 1976." Shutterbug : Published May 1, 2012.</a>

Point and shoot cameras

Series contains mainly inexpensive, fully automatic 35 mm cameras marketed strictly for amateur use. These cameras are the high tech descendants of the box camera and most models have no manual control over focus, aperture, shutter speed, film winding or metering. The viewfinder on point and shoot models is, like the box camera and unlike reflex style cameras, not integrated with the lens; there is no mirror directing the view from the lens to the eye of the photographer. Most of the point and shoot cameras require batteries for operation.

To browse the individual items in this series, click on the "View the list" link under the "File and item records are available for this series" title (to the right of the page).

One-time use cameras

Series contains cameras designed to be disposable. Usually simple, point and shoot cameras made of plastic cases with cardboard housings, these cameras were sold pre-loaded with film and returned to the photofinisher in tact for development. The plastic bodies were often returned to the manufacturer and re-used, with film and housing. Cameras such as this were marketed for travel, weddings, underwater or other situations where a more expensive camera may get damaged. They were available in different film speeds and some models included a flash.

To browse the individual items in this series, click on the "View the list" link under the "File and item records are available for this series" title (to the right of the page).

Digital and pre-digital cameras

Series contains cameras that are designed to capture images using sensors and digital storage media instead of film, as well as pre-digital cameras that combined digital technology with film.
The digital camera replaced the traditional film camera in all but a few niche markets very quickly; as of the beginning of the 21st century, all amateur and most professional photogrpahy now takes place in the digital format. These early cameras track the rapid increase of image quality and camera optinos avilable to the consumer.

To browse the individual items in this series, click on the "View the list" link under the "File and item records are available for this series" title (to the right of the page).

Toy and promotional cameras

Series contains cameras designed for children or created and distributed as marketing materials for different corporations. These cameras became most popular after the advent of film cartridges, as this greatly simplified the handling and lowered the cost. These cameras are predominantly inexpensive and simply designed, without features that allow the photographer to change aperture or shutter speed.

To browse the individual items in this series, click on the "View the list" link under the "File and item records are available for this series" title (to the right of the page).

Motion-picture viewers

Series contains cameras that use film to capture moving images for display. While still image cameras expose one image at a time on photographic film, motion picture cameras take a series of images (or frames) on long strips of film that are then played back using a projector. The speed at which the film is projected matches that which it was taken, a speed (or frame rate) of 24 frames per second was long the standard in the motion picture industry, and is enough to appear to the human eye as motion and not simply a string of still images. Most of the cameras in this series are for amateur or "home movie" use.

To browse the individual items in this series, click on the "View the list" link under the "File and item records are available for this series" title (to the right of the page).

Video cameras

Series contains hand-held, shoulder-mounted, or structurally-attached cameras that use electronic components to record moving images and sound. Most items in this series are for home use. For cameras that record moving images using digital components, see the Digital and Pre-digital cameras series.

To browse the individual items in this series, click on the "View the list" link under the "File and item records are available for this series" title (to the right of the page).

Weisblatt, Betty

A.T. Orr family photographs series

Series consists of photographs and negatives that belonged to Mr. A.T. Orr and his family. Series also contains several business cards of Mr. Orr's, some of his personal correspondence, newspaper clippings pertaining to birth and wedding announcements, a hymnal, and a lock of Florence E. Orr's hair. Design plans for the Montreal Light Heat & Power Co. are also found in the series.

Albums series

Series consists of albums on a variety of subjects, but all are personal in nature, created by individuals or families. Many focus on geographic locations as subjects of a tour. Some WWI and WWII family and military tour records.

Cameras and optical devices series

Series consists of camera models, from individually hand-crafted to mass-produced, and camera equipment, including filters, light meters, and timers, and darkroom equipment, including enlargers, chemicals, and printing papers. Several non-photographic optical devices are also found in this series, including two toys, a mono print viewer, and a stereo film viewer.

Landscapes and industry series

Series consists of photographs of landscapes, usually featuring factories, mills, bridges or other industrial and man-made objects, and images of agriculture. There area few small sub-sets of images in this series related to sports, which show horses and jockeys, cars and grandstands at racing events.

Miscellaneous series

Series predominately consists of photographic reproductions of drawings or paintings, often on a cabinet card or carte de visite bases--these objects were mass produced for the commercial market using photography, but the original images were not photographic. Also included in this series are published photographic materials in the form of advertisements, books, and stereocards.

