Item is a green, textured card with photograph of a boy standing in front of a floral wallpaper with a striped ottoman at the side. Boy wears a jacked and cap. On verso, in pencil, "Lee Alderson" and a sticker at top right, "5.00".

Item is an unmounted studio portrait of two men, seated and smoking pipes. Both have facial hair, and are wearing hats and jackets. Casual pose, man on right has legs crossed and looks at camera. Man on left looks away from the camera, and leans in his chair, arm resting on the back. Both men's cheeks are tinted pink.

Item is an unmounted studio portrait of one young boy and one adolescant boy. The older one sits in a chair, while the younger perches on the armrest. The younger boy is wearing a suit with vest and jacket, top two buttons done only. The older boy has no jacket, but wears a vest with a tie. He is leaning his arm against opposite armrest, with legs crossed. Casual pose.

Item is an unmounted studio portrait of one young boy and one older boy. The older one sits in a chair, while the younger perches on the armrest, on his right. The younger boy is wearing a jacket that is buttoned up. The older boy has a jacket, only top button done up, with vest and tie. Both arms are on armrest, with legs crossed. The younger boy's face is slightly blurred, from moving it during exposure. It looks to be same studio, props and seating arrangement as 2008.001.1811.

Item is an umounted portrait of two men in suits and hats, sitting on rocks outdoors. Not studio setting. Man on left holds a cane with both hands resting on it, with a ring on his finger, cigar in his mouth, chain watch, suit with vest and tie and hat. Man on right sits with legs crossed, one hand in his pocket and other across his lap, cigar in mouth and suit with vest and tie and chain watch and hat.

Item is an unmounted studio portrait of two men. One on right is wearing a top hat (tilted to left side), with a black suit and striped pants. He has a big handlebar moustach, cigar in his mouth, open book in his lap and his legs are crossed. The man on the left has a cigar in his mouth, and is wearing a hat, with black suite. His legs are crossed and both hands rest on his lap, with his left arm resting on a table. Both their cheeks are tinted pink.

Item is an unmounted studio portrait of a young boy, with body stand obvious in background. Little boy is standing, with right arm leaning on chair armrest. He wears short trousers, above the boot tops, and the boots have side-button closures, in keeping with the style of the 1870s. His cheeks are tinted pink.

Item is an unmounted studio portrait of a boy in dark suit with white shirt and black bowtie. Chain watch in vest. He is sitting and his right arm leans on the armrest. White cloth as background. His hair is combed forward across forehead, and wings out at the sides - hairstyle is in keeping with boys hairstyles of 1870s. Top corners of tintype are rounded.

Item is an unmounted studio portrait of a seated man, his right arm resting on a table, his legs crossed. On the table is his hat, and a framed photograph of a woman standing, though unrecognizable (possibly mourning portrait). Table is quite ornate, as is the armoir in the background. Carpet is flowered. He is well dressed in a dark frock coat, with a white high-collared shirt and tie. He has a mustach and his cheeks are tinted pink. The hat is perhaps a boater hat, straw with a wide black band and trim. Due to frock coat and hat dated after 1870s. All four corners are rouned off.

Item is an unmounted studio group portrait of five men, three seated and two standing. Two of those seated have legs crossed, the other is seated on an armrest. Man standing behind seated man on armrest, has his hand on his shoulder. Two of the faces are blurry from movement during exposure. One man on left and centre man (both seated) have handkerchief in breast pocket. All are wearing suits, with jakets and vest, bowties, hats and chain watches. Top left corner is angled off.

Item is an unmounted portrait of a man seated and a woman standing with her left arm resting on back of his chair. There is a table in front of her, beside him with a book on it. She also holds a book, that is resting on the table. She wears a hat and shirtwaist with buttons, the sleeves are puffy which are in keeping with fashion of the 1890s. She wears a brooch at her neck. He is sitting with his legs crossed, his body rurned away from the camera, but his face looking right at camera. He holds a scroll in his hand, and wears a sash of somesort across his chest. He looks very pleased with himself. Both their cheeks are tinted pink. Top corners angled off, and bottom edge is curved.

Item is a grey card with brown border embossed with a scroll design. Image of a woman seated on the bank of a river, wearing a large decorative hat. No leaves on trees. On verso, in pencil, "3.00".

Item is an unmounted group portrait of four women and four men. All four women wear hats and dresses with puffy sleeves in keeping with fashion of the 1890s. Men wear sutis with jackets and vest with chain watches. Two top corners angled off.

