Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 41 in the series. Black paper around glass edges. Heavily painted. Image is of a woman dancing in the middle of a group of people, all watching and clapping. Same Halloween dance as previous slide 2008.001.1328

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 43 in the series. Black paper around glass edges. Heavily painted. Image is of a woman and man talking while a crowd watches, at Halloween dance.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 40 in the series. Black paper around glass edges. Heavily painted. Image is of a three couples, one kissing in the road, one in a carriage, and one descending from a carriage. Near a mill wheel/ water wheel.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 44 in the series. Black paper around glass edges. Heavily painted. Image is of a man and woman speaking, flowers behind the woman.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 46 in the series. Black paper around glass edges. Heavily painted. Image is of the halloween dance from earlier slides, but a fight has broken out among the dancers.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 47 in the series. Black paper around glass edges. Heavily painted. Image is of five men standing outside, four looking at the fifth one. Looks like it is the two men from the fight in previous slide 2008.001.1333

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 48 in the series. Black paper around glass edges. Heavily painted. Image is of six men standing next to the machinery/engine from earlier slides.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 50 in the series. Black paper around glass edges. Heavily painted. Image is of a man standing in front of a big tree with no leaves, and a young boy laying on the ground with his head on a sheep's back.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 45 in the series. Black paper around glass edges. Heavily painted. Image is of a man and woman. They are next to a machine, possibly a grain grinder. The man looks to be turning a crank on the machine. The woman is sitting behind him, on a fence, with her arms around his shoulders.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 49 in the series. Black paper around glass edges. Heavily painted. Image is of a young boy kneeling and looking up to the sky, beside a tree with no leaves, beside him is a dog and a deer with antlers.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 51 in the series. Black paper around glass edges. Heavily painted. Image is of a man holding a young boy in his arms. The boy's eyes are closed and the man is looking up to the sky.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 53 in the series. Black paper around glass edges. Heavily painted. Image is of men and sheep, outside two barns.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 54 in the series. Black paper around glass edges. Not as heavily painted as the other slides. Some of the black & white image shows through, like it was never hand painted. Image is a scene of people in carriages, on horses, a barn, a ditch, some sheep.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 55 in the series. The number 99-90 is scratched into slide in BRC. Black paper around glass edges. Heavily painted. Image is of an older man with a younger woman, holding onto his arm. The man looks up at the sky.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 56 in the series. Black paper around glass edges. Heavily painted. Image is of two older men talking, one has his hand on the other's arm, and one is wearing a cowboy hat.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 57 in the series. Black paper around glass edges. Heavily painted. Image is of two men with what looks like fallen trees. Could be they have fallen on their house.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 59 in the series. Black paper around glass edges. Heavily painted. Image is of an outdoor barn scene, people in carriages and on horses, standing around looking at one man talking on a bridge. The group has their fists raised in the air.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 61 in the series. Black paper around glass edges. Heavily painted. Image is of an outdoor barn scene, people in carriages and on horses, standing around one man who is laying on the ground, his head resting in a woman's lap.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 62 in the series. The number 99-183 is scratched into slide, BRC. Black paper around glass edges. Heavily painted with pinks and blues. Image is of a landscape view of a canyon or pit.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 65 in the series. Black paper around glass edges. Heavily painted. Image is of a group of people, outside a barn, looking at one man standing on a bridge, their fists are raised in the air and they look angry. The man staning on the bridge is looking up at the sky, a young boy kneels on the bridge too with dead sheep around him.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 64 in the series. The number 99-14 is scratched into slide. Black paper around glass edges. Heavily painted. Image is of a landscape view of a field with sheep in it, and lots of sky with clouds.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 66 in the series. Black paper around glass edges. Heavily painted. Image is of a group of people outside a barn, some in horse drawn carriages, others are just standing, but all are looking very happy. One man standing on bridge, with both arms raised to the sky.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 67 in the series. Black paper around glass edges. Heavily painted. Image is of a couple embracing, man looks to be comforting the woman. Looks like there's paint on the sides of the image, like the colourist was testing his colours before painting slide.