Portraits series

Series consists of cabinet cards, cartes de visite, ambrotypes, daguerreotypes, tintypes and gelatin silver prints made by professional photographers, generally featuring a studio mark or imprint. Prints are usually found mounted on cards.

Lantern slides series

Series consists of sets of lantern slides, often of historical monuments or landscapes. One set of painted slides appears to recount a story, with images of people outdoors on a farm, in a carriage, dancing and fighting. Another set of non-photographic painted slides depicts children working and playing. The slides in this series were mass produced for the commercial market.

Toronto theatre programs

Series consists of 638 theatre programs published by Toronto theatres and theatre companies between the years 1959 and 2012.

Alumnae Theatre Company

Shaw Festival Theatre theatre programs

File consists of 39 theatre programs published by Shaw Festival Theatre in the years 1967, 1977, 1984-1989, and 1991-2012. The Festival produces the work of Bernard Shaw and plays from and about his era, as well as contemporary plays that share Shaw's vision. It started in 1962 and continues annually in the Niagara-on-the-Lake region.

Shaw Festival (Niagara-on-the-Lake, Ont.)

Stratford theatre programs

Series consists of 77 theatre programs published by the Stratford Shakespearean Festival in the years 1960, 1961, 1963-1967, 1971, 1974, 1976, 1978, 1980, 1986, 1987, 1991, 1993-1997, 2001-2012. The Stratford Festival is a festival that has occured annually from April to November since 1953 in Stratford, Ontario. The festival was originally devoted to producing soley the works of William Shakespeare, but since has expanded to focus primarily on classical repertoire.

Stratford Festival (Ont.)

Montreal theatre programs

Series consists of 9 theatre programs published by the following Montreal theatres: 1 The Colonade Theatre (1972), 1 Peter Cook and Spectrum Productions (1964), 5 Place des Arts (The World Festival 1967), 1 Scene (magazine, 1970), and 1 Theatre de l'Escale (Dominion Drama Festival 1968).

Ontario theatre programs

Series consists of a file of 7 theatre programs published by the following Ontario theatres: 2 Lyric Theatre (Kitchener, 1963), 1 Huron Country Playhouse (1980), 2 Living Arts Centre, Mississauga, 1 Markham Theatre (2009), 1 National Arts Centre (Ottawa, 1985), 1 Owen Sound Little Theatre (1989), and 1 Thousand Islands Playhouse (2002).

Canadian theatre programs

Series consists of 1 file of 11 theatre programs published by the following Canadian theatres: 4 The Citadel Theatre (Edmonton, 1998, 2001, 2008), 1 Granville Island Stage (Vancouver, 1986), 1 Mayfield Dinner Theatre (Edmonton, 1995), 1 Northern Light Theatre (Edmonton, 1980), 1 Theatre Nova Scotia, and 3 unknown.

Miscellaneous American theatre programs

Series consists of 1 file of 7 theatre programs published in the United States of America by the following theatres and theatre companies: 1 Artpark (1994), 1 Buffalo Centre for the Performing Arts (1979), 1 Ford's Theatre Society (1982), 2 Hangar Theatre (1987, 1991), 1 Shubert Theatre (1991), and 1 Weber Theatre Wheaton College (2003).

Audio Visual

1971 - 1985 103 items Audio Visual. This series includes all of the audio visual material in the Robert Hackborn Fonds. Formats represented include vinyl audio disc, Umatic, Beta, VHS, 35mm and 16mm film. The records in this series have been arranged based on how they were ordered and stored by Mr. Hackborn
2012.005.01

Hackborn, Robert Arthur, Mr., September 22, 1928

Photographic

1971 - 1985. 103 items Audio Visual.
This series includes all of the audio visual material in the Robert Hackborn Fonds. Formats represented include vinyl audio disc, Umatic, Beta, VHS, 35mm and 16mm film. The records in this series have been arranged based on how they were ordered and stored by Mr. Hackborn
2012.005.01

Hackborn, Robert Arthur, Mr., September 22, 1928

Published Materials

1957 -1991. 21,276 items Photographic.
This series includes all of the photographic material in the Robert Hackborn Fonds. Formats represented include a wide variety of sizes of colour and black and white prints, slides, diffusion transfer prints, negatives, panorama print rolls, and contact sheets. The vast majority of the photographs and negatives in this series were executed by Hackborn during the course of his work as a production and set designer. They include candid scenes revealing aspects of the television production process and are, as a whole, excellently composed with many individual prints standing out as fine art calibre items. The photographs in this series have been arranged based on how they were ordered and stored by Mr. Hackborn, except in cases where an item's size or condition necessitated an alternate storage location.
2012.005.02