Item is an unmounted group portrait of four men and one woman sitting in a car. It is believed to be a Ford Model A car dating from 1903 which is how the photograph is dated. All four men are wearing bowlers hats, and suits with jackets and ties. Woman is wearing a large hat with flowers. Man behind wheel and another in backseat both have mustaches. Studio backdrop. Black band across top of image.

Item is an unmounted studio portrait of two men, both seated and turned toward each other, but not looking at each other. Both wearing dark frock coat with white shirts, no ties. One on left has a mustach. Both cheeks are inted pink. Man on right has his arm on armrest, and the other one on his knee. Varnish coating gives tintype a brownish colouring. Studio background looks like a fireplace.

Item is an unmounted studio portrait of a young girl in a dress sitting in a chair with a cap and tassle hanging off the left side. Her feet are crossed and her hands rest on her lap. Her head rests against the back of the chair. She is wearing a frilly blouse with a necktie under a coat with a skirt.

Item is an unmounted portrait of a man standing against a studio backdrop of a castle in the mountains with a lake and flowers in foreground. He right arm is held behind his back, the left one hangs at his side. His feet are apart, and he wears dark slippers with dark leotards. His shirt hangs down to mid-thigh, and is fringed around the bottom and at the sleeves. It has a pattern of leaves on it. He is blond, and his cheeks are tinted pink. He stands still with the aid of a body stand. Top and bottom left corners angled off.

Item is an unmounted studio portrait of a woman in a black dress standing against a plain background. She has a pin at her throat, and a white collar is visible under her black coat. Hair tied back with soft bangs is in keeping with the fashion of the 1880s. Her hands are held together in front, in black gloves. She is shown from the waist up.

Item is an unmounted studio portrait of a woman in a black dress standing against a plain background. She has a pin at her throat, and a white collar is visible under her black coat. Same woman as in 2008.001.1825 but now she is wearing a hat, with feathers, flowers and a bow. The hat is in keeping with the fashion of the 1880s. In this photograph is mostly head and shoulders.

Item is an unmounted group studio portrait of six children set agains a landscape background. Four children in front are seated,and two stand behind. Two seated on the same chair on the right appear to be toddlers. The two standing behind, one girl & one boy, are older than the rest. The girls wear dresses with big white lace collars, very fashionable in children's fashion from the 1870s. All four corners are angled off.

Item is an unmounted studio portrait of two men seated, with a flowered curtain behind them, and a plaid carpet at their feet. Both men have facial hair. Both are wearing hats, and are holding pipes - man on right holds it in his mouth, and on left in his hands. One on right has a bandaged finger on his left hand. Man on left has his legs crossed, and is holding something white in his right hand, pipe in his left. White sticker on back of tintype with the letter 'c' written on it.

Item is an unmounted studio portrait of a boy in a dark suit with hat. His arms are folded across his chest, and he looks away from the camera. He is seated, and his body is turned away from the camera. His legs are crossed. He sits on a chair made of branches, and the backdrop is of water and sails.

Item is an uunmounted studio portrait of three women. One is standing, one is perched on a stool, and one is sitting on the ground. All three have hats, two are wearing them, and one is holding it in her hands. All wear black dresses, two have purses. There's an umbrella leaning on stool. Cheeks are tinted pink. Given their clothing perhaps they are in mourning. All four corners are angled off.

Item is a brown card with black textured paper overlaid, and an oval photograph of a young black woman in a dress with lace sleeves and collar. On verso, in pencil "5.00".

Item is an unmounted studio portrait of a man seated, and a woman standing with her hand on his shoulder. The background is simple, no colour or decoration. Armrest of chair man sits in, is fringed.

Item is an unmounted studio portrait of two men sitting on the same wood bench, facing the camera. They look stiff and posed. Their arms rest on the armrest and on their laps. They both wear suit and tie, with only the top button done on the jacket. Their cheeks are tinted pink. The top and bottom left corners are angled off.Man on left with blond hair looks like the man in 2008.001.1833 - not sure if same person.

Item is an unmounted studio portrait of a man sitting with his right arm resting on the armrest. His left hand is onl his lap. He looks directly at the camera, he is centred in the image. No background. He wears a dark suit with jacket and vest, with a chain watch. He wears a white shirt and his tie is loosely knotted in style with the 1890s slipknot tie with the ends hanging. His hair is slick and parted.