Glass slide, handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 68 in the series. Black paper around glass edges. Heavily painted. Image is of a man standing in a field with a dog by his side, and sheep in the field behind him.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is numbered 11 in the series. Black paper around glass edges. Heavily painted. Image is of a man and woman standing together underneath an arbour, that seems to be covering machinery of some sort. Perhaps woodworking machines?

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is not numbered. Black paper around glass edges. Image is an outdoor scene, with barn, bridge, people, machinery and horses.

Lantern slide, glass slide. Handpainted over B&W slide. No wood frame. Black frame with gold letters "Edward Van Altena 71-79W. 45th St., N.Y.C." Slide is not numbered. Black paper around glass edges. Image is a man and woman sitting in a carriage, with another man smoking a pipe and looking at them. It's a close up, but you can see a house in the background.

Lantern slide, glass. No wood frame. Black paper covering all four edges. Black with gold lettering. Inscription " Manufacturing Optician, New York. Copyrighted Philadelphia. A.D. 1882." This is how date was decided. There's a red and white sticker on the glass with a number 2 written inside. The image is of a mummified head, with neck. Nothing else.

Glass slide. No frame. Black paper covering edges, but two pieces of glass held together with tape. Some parts of edges exposed glass. Sticker with number 15 on glass. Image is framed in an oval, and is of a young Indigenous woman in traditional dress.

Glass slide. No frame. Black paper covering edges. White frame around image. Handwritten in ink on verso "High St. looking W. from Knox Ho." and in print "T.J. Walls, Optician, 12 Forrest Rd, Edinr." - T.J. Walls still exists today as an optician at 35 Forrest Rd, Edinr. Image is a street scene with clock tower, and another spire in distance. The title refers to the Knox house, one of Edinburgh's oldest houses and was supposedly once the home of Protestant Reformer John Knox. Dominating the skyline are the spires of the Tron Kirk and the High Kirk of St Giles where Knox preached his famous sermons.

Black box containing 99 35mm slides, originally sold with 100 -1 missing. Various geographic subjects. A handwritten table inside the box gives the locations, but the slides are out of order.

Item is a white card with black letterpress at bottom edge, "AYERS/ YARMOUTH". Photograph is a portrait of a woman and child in front of a painted landscape backdrop. The woman holds an umbrella and stands behind a wooden fence while her son leans against the fence from the front side. He wears a velvet suit with knee-high striped stockings. On verso, at centre in black letterpress, "THOMAS AYERS/ PHOTOGRAPHIC STUDIO/ 3, Clarence Place Regent Rd/ YARMOUTH." Handwritten in black ink across the verso, "Mother & Ernie 1872/ viewed it in America/ on the 3rd of Oct./ 1872/ While I stray from/ home in life's rough/ way Oh teach me from/ my heart to say".

Item is a cream coloured carte-de-visite featuring a full-length portrait of a man and woman, seated in front of a studio backdrop with window frame and painted scene including trees and an acquaduct. Woman wears a dress belted at the waist with a ribbon in her hair. Man wears a suit and tie and thick beard. On verso, stamped in blue ink, "Wills & Bryant,/ PHOTOGRAPHERS,/ WOODSTOCK,/ ONTARIO."

Item is a cream coloured carte-de-visite featuruing a full length portrait of two young girls, the youngest seated on a high chair wearing a flared dress of light fabric with embroidered patterns around skirt and at centre on chest. Her older sister wears a dress with similar embroidery around the bottom of the skirt.

Item is a cream coloured card featuring a vignetted portrait of a man with a thick beard and balding, wearing a sack coat and shirtwaist with high collar and thin, dark tie. On verso, photographer's stamp in black ink, diagonally, "New Dominion Fine Art Gallery./ F. G. LEWIS,/ West Side of Thames Street, Ingersoll, Ontario./ NEGATIVES PRESERVED."