Hackborn, Robert Arthur, Mr., September 22, 1928

Textual Records

194? - 199? 2.67 m textual.
This series includes all of the unpublished textual records in the Robert Hackborn Fonds. Series includes textual records related to the production of Canadian television, the special effects and production techniques pioneered or used by Mr. Hackborn, personal correspondence, screenplays, scripts, notes and clippings. The items in this series have been arranged and physically stored based on how they were ordered and stored by Mr. Hackborn.
2012.005.04

Hackborn, Robert Arthur, Mr., September 22, 1928

Objects

195? - 2009 83 items artifacts.
This series includes all the objects and artifacts in the Robert Hackborn Fonds. This is a diverse collection of artifacts, including items used in the production of television and the execution of special effects. Included in this class of material are some of the background paintings used in television productions including Fraggle Rock. This series also includes a collection of branded textiles used for marketing purposes for various productions. The objects in this series have been arranged based on how they were ordered and stored by Mr. Hackborn, except in cases where an item's size or condition necessitated an alternate storage location.

Hackborn, Robert Arthur, Mr., September 22, 1928

Graphic Materials

1958 - 198?. ~ 3900 items Graphic Materials.
This series includes all of the graphic material in the Robert Hackborn Fonds. Most notably, this series contains a large volume of ~3000 oversized architectural and floor-plan drawings revealing much about the process of television production during the period represented in this collection. Many of these drawings have been further annotated by Mr. Hackborn during the course of his television production work. The records in this series have been arranged based on how they were ordered and stored by Mr. Hackborn, except in cases where an item's size or condition necessitated an alternate storage location.

Hackborn, Robert Arthur, Mr., September 22, 1928

Kodak Chair lecture series, 2004-2005

Series contains audio recordings of 8 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2004-2005 academic year. Lectures were recorded in video format. The lecture schedule was as follows:

Phil Bergerson (Canadian photographer), October 15, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/493.aspx
Janieta Eyre (Canadian photographer), November 12, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/494.aspx
Walid Ra'ad (Lebanese-American media artist), November 26, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/495.aspx
David Robeky (Canadin video and installation artist), December 2, 2005 Stream online: https://ryecast.ryerson.ca/6/Watch/489.aspx
Michael Awad (Canadian photographer and architect), February 11, 2005 Stream online: https://ryecast.ryerson.ca/6/Watch/497.aspx
Raphael Lorzano-Hemmer (Mexican-Canadian installation artist), March 11, 2005 Stream online: https://ryecast.ryerson.ca/6/Watch/498.aspx
Harmony Korine (American director), April 1, 2005 Stream online: https://ryecast.ryerson.ca/6/Watch/499.aspx
Shu Lea Cheang (Taiwanese-American multimedia artist), April 14, 2005 Steam online: https://ryecast.ryerson.ca/6/Watch/496.aspx

Image Arts

1979-1980 Lecture Series

Series contains audio recordings of lectures that took place in the Image Photographic Arts department of Ryerson University during the 1970-1980 academic year. The lecture schedule was as follows:
Walter & Naomi Rosenblum, American photographic historians "Social Documentary Photography from Hill & Adamson to Lewis Hine.": November 5, 1979
Berenice Abbott (workshow), American photographer: November 29, 1979
Emmet Gowin (seminar), American photographer: April 3, 1980

Image Arts

Nine lectures and five workshops on contemporary photography (9+5)

Series contains audio cassette recordings of lectures and workshops given by photographers, filmmakers, critics and historians in the Image Arts Department at Ryerson University as part of their 1981-1982 lecture series. 2 events, Eugene Richards' February 11th lecture and Bruce Elder's March 5th-7th performance workshop do not have audio recordings available.