Item has a cream card-frame embossed opening, with embossed letters "Potter's Patent March 7 1865." Which is how we dated the tintype. Photograph is a studio portrait of two women, both standing, side by side. Both women wear hats. One on left wears a dark shirtwaist, with a striped full skirt with hair tied neatly back and little bow at the neck. Woman on right has a dark dress, buttons down the front with a small white collar, in fashion in the 1860s. Her hair is shoulder lenght ringlets, also in fashion in the 1860s. Both have pink tinted cheeks.

Item has a pink card-frame with gold details around opening. Back of card-frame is pink with gold details with space to write name or photographer's name? Tintype is a portrait of a woman from waist up, wearing a hat, hair in ringlets, with a dress buttoned down the front, with a big white lace collar. Her head is turned away from the camera. Her cheeks are tinted pink. Image is slightly blurry due to movement during exposure. Faint studio backdrop is visible in background.

Item has a cream coloured card-frame with embossed vignetting around oval opening. Tintype is of a little girl sitting on a chair, her right arm resting on the chair's armrest. Her other hand is in her lap. She stares at the camera.She is wearing a plaid dress, with black detailing. Her hair is pulled back from her face. Her cheeks are tinted pink. Gem size?

Item is a cream card with photograph of two women standing in a door. One on left in checkered dress holds a treet branch in the middle of the door. On verso, detailed handwritten list in pencil of a journey (times) from Kingston to Ingersoll. At top right, "5.00".

Cream card-frame with red vignetting and details. Backing is pink cardboard that folds out, and looks like it is the page of an album. Tintype is a group portrait of seven young women, four sitting and three standing. All the women have white bow in their hair and white lace collars that date this photograph from the 1880s. Studio backdrop used, and you can see where it ends up top. Perhaps this is a class photograph, as they are similarly dressed. Or possibly housemaids?

Item has a cream card-frame with green details of ivy around square opening. Edges of card mount are rounded out, like bubbles. Tintype is a portrait of a man standing on a sidewalk outdoors. He wears a suit jacket, vest and tie with high white collar and fedora hat. There are people in the background, walking on the sidewalk, and what looks like a car parked beside him. You cannot make out any details in his face. He wears something on his lapel, maybe a handkerchief in his breast pocket. Image dated in the 1930s due to the popularity of the fedora in this decade.

Item has a yellow cardboard frame with tintype held in by three black photo corners. Handwritten in black ink on the yellow cardboards is "Mr and Mrs Neil Gardiner "Sister of Geo. Kimber." Tintype is a studio portrait of a couple, potentially Mr and Mrs Neil Gardiner. The man is sitting with arm on armrest, the other in his lap. The woman is standing beside him. He is wearing a suit jacket with vest and watch chain and bowler hat. She is wearing a coat, buttoned up and a hat with an ostrich feather. The tintype is rounded at the top and bottom edges. Both style hats suggest the image was taken in the 1880s.

Item is an unmounted portrait of two women seated side by side, with a studio backdrop of waterfalls (maybe Niagara Falls), with a steamboat in the water. Bird cage in upper left corner of image. The two women wear long dresses and big hats, with feathers. Their hands are folded in their laps and they look right at the camera. Left top and bottom corners angled off.

Item is an unmounted portrait of a man standing outside, one hand on his hip. He's wearing a white one piece undergarment, and shorts on top. He has a mustache. Maybe he is a performer. Left top and bottom corners angled off.

Item is a tintype, loose from mount. Cream card-frame with gold details and oval opening. Handwritten on back of card-frame "Probably the father of Uncle John Lonctot." Tintype is portrait of a man with beard and mustache. Hair is standing up on left side, like he has just removed a hat. He stares a camera. He wears a suit jacket and vest, no tie. White shirt underneath. Cheeks are tinted pink. All four corners are angled off.

Item is an unmounted, small tintype, not gem, but maybe cut smaller. Portrait of a little girl, sitting on a studio chair, left hand on armrest. She looks at camera. Hair is short and parted down the middle. She wears a polka dot dress. Very simple. Her cheeks are tinted pink.

Item is an unmounted, gem tintype. Portrait of a young girl holding her doll. Studio portrait with plant in background. Girl has long hair, with sailor dress.

Item is an unmounted portrait of a man sitting with his arm on a table. The whole background has been painted over with opaque paint, singling out the subject. He wears a suit jacket, vest, cravat and chain watch. He has facial hair. His cheeks are painted pink.