Item is a cream coloured card with vignetted portrait of a woman with her curled hair tied back in a bow on top of her head. She wears a light dress with darker stripes around the shoulders and lace collar with cameo. On verso, elaborate purple stamp with cherub and flowers and the text "S. PARK,/ ARTIST,/ BRANTFORD, Ont./ All Negatives for Photographs/ preserved - ready at any time/ for additional copies, by/ mail or otherwise."

Item is a cream coloured card with brown letterpress at bottom edge, "P. Doebereiner/ Caledonia". Photograph is a portrait of a woman (standing) with man in centre, seated and a young boy seated on a wicker chair on the left. The man wears a checker patterned vest. On verso, photographer's stamp with floral border and two cherubs holding up the text "P. DOEBEREINER/ Photographer/ CALEDONIA/ Ont." At the bottom edge, "Copies may be had at any time."

Photograph of a man in uniform mounted flush on a cardboard backing. On verso, handwritten in pencil, "065758/ With R-?/ 4x6/ Easel Reft(?)/ 210".

Item is a cream coloured card with photograph mounted on the diagonal to create a diamond-shaped presentation. Photograph is a vignetted portrait of a young man with starched collar pressed back into "wings" and wearing a double-breasted wool coat with a floral boutonniere. On verso, handwritten in black ink, "April 19" 1895/ WmJ."

Item is a beige card with full length portrait of a black woman in dress with hoop skirt, dark embroidery down the bust areat with button details, and a belted waist. She wears a small bonnet on the back of her head. Photograph taken in studio setting with drapery and small side table. She rests her hand on a book on the table. On verso, photographer's stamp with the letters "R" and two "h"s intertwined followed by the text "HUGH H. RITCHIE/ PHOTOGRAPHER/ 146 PRINCES STREET/ OPPOSITE THE LOTHIAN ROAD/ EDINBURGH".

Item is a beige card with full length portrait of a man in highland dress in a studio setting with column at the left. On verso, geometric interlace border with text at the centre, "Wm REEVIE,/ PHOTOGRAPHER,/ BALLATER./ More of this can be had at any/ time on sending name." Above text, a royal crest with phrase from the Order of the Garter, "Honi Soit Qui Mal Y Pense".

Item is a white card with black letterpress at bottom edge, "BEVAN,/ LOWESTOFT." Photograph is of a man dressed in long, double breasted coat holding a quill in his hand and leaning on a writing desk. Studio backdrop features a column with view to conservatory at right. On verso, photographer's stamp in the design of an artist's palette with brushes contains the text "H.W. BEVAN,/ PORTRAIT PAINTER/ AND PHOTOGRAPHER,/ LOWESTOFT."

Item is a pink card with photograph of a woman in striped blouse and white scarf. The image has an oval shape, visible at the corners of the photograph, but the photograph has been cropped in. It was probably meant for a larger, possibly cabinet card mount, but the woman's style of dress is still close in date to the mount style, about mid-1880s.

Item is a cream coloured cabinet card with gold letterpress at bottom edge, "Dixon/ Cor. King & Yonge Sts./ TORONTO." Photograph is a full length portrait of three children, with the youngest wearing a velvet coat, tartan skirt and matching socks and seated on a bannister on the left. A girl is seated in a rustic tree branch chair on the right. The boy in the centre wears a sack coat with only the top button fastened. On verso, a lithographed design in gold with the text "ELECTRIC LIGHT PHOTO GALLERY." followed by the image of the front and back of a medal for the Industrial Exhibition Association of Toronto Opened Setp 5th 1879. Beneath that, "Highest Award at Toronto, Kingston and Hamilton./ S. J. Dixon,/ MEMBER OF THE/ Photographers'. Association. of. America./ All Photos made with the New Process./ NO CHANGE OF EXPRESSION./ The Exposure is but One Second./ GALLERY,/ Cor. King and Yonge Sts./ TORONTO./ Not Connected with any other Gallery of the/ Same Name."