Image Arts

Kodak Chair lecture series, 1997

Series contains audio recordings of 6 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1996-1997 academic year. The Deepa Mehta lecture was recorded in both audio and video formats, the Diana Thorneycroft lecture was recorded in audio only, and the Robin Collyer, Timothy Druckrey, and Perry Hoberman lectures were recorded in video only. The lecture schedule was as follows:

Diana Thorneycroft (American photographer), January 23, 1997
Deepa, Mehta (Canadian filmmaker), February 6, 1997
Robin Collyer (Canadian photographer and sculptor), February 20, 1997
Timothy Druckrey (American writer and curator), March 13, 1997
Perry Hoberman (American installation artist), March 27, 1997

Image Arts

Photographers Speak series

Series contains audio recordings of talks given by photographers as part of a series entitled "Photographers Speak", which took place in Rochester NY in 1982. Speakers included: Anthony Barboza, Lillian Bassman, Scott Hyde, Nathan Lyons, Martha Madigan, Nile Root, Henry Holmes Smith, Keith Smith, and John Wood.

Face Productions

Kodak chair lecture series 1988-1989

Series contains audio recordings of public lectures given by photographers, filmmakers, theorists, and critics as part of the Kodak chair lecture series, presented at Ryerson University. Two of the lectures (Tom Sherman, October 21st and Steven Marx, January 27th) were not recorded.

Kodak Canada Inc.

Kodak chair lecture series 1989-1990

Series contains audio recordings of 5 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1989-1990 academic year. This was the 5th anniversary of the Kodak Lecture Series, and focused on Canadian artists. No recordings exist for the Joel DeMott / Jeff Kreines, Arnold Newman, or Atom Egoyan lectures. The lecture schedule was as follows:
Joel DeMott/Jeff Kreines American documentary filmmakers: September 15 & 16, 1989-09
David EM, American digital artist: September 22, 1989
Barbara Norfleet, American documentary photographer: October 13, 1989
A.D. Coleman, American photographic historian: October 27, 1989
Barbara Kasten, American artist: November 10, 1989
Arnold Newman, American photographer: January 26, 1990
Rosamond Purcell, American photographer: February 9, 1990
Atom Egoyan, Canadian filmmaker: March 9, 1990
Nicholas Nixon, American photographer: March 30, 1990

Image Arts

Kodak chair lecture series: fifth anniversary celebrating Canadian photography, film and visual arts citicism

Series contains audio recordings of 7 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1990-1991 academic year. This was the 5th anniversary of the Kodak Lecture Series, and focused on Canadian artists. No recording exists for the Freeman Patterson lecture. The lecture schedule was as follows:

Patricia Rozema, Canadian director: September 28, 1990
Anne Wheeler, Canadian writer, producer, and director: October 18, 1990
Freeman Patterson, Canadian landscape photographer: November 23, 1990
Geoffrey James, Canadian Photographer: January 10, 1991
Sam Tata, Canadian photojournalist: February 1, 1991
John Bentley Mays, Canadian journalist: February 14, 1991
Phillip Borsos, Canadian film director and producer: April 5, 1991

Image Arts

Kodak Chair lecture series, 1991-1992

Series contains audio recordings of 6 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1991-1992 academic year. No recordings exist for the Danys Arcand lecture. The lecture schedule was as follows:

Duane Michals, American photographer: September 17, 1991
Denys Arcand, Canadian director, screenwriter and producer: fall 1991
Joel Sternfeld, American photographer: October 25, 1991
Eugene Richards, American documentary photographer and filmmaker: November 15, 1991
Martha Langford, Canadian art historian: March 2, 1992
Javier Vallhonrat, Spanish fashion photographer: March 20, 1992
Abigail Solomon-Godeau, American art historian: April 10, 1992

Image Arts

Kodak Chair lecture series, 1992-1993

Series contains audio recordings of 5 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1992-1993 academic year. No recordings exist for the Richard Benson, Stephen Livick, and Sabastião Salgado lectures.. The lecture schedule was as follows:

Sally Mann, American photographer: September 24, 1992
Douglas Crimp, American historian: October 23, 1992
Mike & Doug Starn, American artists: November 3, 1992
Richard Benson, American photographer: November 16 & 17, 1992
Bernd & Hilla Becher, German conceptual artists: January 15, 1993
Stephen Livick, photographer: February, 1993
Marian Penner-Bancroft, Canadian photographer: March 5, 1993
Sabastião Salgado, Brazilian photojournalist: April, 1993

Image Arts

Kodak Chair lecture series, 1993-1994

Series contains audio recordings of 6 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1993-1994 academic year. The James Borcoman lecture was presented at the Art Gallery of Ontario, and no recording exists. The lecture schedule was as follows:

Lynne Cohen: 24 September, 1993
David Harris: 29 October, 1993
Arnaud Maggs: 11 February, 1994
James Borcoman (at AGO): 26 January, 1994
Robert Frank (at AGO): 23 February, 1994
Michael Snow (at AGO): 23 March, 1994
David Harris, Robert Burley, Cynthia Zaitzevsky, and Geoffrey James, "Viewing Olmsted": April 8, 1994

Image Arts

Kodak Chair lecture series, 1994-1995

Series contains audio recordings of 3 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1994-1995 academic year. No recordings exist for the Larry Towell lecture. The lecture schedule was as follows:

Martin Parr, British photographers: September 30, 1994
Larry Towell, Canadian photographer: October 14, 1994
Clara Gutsche, Geneviève Cadieux & Raymonde April, Canadian photographers: November 11, 1994
Thomas Struth, German photographer: January 20, 1995

Image Arts

Kodak Chair lecture series, 1995-1996

Series contains audio recordings of 5 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1995-1996 academic year. No recordings exist for the Lily Koltun lecture. The lecture schedule was as follows:

Krzystzof Diczko, Polish American experimental artist: September 22, 1995
Michael Mitchell (introduction), Film Screening: Henri Cartier Bresson, by French photographer Sarah Moon: October 13, 1995
Joseph Blasioli and Victor Malafronte, Canadian filmmakers "Paparazzi and the Cut of Celebrity": October 20, 1995
Lily Koltun, Canadian curator "Canadian Photo History" ( Concurrent with exhibits of former Speaker's work at the Stephen Bulger Gallery January 13 - 17): January 12, 1996
Lorraine Monk, Canadian photographer: February 2, 1996
Nancy Burson, American photographer: February 16, 1996
William Eggleston , American photographers: March 22, 1996

Image Arts

Kodak Chair lecture series, 1997-1998

Series contains audio recordings of 6 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1997-1998 academic year. Lectures were recorded in both audio and video formats, with the exception of the Vincent LaVoie lecture, which is only available in audio. The lecture schedule was as follows:

Jochen Gerz (German conceptual artist), December 12, 1997
Julian Cox (American curator) on Julia Margaret Cameron (UK photographer), January 30, 1998
Vincent LaVoie (French Canadian historian), February 5, 1998
Laurie Simmons (American photographer and filmmaker), March 6, 1998
Ed Burtynsky (Canadian landscape photographer), March 20, 1998
Jeffrey Shaw (Australian media artist), April 3, 1998

Image Arts

Kodak Chair lecture series, 1998-1999

Series contains audio recordings of 8 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1998-1999 academic year. Lectures were recorded in both audio and video formats, with the exceptoin of the David Plowden, scheduled for January 29, 1999, whic was cancelled and no audio or video is available. The lecture schedule was as follows:
Adam Fuss October 23, 1998
William Ewing October 23, 1998
Carolee Schneeman November 13, 1998
Larry Fink November 20, 1998
Sophie Ristelhueber January 21, 1999
David Plowden January 29, 1999 (cancelled)
Donigan, Cumming March 5, 1999
Thomas Roma May 5, 1999

Image Arts

Kodak Chair lecture series, 1999-2000

Series contains audio recordings of lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 1999-2000 academic year. Lectures were recorded in both audio and video formats. The lecture schedule was as follows:

Sandy Skoglund (American photographer), October 22, 1999
Linda Troeller (American photographer), November 5, 1999
John Gosssage (American photographer ), November 12, 1999
Suzy Lake (American-Canadian photographer, videography and performance artist), January 28, 2000
Jim Goldberg (American photographer), February 11, 2000
Ken Josephson (American photographer), March 3, 2000
Johan Van Der Keuken (Dutch documentary filmmaker & photographer), March 10, 2000
Alain Fleisher (French filmmaker and photographer), March 17, 2000

Image Arts

Kodak Chair lecture series, 2000-2001

Series contains audio recordings of lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2000-2001 academic year. Lectures were recorded in both audio and video formats. A lecture by Jeremy Podeswa, scheduled for February 16, 2001, was cancelled and is not included in the recordings. The lecture schedule was as follows:

Martin Parr (UK photographer), October 13, 2000
Daniel & Geo Fuchs (German photographers), October 27, 2000
Ernie Gehr (American filmmaker), November 11, 2000
Abelardo Morell (American photographer), November 17, 2000
Stan Douglas (Canadian photographer & installation artist), January 18, 2001
Robbert Flick (American photographer), February 9, 2001
Steven Mann (Canadian computational photographer), March 16, 2001

Image Arts

Kodak Chair lecture series, 2001-2002

Series contains audio recordings of 7 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2000-2001 academic year. Lectures were recorded in both audio and video formats. The lecture schedule was as follows:

Nicolas Baier (French Canadian multidisciplinary artist), October 19, 2001
Tom Hunter (UK photographer), November 2, 2001
Rineke Dijkstra (Dutch photographer), February 8, 2002
Roni Horn (American visual artist), February 15, 2002
(Lorna Simpson (American photographer), February 22, 2002
Janet Cardiff & George Bures Miller (Canadian multi-media and installation artists), March 15, 2002
Joan Fontcuberta (Spanish conceptual artist), March 22, 2002

Image Arts

Kodak Chair lecture series, 2002-2003

Series contains audio recordings of 7 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2002-2003 academic year. Lectures were recorded in both audio and video formats. The lecture schedule was as follows:

Lynne Cohen (American-Canadian photographer), November 1, 2002
Robert & Shana Parkeharrison (American photographers), November 11, 2002
Zacharias, Kunuk (Canadian Inuk producer and director), November 29, 2002
Luc Courchesne (Canadian artist), February 7, 2003
Jennifer, Baichwal (Canadian documentary filmmaker), February 14, 2003
Angela Grauerholz (German-Canadian photographer), March 7, 2003
Jonas Mekas (Lithuanian-American filmmaker), March 7, 2003

Image Arts

Kodak Chair lecture series, 2003-2004

Series contains audio recordings of 7 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2003-2004 academic year. Lectures were recorded in video format and the schedule was as follows:

Sultan, Larry (American photographer), October 24, 2003 Stream online: https://ryecast.ryerson.ca/6/Watch/500.aspx
David Cronenberg (Canadian filmmaker), November 7, 2003 Stream online: https://ryecast.ryerson.ca/6/Watch/501.aspx
Jemima Stehli (UK photographer), November 14, 2003 Stream online: https://ryecast.ryerson.ca/6/Watch/502.aspx
Max Dean (Canadian installation artist), January 30, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/503.aspx
Lauren Greenfield (American documentary photographer and filmmaker), March 5, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/505.aspx
Andres Serrano (American photographer), March 12, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/506.aspx
Shirin Neshat (Iranian filmmaker), March 19, 2004 Stream online: https://ryecast.ryerson.ca/6/Watch/507.aspx

Image Arts

Kodak Chair lecture series, 2005-2006

Series contains audio recordings of 4 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2005-2006 academic year. Lectures were recorded in video format. The lecture schedule was as follows:

Mariko Mori (Japanese photographer), October 7, 2005 Stream online: https://ryecast.ryerson.ca/6/Watch/488.aspx
Fiona Tan (Australian-Dutch film and video installation artist), January 27, 2006 Stream online: https://ryecast.ryerson.ca/6/Watch/490.aspx
Chris Buck (Canadian portrait photographer), March 10, 2006 Stream online: https://ryecast.ryerson.ca/6/Watch/491.aspx
Steve Schapiro (American documentary photographer), April 7, 2006 Stream online: https://ryecast.ryerson.ca/48/Watch/492.aspx

Image Arts

Kodak Chair lecture series, 2006-2007

Series contains audio recordings of 5 lectures by photographers and filmmakers that took place as part of the Kodak Chair Lecture series at Ryerson University in the 2006-2007 academic year. Lectures were recorded in video format. The lecture schedule was as follows:

Jeremy Podeswa (Canadian film and television director), January 26, 2007 Stream online: https://ryecast.ryerson.ca/6/Watch/482.aspx
Joanna Berzowska & SX Labs (Concordia University), February 23, 2007 Stream online: https://ryecast.ryerson.ca/6/Watch/483.aspx
Jamel Shabazz (African-American photographer), March 29, 2007 Stream online: https://ryecast.ryerson.ca/6/Watch/484.aspx
Alain Fleischer (French filmmaker), April 27, 2007 Stream online: https://ryecast.ryerson.ca/6/Watch/485.aspx
Roger Ballen (American-South African photographer), May 11, 2007 Stream online: https://ryecast.ryerson.ca/6/Watch/486.aspx