Item is an unmounted portrait of a woman standing against a doorway.She stands somewhat informally staring at the camera. She is wearing a dark dress with white collar, and a chain hanging down the front. She wears jet earrings.

Item is a brown coloured card, probably used to have an overmat. Photograph is of a woman, seated with a younger man standing behind her. On verso, in pencil, "A.S. HAMILL(?)" and "Mrs John E Cameron". A red stamp reads "7916". Image is quite blurred, and both sitter's eyes or eyebrows have been touched up with pencil.

Item is an unmounted, hand-coloured tintype of a man and woman, both sitting and looking directly at the camera. The woman wears a dress buttoned down the front, with a white lace collar. The man wears a dark suit, with jacket and tie.

Item is an unmounted portrait of a woman in dark dress with white collar. Brooch and ring painted on in gold. Cheeks painted pink. She is sitting and one hand rests on a table and the other in front of her, on her dress.

Item is an unmounted portrait of a man and woman, sitting side by side, woman's arm through the man's. She is holding a book on her lap. He has a hand inside his vest and one on his knee. Both are looking directly at camera. Both their cheeks are tinted pink. Brooche, rings and tie clips are painted in gold. Background is of a window and bookshelves.

Item is an unmounted portrait of a woman in a dark dress buttoned down the front, with what lace collar and a white bonnet and big bow. Her cheeks are tinted pink.

Item is an unmounted portrait of a man, in a suite with jacket, double breasted vest, bowtie and watch chain. His shirt has a white collar and is checked. His beard frames his face, with his chin and upperlip are bear.

Item is an unmounted studio group portrait of five men, three seated and two standing. All men are wearing suits with jackets, white shirts and ties. They all have mustaches and beards. Background of house and trees.

Item is a black hinged, with a cloth binding, case with tintype inside, held in with a brass mat and cover glass. Closes with a metal clasp. The inside cover is fitted with a cushion of red velvet paper. The image side is framed in red also. The tintype is a portrait of two little girls, one standing and the other sitting. Both look at the camera.

Item is a cased ambrotype, covered in paper, no front cover. Metal loop at the top suggests it was a frame as opposed to a case. Ambrotype held in with brass mat, cover glass and a soft brass preserver. Image is of a girl toddler, sitting on a chair, holding a basket. She wears a dress with black piping.

Item is a cased ambrotype, but front cover is gone leaving image side uncovered. Black case with metal clasp. Image side has brass mat, cover glass and sof brass preserver. Image is of a man with glasses seated and holding a child who is standing up on a chair. The child has one hand on the man's chest. The man has a beard. Both their cheeks are tinted pink.

Item is a cased tintype. Has a metal loop at side which suggests it's not a closed case, but more a frame. No front cover. Image has a brass mat, a cover glass and a soft brass preserver. Image is of three seated men leaning against a wall of a house, with wood siding. One on left wears a top hat and dark suit, with a long beard and mustach. The one in the middle has on a suit with jacket, vest and a chain watch and a hat. He has a cigarette in his mouth and a cane leaning against his legs. The one on the right wears a bowler hat, with suit jacket, vest and tie and holds a cane in his hands. He has a long mustach.

Item is a cream card with photograph attached to tissue. On pencil, on tissue, "Guttenbery/ Manchester." Photograph is a young man in suit and tie. On verso, grey ink "Guttenber/ Manchester/ No A622." In pencil, at top right, "3309 Kuld must Kant."

Item is a black hinged case with daguerreotype inside, held in with a brass mat, cover glass and soft brass preserver. Closes with a metal clasp, but binding is no longer holding both covers together. The inside cover has the image, and back cover has a decorated red (faded) velvet cloth cushion. The image is of a young woman in a dress and jewellery which has been painted gold.

Item is a daguerreotype framed in gold with a cover glass but no case. Image is of a woman holding a book, looking right at camera. She wears a dark dress with big white lace collar. Looks as though it has been removed from its case, but still in cover glass and brass preserver.

Item is a daguerreotype framed in brass matt, cover glass and brass preserver, but no case. Image is of a man with a mustache and a hat. He's wearing a dark suit with vest and silk tie tied in a bow. Looks as though the daguerreotype has been removed from its case.