Item consists of a photograph printed with a large white border, mounted flush with a post card backing. Photograph depicts a woman seated sideways on a stool, with her hands on her knees. She wears a white blouse, checkered skirt and thick black leather watch. There is a piece of a mantel with flowers and leaves on the painted backdrop. On verso, the words "POST CARD" are printed sideways with a dividing line for address and correspondence. A small design at upper right indicates where to place postage.

Item is a photograph of a boy approximately 10 years old wearing a suit jacket, short tie pinned to a plain white shirt and shorts. He sits on the edge of a table. The photo is mounted on a postcard backing with the text "POST CARD" and a line delineating space for "CORRESPONDENCE" on the left and "ADDRESS ONLY" on the right. At the far left, printed sideways, "Hall & Siggers, Keighley." Handwritten in brown ink across the postcard, "December 31/ 1916/ To Cousin Annie & Maurice/ With Love & Best Wishes/ for/ The New Year".

Item consists of a photograph of a man in suit and tie, possibly a velvet jacket with striped pant. He is seated on the edge of a desk, with a studio backdrop of trees behind him. The photo is mounted on a postcard backing with the text "POST CARD" and a line delineating space for correspondence and address. At the upper right, a diamond design with the word "DEFENDER" printed twice designates the space for the stamp. At the very bottom, "Printed in U.S.A."

Item consists of a photograph of two young men in front of a studio backdrop. The boy on the left sits in a wooden chair and wears a pinstriped suit of a light colour. The boy on the right is perched on the arm of the chair and leans over with an arm around the other boy. He wears a plain dark suit with striped tie. The photo is mounted on a postcard backing with the text "POST CARD" and a line delineating space for correspondence and address. At the far right, printed sideways, "Riley Bros, Cresshills."

Photograph of two girls in light coloured blouses with wide collars. The girl on the left has her hair pulled back with a large ribbon. The photograph is mounted flush with a postcard backing. On verso, the text "POST CARD" is followed by a line delineating space for "CORREPSONDENCE" on the right and "ADDRESS ONLY" on the left. At the far right, printed sideways, "Hall & Siggers, Keighley".

Item consists of a photograph of a woman in a very plain wide-collared blouse with large buttons up the front. The image is vignetted against a dark background. The photograph is mounted flush with a postcard backing. On verso, the text "POST CARD" is followed by a line delineating space for "CORREPSONDENCE" on the right and "ADDRESS ONLY" on the left.

Item consists of a photograph of a man, from the side, wearing a dark jacket, white dress shirt and white tie. The round photograph is set inside a square mount with scalloped edges and embossed vine motifs. On verso, in red letterpress, " 'AUREOLE' CARDS/ PATENT APPLIED FOR".

Item is a grey card with embossed oval border around a photograph of a black woman with white polka dotted blouse and tartan scarf. On verso, handwritten in pencil at the top right, "7.00".

Item is a light grey card with photograph of a man holding a piece of paper(?) and standing outdoors. Image is vignetted and trees are blurred in background. Man has a suit jacket and starched white collar, and white mutton chops.

Item is a white card with full length portrait of a old man in long loose coat, unbuttoned and wearing a top hat. He holds a small bag in his hands and stands against a plain background.

Item is a beige cabinet card with embossed lettering at bottom edge, "Brigham SCARBOROUGH". Photograph is a full length portrait of a young girl standing on a table in front of a stone wall (painted). The giel wears a frilly dress and bonnet and holds a small wooden shovel or scoop. On verso, elaborate border design resembling lace lithographed in a brown ink and at the centre, the text "W D Brigham/ 20, ESPLANADE/ SCABOROUGH". In small print a tthe bottom, "COPYRIGHT Marion, Imp Paris".