Image Arts

Exhibition prior to 2000

Series contains pamphlets, press releases, invitations and publications for photographic exhibitions at museums, galleries, festivals and universities in the United States and some abroad, between 1985 and 1999. Venues include:
621 Gallery, Tallahassee
Akron Art Museum
Amon Carter Museum
Bibliotheque Nationale de France, site Francois-Mitterrand
Bronx Museum of Art
California Museum of Photography
The Corcoran Gallery of Art
Denver Art Museum
Eastern State Penitentiary, Philadelphia
The Flagler Museum
George Eastman House, Rochester <BR>
Grey Art Gallery, New York University
Haas Gallery of Art, Bloomsburg University
Hood Museum of Art, Darmouth College
The International Center of Photography, New York,
James Howe Gallery, New Jersey
Kanagawa Arts Festival, Japan
Klebenov Gallery
Lehigh University Art Galleries
Missoula Art Museum
The Museum of Fine Arts, Boston
The Museum of Contemporary Photography, Chicago
The National Trust, UK
Octagon Galleries, Bath
Photographic Resource Centre Boston
Rose Art Museum, Brandis University
Seattle Art Museum
Smithsonian Institution, Washington
Southeast Museum of Photography
Taft Museum, Cincinnati
Tozzer Library, Harvard University
University Gallery at the University of Massachusetts
University of Southern Main
Wellesley College Museum
Wolfsonian, Miami Beach

Nordström, Alison

Undated musem and gallery brochures

Series contains pamphlets, maps, guides and publications for cultural sites and photographic exhibitions between 2000 and 2005. Venues include:

Bath Abbey, England
The Boston Public Library
East Lambrook Manor Garden, England
The Finnish Museum of Photography
Forma International Centre of Photography, Milan
Glastonbury Abbey, England
Harry Ransom Humanities Research Centre, University of Texas at Austin
Harvard University Art Museums
The High Desert Museum, Bent Oregon
Horn Park Gardens, Dorset
International Visual Society Association
Japanese Gardens, Portland
Memorial to the Murdered Jews of Europe
Museum of Contemporary Art, San Diego
Museum fur Photographie, Berlin
National Film Theatre, London
National Museum of Natural History, Washington
National Trust, UK
Oregon History Centre
Peabody Essex Museum
Perth Institute of Contemporary Arts
Pittock Mansion, Portland
Parnham House, England
Portland Art Museum
Salvadore Dali Museum, Florida
San Francisco Museum of Modern Art
Society for the Preservation of New England Antiquities
Suntory Museum of Art, Tokyo
The Tate Modern, London
The Victoria and Albert Museum, London
University of Oxford Botanic Garden

Van Gogh Museum, Amsterdam

Nordström, Alison

Artist catalogues takeaways

Series contains pamphlets, cards, catalogues and booklest produced by photographers as handouts between 2000 and 2005. Artists include:

Lili Almog
Matthre Barlow
Mette Bersang
Beth Block
Joergen Brandt
Brittain Bright
Andrew Buurman
Catherine Cameron
Christo and Jeanne-Claude
Marcelo Coelho
Lois Conner
Michael Corridore
Vincent Delbrouck
Gair Dunlop
Beth Dow
Sebastian Friedman
Johannes Galert
Moyrah Gall
Edouard Glissant
Jules Greenberg
Myar Greene
Kyna Gourley
Linda Hansen
Mark Edward Harris
Heinrich Heidersberger
German Herrera
April Hickox
Julia Hoerner
Michael Itkoff
Adam Jeppeson
Max Kandhola
Misty Keasler
Karen Keating
Jens Knigge
Michael Kolster
Oliver Krebs
Bob Kubiak
James Lerager
Rania Matar
Heather McMlintock
Beatrice Minda
Rizwan Mirza
Edgar Moreno
Huong Ngo
Christian Nielinger
Dan Nelken
Rachel Papo
Mary Parisi
Patricia Pastore
Gilles Perrin
Liv Carle Mortenesen
Liza Nguyen
Elizabeth Orbutt
Betty Press
Susan Raab
David Ramkalawon
Scully & Osterman
Sole, Magdalena
Kristopher Stallworth
David Star
Amy Stein
Wei Leng Tay
Mogens Ulderup
Jim Vecchi
Carla Williams
Dennis Witmer