Item is a daguerreotype framed in cover glass and brass preserver, but no case. Image is of a man and woman. Woman wears a white bonnet with bow tied under her chin. Man wears a suit with double breasted vest and bow tie. He has a can between his legs.

Item is a brown hinged with tape case with daguerreotype inside, held in with a brass mat, cover glass and brass preserver. Inside cover is a soft red velvet cushion with detail of a butterfly. Red cloth frames image side too. Image is of a young girl, staring at camera, in a polka dot dress with white lace collar. Her hair is in two braids. One arms rest across her stomach. Her cheeks are tinted pink.

Item is a loose daguerreotype in a frame with cover glass and brass matt, no case. Image is of a man and woman seated. Man wears a suit with vest and white shirt with black bowtie. The woman wears a dark dress with white bonnet and bow tied under her chin.

Item is a brown hinged case with daguerreotype inside, held in with a brass mat, cover glass and brass preserver. Opens with metal clasps. Inside cover is a soft red velvet cushion with detail of flowers. Red cloth frames image side too. Image is of a man looking directly at camera. He has long sideburns that come down to under his chin, and hair in a high wave off his forehead, similar to the hairstyles of the 1840s. His cheeks are tinted pink. He wears a checked suit with matching vest.

Item is a cased ambrotype, but front cover does not match back cover, not hinged, separated from each other. Front cover is brown with two metal clasps, and back cover is black case with one metal clasp. Inside front cover is a red velvet soft cushion with detail of a flower. Image side has brass mat, soft brass preserver but no cover glass, ambrotype is not protected. Image is of two young girls sitting side by side and holding hands. They look directly at the camera. Both wear dresses, one on left has a plaid one on, and girl on right has a polka dotted dress. Girl on right has long ringlets and has freckles. Girl on left has her hair up and parted down the middle. Both wear the same necklace with locket. Their cheeks are tinted pink.

Item is a hinged black case with ambrotype inside. However, hinge is now gone and both front and back covers are loose. Held close with two metal clasps. Inside front cover has a red velvet soft cushion with some leaf details. Gold details outside edges of black case. Brass matt and brass preserver around ambrotype, but no cover glass. Image is a portrait of a man facing camera. Beards grows along side and under chin, with hair long and parted on the side. Cheeks are tinted pink.

Item is a black cased ambrotype. Closes with one metal clasp. Inside cover has a gold velvet soft cushion. Image side has brass matt and brass preserver with cover glass. Brass matt inscription on recto "Ambrotype July 4 & 11 185-,". Ambrotype is an image of a man, seated, wears a dark suit with vest and checked bow tie. Has a beard that grows down sides of face to under chin. Cheeks tinted pink.

Item is a brown coloured card with overmat and photograph of a woman in a velvet dress seated on a bench in front of a window with a drawn blind. She wears a hat with sheer veil.

Item is a hinged union case (plastic case) with scroll design. Die Engraver is Frederick C. Key, Casemaker is S. Peck and Company who began manufacturing in 1852, as per example in Union Cases: A Collector's Guide to the art of America's First Plastics by Clifford and Michele Krainik p. 173. Inside cover has a brown velvet cushion. Image side has brass matt, cover glass and brass preserver over tintype. Image is of a little boy, right hand on armrest. Cheeks tinted pink.

Item is a hinged union case (plastic case) with design of "Night with Her Children, Sleep and Death" based on an engraving of Bertel Thorvaldsen's popular bas-relief. "The angel is a messenger holding dominion over Sleep and Death," p. 149 of same book mentioned in 2008.001.1870. Casemaker is S. Peck and Company which began manufacturing after 1852. Chosen case reflects sentiments of a newspaper clipping found inside case that reads :

"Died . Holmes - In Adeleide, on the 15th of February, 1878, of diptheria, Emma Margaret, aged 4 years, and Ellen Jane, on the 20th February, 1878, aged 10 years and 4 months, daughters of Mr. O.C. Holmes, of Adelaide. The grief-striken parents have the sympathy of their neighbors in their great bereavement."

Image is a tintype of a baby in long white gown, pink cheeks, being held by unidentified person, most likely the mother. Inside cover has a red velvet cushion which falls out when case is opened, to reveal hidden beneath it a piece of floral cloth as well as the newspaper clipping. Image is held in place with a cover glass, brass matt and brass preserver. Date for tintype based on daughters ages from newspaper clipping.

Item is a silver gelatin print that has been adhered to centre of a matt board. Matt board is grey. Image is a profile portrait of a bulldog. Inscription on verso "$15/4."