Item is a white card with full length portrait photograph of a woman in a long black dress with high collar and skirt train. She stands behind an upholstered chair, holding a book loose in her right hand. The backdrop is a painted scene with large window. On verso, lithographed in gold, "P. DOEBEREINER/ Photographer." A design with a cornucopia surrounded by an artist's palette and brushes, a camera and a scroll with the image of two people is at the centre. Drawings of cartes de visites fall out of the upturned cornucopia. At the bottom, also lithographed in cold, "CALEDONIA/ ONTARIO." At the top right corner, there is the faint impression of lettering reading "L Fox"?

Item is a cream coloured card with portrait of boy leaning against a book on top of a table. He holds a stick in his right hand and a hat in his left, and wears a sack jacket and waistcoat and his short hair parted in the middle. On verso, and red lithographed photographer's stamp on a green background. "W. H. MIDWINTER,/ Artist and/ Photographer/ 24, College Green,/ BRISTOL./ Copies may be had any time." At the top right, printed sideways in pencil, "4".

Item is a pale yellow cabinet card with portrait of a woman in a flower patterened coat and high collar, gloves and feathered hat, leaning against a stone wall with potted plants. On verso, the motto and arms for the city of Aberdeen (showing three castles, two leapords and the motto "Bon Accord") followed by the photographer's stamp in black, "ARTIST/ &/ PHOTOGRAPHER/ W. Carey,/ 35 & 37 BACK WYND,/ ABERDEEN./ Pictures of every description,/ Copied, enlarged and finished in Oil,/ Water, or Crayon./ George Mason & Co."

Item is a white carte de visite with photograph of a young girl in dres with short lace sleeves and a dark sash around the waist. She is seated on fur. At the bottom of the card, in black letterpress, "Grimmett, INSTANTANEOUS PORTRAIT/ PARSONS ST BANBURY." On verso, a form is laid out sideways on the card. "IN ORDERING COPIES IS NOT NECESSARY/ TO SEND THIS PHOTOGRAPH SIMPLY QUOTE/ THIS NO". In black ink, no is given as "1136". "GRIMMETT,/ Art Photographer/ ALL PORTRAITS TAKEN BY AN INSTANTAEOUS PROCESS/ Parsons Street,/ Banbury./ THE NEGATIVE OF THIS PORTRAIT WILL BE PRESERVED SO THAT COPIES MAY BE HAD AT ANY TIME IT CAN BE ENLARGED OR/ REDUCED AND FINISHED IN OIL OR WATER COLOURS".

Item is a carte de visite portrait of a seated man.

Item is a black card with gold embossed lettering at the bottom of the card reading "Squiers./ 9 Frances RD/ EDGBASTON." The photograph is a vignetted portrait of a man with a thick mustache with his eyes scrunched up in a laugh.

Item is a light pink card with gold edging and a portrait of a young woman outdoors, in front of trees and a river?, wearing a wide puffed sleeved dress with large lace front, a flat hat and holding an umbrella. On verso, handwritten in pencil, "3-".

Item consists of a grey card with oval photograph of a woman with a light coloured dress with dark vertical stripes and a frilled collar. The photograph is bordered by embossed floral design. At the base of the card, embossed in black ink, "LAMSON/ STUDIO." in a decorative border, and next to that mark, "F. C. Dando./ 313 1/2 S. SPRING ST./ L. A. CAL." On verso, handwritten in pencil, "4-".

Item is a grey card with thin red border and the portrait of a man seated in a wooden, upholstered chair holding a cane. He wears a double-breasted jacket and light, probably woolen trousers. His long beard has been partially inked in. On verso, photographer's stamp printed sideways, "GEO. C. NUTTER,/ PHOTOGRAPHER,/ Nathan Jones' Building,/ Belleville./ Copies can be had at any time." At the top, handwritten in pencil, "$15-".