Pawel Zak

Nordström, Alison

Exhibitions, 2000

Series contains invitatinos, pamphlets, press releases and publications for photographic exhibitions in museums, galleries, festivals and universities in the United States and some abroad, during 2000. Venues include:

621 Gallery, Tallahassee
Akron Art Museum
Art Gallery of New South Wales, Sydney
The Arts Center, St. Petersburg
Boston Public Library
California Museum of Photography, University of California
Canadian Museum of Contemporary Photography
Centrato de ARte Contemporaneo Wifredo Lam, Cuba
Foto Biennale Rotterdam
FotoGaleria, Teatro San Martin, Buenos Aires
Galerie Polaris-Bernard Utudjian, Paris
International Centre of Photography, New York
Julie Saul Gallery, New York
LeMoyne Art Foundation, Tallahassee Florida
Morikami Museum and Japanese Gardens, Palm Beach
Musee de L'Elysee, Lausanne
Museo Maritimo de Ushuaia, Tierra del Fuego
Museum of Modern Art, New York

Museum of Photographic Arts, San Diego
Open Ends Gallery, Chicago
Oxfordshire Visual Arts Festival, England
pARTs Photographic Arts, Minneapolis
Salt INstitute for Documentary Studies, Portland
Sepia International Inc.
Selby Gallery, Ringling School of Art and Design, Sarasota
SF Camerawork, San Francisco
The Tang Teaching Museum and Art Gallery, Skidmore College
Tate Modern, London
University Galleries, Dorothy F, Schmidt College of Arts and Letters
Venezia Immagine, Venice
Whitney Museum of American Art, New York

Nordström, Alison

Exhibitions, 2001

Series contains invitations, pamphlets, press releases and publications for photographic exhibitions in
museums, galleries, festivals and universities in the United States, and some abroad, during 2001. Venues include:

Akron Art Museum
Apexart, New York
Andrew Smith Gallery, Santa Fe
Ansel Adams Gallery, Yosemite National Park
The Arts Centre, St. Petersburg, Florida
Boston University Art Gallery
Buckley Center Gallery, University of Portland
Camerawork Gallery, Portland
Center for Creative Photography, University of Arizona
Cornell Fine Arts Museum, Rollins College Florida
Dorothy F, Scmidt College of Arts and Letters, Florida Atlantic University
The Edward Carter Centre, New York
Elizabeth Leach gallery, Portland
Freer Gallery of Art and Arthur M. Sackler Gallery Archives, Smithsonian Institution
Galerie Polaris-Bernard Utudjian, Paris
Gallery 292, New York
Hillsborough Community College
Institute of Contemporary Art, Boston
Institute of Contemporary Art at Main College of Art
Internaltional Center of Photography, New York
The J. Paul Getty Museum, Los Angeles
Kommunale Galerie, Frankfurt
Leica Gallery, New York
The Light Factory, Charlotte, NC
Louise, Paris
Massachusetts College of Art
Museum of Contemporary Photography, Columbia College
Museum of Modern Art, New York
nederlands foto instituut, Netherlands
Norton Museum of Art, West Palm Beach
The Organisation for Visual Arts, London
Peabody Essex Museum
Photo Americas, Portland
Photographic Image Gallern, Portland
Portland Art Museum
Portland Classical Chinese Garden
The Portland Institute for Contemporary Art
Ringling School of Art and Design, Sarasota
San Francisco Museum of Modern Art
SK Josefsberg Studio, Portland
Southeast Museum of Photography, Daytona Beach Community College
Victoria and Albert Museum

Nordström, Alison

Exhibitions, 2002

Series contains pamphlets, press releases, invitations, and publications for photographic exhibitions in museums, galleries, festivals and universities in the United States and some abroad, during 2002. Venues include:

Brooklyn Museum of Art
Civiche Raccolte d'Arte Applicate ed Incisioni, Milan
DeCordova Museum and Sculpture Park
FotoFest, Houston
Houston Centre for Photography
Kouros, New York
Menil Collection, Houston
Museum of Modern Art, New York
Museum of Photographic Art, San Diego
Peabody Essex Museum
Portland Art Museum
Portland Institute for Contemporary Art
San Diego Museum of Man
San Francisco Museum of Modern Art
World Forestry Centre Museum, Portland
Victoria and Albert Museum

Nordström, Alison

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