Silver gelatin print that has been adhered to the centre of a matt board. Matt board is grey. Image is a portrait of a bulldog, standing on all fours on a porch outside a house, door in background. Dog is facing camera but is turned slightly sideways, looking to its right. Inscription on verso "$15/4."

Silver gelatin print that has been adhered to centre of a matt board. Matt board is grey. Image is a profile portrait of a bulldog. Looks like dog has a studded collar on. Inscription on verso "$15/4."

Silver gelatin print that has been adhered to the centre of a matt board. Matt board is grey. Image is a portrait of a bulldog, standing on all fours on a step of a porch outside a house, door in background. Dog is facing camera but is turned slightly sideways, looking to its right. Inscription on verso "$15/4."

Item is a small silver gelatin portrait print. Yellow and brown in colour, image is of a young girl with long brown hair, tied up on the side with a barrette. Background is a studio setting with a pillar or column. Inscription on recto "Florence" handwritten in black ink, across bottom of image. Inscription on verso "Tel. Main .3877 A. E. Otis Photographer Open Sundays & Holidays 457-59 Fulton St., B'klyn" in red ink stamp.

Item is an albumen portrait adhered onto a calling card or visiting card made of cardboard. Card frame is cream coloured, and deckled. On left side is the small portrait of a woman, standing with her arms resting on the top of a chair made of rough wood. Set in a studio. Next to the image is the inscription (on recto) "Maude Rymal," in descriptive writing. It is assumed that the woman in the portrait is Maude Rymal and that this is her calling card.

CDV size card with albumen image. Image is the invention of Zadoc P. Dederick. Inscription on verso "Geo. O. Bedford's Park Gallery, 166 Broad St., Newark, N.J. Entered according to Act of Congress, in the year 1868, by Zadoc P. Dederick, in the clerk's office of the District Court for the district of New Jersey." Dederick invented The Steam Man and patented him in March of 1868. The Steam Man was a steam powered pair of legs rigidly attached on a horizontal swivel to the front of a carriage. Hence the carriage was able to be steered. The body of the Man is the boiler and the driving cylinder is mounted on the back. Seems like this CDV was used along with the patent (#75874).

Item is a marbled brown bi-fold card with oval overmat on photograph of a young woman wearing pearls and a gauzey wrap. At bottom righ ton mat, in brown letterpress, "Barrett Studio/ 327 YONGE ST./ TORONTO." On front left flap, art nouveau style design embossed in gold.

CDV size card with albumen image. Image is an illustration of a horse jockey - man is dressed in riding gear, with the whip. He wears a bowler hat.

Cyanotype image of a brick building, with the name of Carcill Planing Mill (A.D. 1904). Inscription handwritten in black ink on recto "Planing Mill." Image dated after 1904 because that is the date of the building. Town not identified. Cyanotypes often used as proofs, more commonly used after 1880s. Paper is very thin.

Cyanotype image of a house and store that are one shared building. Store has a white awning with the lettering "W.C. White" written on it. Inscription handwritten in black ink on recto "Opposition Store & Dwelling." Town not identified. Paper very thin. Dated 1904 because same handwriting on 2008.001.1881.

Cyanotype image of a church on a country road, with a child standing in driveway. Gate to church is closed. Inscription handwritten in black ink on recto "English Church." Paper is very thin. Dated 1904 because same handwriting as 2008.001.1881.

Cyanotype image of a church with its surrounding grounds. Looks like a swing set in background. Inscription handwritten in black ink on recto "Presbyterian Church." Paper very thin. Dated 1904 because same handwriting as 2008.001.1881.

Cyanotype image of a church and its grounds. Neighbouring houses in background. Power lines and poles are obvious in picture. Inscription handwritten in black ink on recto "Methodist Church." Paper very thin. Dated 1904 because same handwriting as 2008.001.1881.

Cyanotype image of a boat with the name Sunbeam. Boat is docked in a river, with a group of men (facing away from camera) out front, and another woman in the background. Boat is two levels, looks like there are people on top level. Wood cabins on opposite shore in background. Very thin paper.

Cyanotype image of a man feeding three chickens. Man wears a suit and hat. Inscription handwritten in pencil on verso "Breakfast time." Paper is very thin.

Cyanotype image of the interior of a house, with two women in the parlour. One woman is sitting at a table and another is standing by a cabinet. Table is set for tea. Paper is very thin.