Item is a cream coloured card with gold border and a portrait of a child in tartan dress seated on a rocking horse and holding a whip. At the base of the horse, a hat with feathers is sitting on the floor. On verso, handwritten in pencil, "Wemyss Chisholm" followed by the text in pen, "1864-1954". At the centre of the card, a photographers stamp in brown ink, "J. H. GRIFFITHS,/ PHOTOGRAPHER,/ London, C. W./ Copies may be had."

Item is a light grey cabinet card with full length portrait of a young boy, about 5 or 6 years old, wearing a frilled white dress shirt and dark shorts with dark knee socks. He has curls down to his shoulders in the Fauntleroy fashion. He leans against a diamond-patterened fence made of tree branches and there is the trunk of a tree to the left of the image. Fence is in front of an interior wall, implying a studio setting. At bottom of card in black letterpress, "P. BOGRAND, Wausakee, Wis." On verso, handwritten in pencil, "5-".

Item is a cream coloured cabinet card with portrait of a young boy, about 5 or 6 years old, seated on the edge of an upholstered chair holding a hat in his left hand. He wears a polka dot blouse and large polka dot ascot with short, probably velvet, pants. At the bottom of the card, embossed in gold, on the left "HERBERT E. SIMPSON/ PHOTOGRAPHER/ 143 COLLEGE STREET/ TORONTO." At the bottom centre, a coat of arms is also embossed, with a lion and unicorn and the motto, "DIEU ET MON DROIT", a variant design on the British Royal Coat of Arms. On the right, also embossed in gold, "SUCCESSOR TO/ LATE/ NOTMAN & FRASER./ COPIES OF THEIR NEGATIVES".

Photograph of a family group with husband in naval uniform and child seated between the husband and wife wearing the husband's hat, which reads "HMS TIGER". Behind them, a painted landscape scene. Embossed at the lower right corner, "M. Johnson/ TEDDINGTON". The photograph is mounted flush with a postcard backing. On verso, the text "POST CARD/ BR1778 MADE" is followed by the text "CORREPSONDENCE" on the leftt and "ADDRESS ONLY" on the right. There is a square printed on the upper right with the numbers "23533". Handwritten sideways in pencil, "1920/ Fred Heley/ Wife & Son".

Item consists of a square photograph with a round image mounted on a grey card with scalloped edges. The photograph shows a baby in carriage outdoors with a fence and houses in the background. On verso, handwritten in pencil, "Jessie". There is a sticker at the lower right with the text in ink, "$2.50/ SW".

Item is a dark brown cabinet card with gold letterpress at the bottom reading "Smith/ Galt". Photograph shows two children in dark dresses with pleating down the front seated on hay with palm fronds in the background and holding a picture book open on their laps. On verso, at bottom right, a sticker with the handwritten ink "$4.00/ SW".

Item is a pink cabinet card with photograph of a young girl in bonnet holding a doll. At the bottom of the card, in black letterpress, "W. W. Bennett, - Photographer./ THESSALON, ALGOMA." On verso, handwritten in ink, "Effie's picture".

Item is a pink cabinet card with photograph of three children in studio with fur covered chair and fur rug on the floor. The boy on the right wears a corduroy suit and leans against a table with his hand on an album. The girl in the centre has her arms crossed. The boy on the left is seated on the fur with portraits placed next to him and at his feet. At the bottom of the card, in black letterpress, "W. W. Bennett, - Photographer./ THESSALON, ALGOMA." On verso, handwritten in ink, "Rosa Ashton & Cecil".

Item is a photographic postcard of a young girl about 1 year old seated on a child-size wicker chair holding a ball. On verso, handwritten in ink sideways, "Jean Fixter/ Christmas/ 1927/ Born September/ 1926".

Item is a white card with full length portrait of a boy with curls and a suit with frilled dress shirt in Fauntleroy style. A fur pelt is on the ground at the right and the boy holds a gun. At the bottom edge in gold letterpress, "Lind/ MARINETTE,/ WIS." At the centre of the text, a design with shield, a ship and the text "SEMPER FIDELIS". On verso at bottom right edge, handwritten in pencil, "10-".

Item is a cream card with gold letterpress at the bottom edge reading "Barraud Bros. BARRIE, ONT." Photograph is a full length portrait of a girl holding a puruse and standing in front of a scenic backdrop showing a river and trees. The edge of a canoe is visible on the left and a pile of hay and dried leaves on the right.

Item is a cream card with think brown border and foliate motifs, and the text in brown letterpress at the bottom edge, "Palace Railway Art Car." Inset is an oval portrait of a woman in a polka dot blouse and white tie. On verso, handwritten in pencil upside down, Thomas Name/ 2-24/ max".

Item is a green card with gold border and full length portrait of a young boy (about 5 years old) leaning against a wooden fence holding a walking stick. He wears a sailor style suit with rope necklace and a dark hat with ribbon sits at his feet. Painted landscape with trees behind him. On verso, elaborate gold lithographed design with oval pearl and ribbon border and the text "W. H. GOUGH/ Artist/ & PHOTOGRAPHER,/ 7, SWANSWEEL ST./ COVENTRY./ ALL NEGATIVES KEPT/ COPIES CAN ALWAYS BE OBTAINED THIS OR ANY/ OTHER PORTRAIT CAN BE ENLARGED & FINISHED/ IN OIL OR WATER COLORS." Handwritten at the upper left corner in ink, "24/ Aug 1885".

Item is a green card with gold letterpress at bottom edge, "F. C. D. Hure SHEPTON MALLET." Photograph is a portrait of an old woman in a white bonnet with long side panels seated by a table with a vase of flowers. She wears a fitted blouse buttoned up the front and a wool skirt. On verso, also in gold and printed sideways on the card, "F. C. D. Hure/ Artist,/ Portrait & Landscape Photographer./ 10, COWL STREET, SHEPTON MALLET." At top left "COPIES MAY BE/ HAD AT A REDUCED/ PRICE." And at top right, "BY SENDING/ NAME, DESCRIPTION,/ AND DATE WHEN/ TAKEN." Handwritten in pencil at the top of the card, "L-5.00"

Item is a cream card with gold letterpress at bottom edge "NOTMAN & FRASER TORONTO ONT". Photograph is a portrait of a man with a thick beard seated in an upholstered chair holding a piece of paper on his knee. On verso, photographer's stamp lithographed in gold, "W. NOTMAN" with the Royal Crest at the centre and a ribbon wrapping that which reads "PHOTOGRAPHER TO/ HER MAJESTY" followed by the locations of studios in "MONTREAL/ OTTAWA/ &/ TORONTO". At four corners of the design are images of medals, which read clockwise from top left, "LONDON" "1862/ LONDINE/ HONORIS/ CAUSA/ 1862" "1867" and "NAPOLEON III EMPEROR/ PARIS". Handwritten in black ink across top, "J Akin Esq./ Montreal" and at the bottom of card "Recd Nov 22nd 1869."

Item is a white card with raised oval photograph of a man with a thick beard seated profile. On verso, photographer's stamp lithographed in gold, "W. NOTMAN" with the Royal Crest at the centre and a ribbon wrapping that which reads "PHOTOGRAPHER TO/ HER MAJESTY" followed by the locations of studios in "MONTREAL/ OTTAWA/ TORONTO/ & HALIFAX". At four corners of the design are images of medals, which read clockwise from top left, "LONDON" "1862/ LONDINE/ HONORIS/ CAUSA/ 1862" "1867" and "NAPOLEON III EMPEROR/ PARIS".