Item is a cyanotype image featuring a portrait of a man dressed in the Canadian Navy uniform, on his hat is written H.M.C.S. He stands in what looks like the back yard or garden of a house. Paper is very thin.

Item is a cream coloured card with single fold and light grey design at top left - a diagonal with 2 squares. Inside, photograph of 2 women with hats and gloves on either side of a young man, soldier(?). Studio setting.

Item is a snapshot cyanotype image featuring a portrait of three men, two are standing and one is sitting, inside a library of a house or an office space. All three are turned to the camera, all are wearing suit jackets,vests and ties. The two men standing have beards.

Item consists of a black mat with five oval openings and a portrait in each. All five portraits are of the same young boy, in different hats, but same suit. The last image is one of him, with no hat. He wears a cowboy hat, a military cap or fez hat, a top hat and a boater hat. The black matt has flower details around each opening. On verso, sticker with "$3.50 sw."

Item consists of a black matt with five oval openings and a portrait in each. All five portraits are of the same woman, in different poses. In two of the portraits there is a parasol behind the woman, in one she is holding a top hat, in two others she is looking away from the camera. The black matt has flower details around each opening. On verso, sticker with "$3.50 sw." Same design as 2008.001.1891.

This glass lantern slide is representative of personas from Imperial Militaria Germany (1871-1918). It has four portraits of men, they have been identified as Pope Leo XIII (1878-1903), Frederick III (Emperor in 1888 for 99 days, successor to William I and predecessor of William II), Helmuth von Meltke the Elder (Chief of Staff of the Prussian Army from 1822-1888) and Otto von Bismarck (Chancellor from 1871-1890). In the portrait of Frederick III, he is wearing the Order of the Black Eagle, which means he was Emperor in this picture. Since Frederick III only ruled in 1888, and the other three were either still in power or just retiring, we have tentatively dated the piece for after 1888. This year refers to the Year of Three Emperors, because it was the year that William I died, the year Frederick III ruled and died, and that William II took over as Emperor. The images are in colour, potentially colour halftone process on a glass slide. Just one pane of glass, printed on verso.

Item is a piece of photographic jewelry, a pendant with makeshift loop at top for chain. Very detailed gold plated metal pendant with glass image in centre. Image is adhered beneath a rectangular piece of glass, brown colour. Image is a portrait of a man standing, in a top hat and suit and bow tie. The glass is adhered to the centre of the piece.

Item is potentially made of celluloid. It is a large photographic button, that had a stand like a frame. Image is a portrait of a man, with glasses and mustache, wearing a suit and tie. Image is brown/red hue, like sepia. Verso is metal, plated gold with the inscription "Columbia Medallion Studios Chicago." Unable to locate this studio, or find any information on it.

Magic lantern used to project this type of circular slide was of German design, and was available c.1850. Magic lantern slides were popular in the 1890s. This design was for domestic use, and the slide was illuminated by an oil lamp,and projected a circular image. The slides, often hand coloured, were often mounted six to a small disk. This one in particular has eight hand coloured images. It tells the story of the Apple Thief, the title is written on the slide in three languages, English, French (Le voleur de pommes) and German (Der Apfeldieb).

Magic lantern used to project this type of circular slide was of German design, and was available c.1850. Magic lantern slides were popular in the 1890s. This design was for domestic use, and the slide was illuminated by an oil lamp,and projected a circular image. The slides, often hand coloured, were often mounted six to a small disk. This one in particular has eight hand coloured images. It tells the story of Dick Whittington, and English folktale, the title is written on the slide in three languages, English, French and German (Gesetzlich Geschutzt). It is the story of a young man who makes his fortune in London, with his cat.

Magic lantern used to project this type of circular slide was of German design, and was available c.1850. Magic lantern slides were popular in the 1890s. This design was for domestic use, and the slide was illuminated by an oil lamp,and projected a circular image. The slides, often hand coloured, were often mounted six to a small disk. This one in particular has eight hand coloured images. It tells the story of the pied piper or the rat-catcher of Hameln, a town in Germany, who comes into a small village and leads the rats away, only to return when he receives no payment, to lead the children away. The title is written on the slide in three languages, English, French (Le preneur de rats de Hameln) and German (Der rattenfanger v. Hameln)

Item is a grey folded card card with embossed flower and vine motif. Inset light brown overmat on photograph of a young girl seated on the edge of a table.