Item is a white card with raised oval photograph of a man with a thick beard. On verso, photographer's stamp lithographed in gold, "W. NOTMAN" with the Royal Crest at the centre and a ribbon wrapping that which reads "PHOTOGRAPHER TO/ HER MAJESTY" followed by the locations of studios in "MONTREAL/ OTTAWA/ TORONTO/ &/ HALIFAX". At four corners of the design are images of medals, which read clockwise from top left, "LONDON" "1862/ LONDINE/ HONORIS/ CAUSA/ 1862" "1867" and "NAPOLEON III EMPEROR/ PARIS". Handwritten in black ink at bottom, "Taken 2/72". Handwritten very lightly at the top of the card, "70710".

Item is a white card with raised oval photograph of a man with a thick beard seated profile. He wears a thick fur hat and fur suit coat. On verso, photographer's stamp lithographed in gold, "W. NOTMAN" with the Royal Crest at the centre and a ribbon wrapping that which reads "PHOTOGRAPHER TO/ HER MAJESTY" followed by the locations of studios in "MONTREAL/ OTTAWA/ TORONTO/ & HALIFAX". At four corners of the design are images of medals, which read clockwise from top left, "LONDON" "1862/ LONDINE/ HONORIS/ CAUSA/ 1862" "1867" and "NAPOLEON III EMPEROR/ PARIS". Handwritten lightly at top edge, "70147".

Item is a white card with raised oval photograph of a woman with an embroidered jacket and her hair pulled back in braids. On the bottom of the card, in gold letterpress, "WILLIAM NOTMAN PHOTO". On verso, photographer's stamp lithographed in gold, "W. NOTMAN" with the Royal Crest at the centre and a ribbon wrapping that which reads "PHOTOGRAPHER TO/ HER MAJESTY" followed by the location of studio in "MONTREAL". At four corners of the design are images of medals, which read clockwise from top left, "LONDON" "1862/ LONDINE/ HONORIS/ CAUSA/ 1862" "1867" and "NAPOLEON III EMPEROR/ PARIS". Below the design, also in gold, "Branches at/ Toronto and Halifax." Handwritten lightly at top edge, "77159".

Item is a white card with raised oval photograph of a woman with a lace collar. On verso, photographer's stamp lithographed in gold, "W. NOTMAN" with the Royal Crest at the centre and a ribbon wrapping that which reads "PHOTOGRAPHER TO/ HER MAJESTY" followed by the locations of studios in "MONTREAL/ OTTAWA/ TORONTO/ &/ HALIFAX". At four corners of the design are images of medals, which read clockwise from top left, "LONDON" "1862/ LONDINE/ HONORIS/ CAUSA/ 1862" "1867" and "NAPOLEON III EMPEROR/ PARIS". Handwritten lightly at top edge, "71127".

Item is a white card with raised oval photograph of a woman with a lace collar and a dark ribbon tied around her neck. On verso, photographer's stamp lithographed in gold, "W. NOTMAN" with the Royal Crest at the centre and a ribbon wrapping that which reads "PHOTOGRAPHER TO/ HER MAJESTY" followed by the locations of studios in "MONTREAL/ OTTAWA/ TORONTO/ &/ HALIFAX". At four corners of the design are images of medals, which read clockwise from top left, "LONDON" "1862/ LONDINE/ HONORIS/ CAUSA/ 1862" "1867" and "NAPOLEON III EMPEROR/ PARIS". Handwritten lightly at top edge, "70782".

Item is a beige cabinet card with black letterpress at bottom edge, "Turner & Drinkwater/ 8, Regents Terrace/ Hull." Photograph is a portrait of a man leaning against a chair with his right hand in his pocket. He wears a checked suitjacket and matching waistcoat with plain trousers. There is a thin piece of glassine tissue attached at the top of the card that folds over the front of the card. The tissue has a design lithographed on it with the heraldic badge of the Prince of Wales above the text "TURNER & DRINKWATER/ THE STUDIO ROYAL, HULL./ NO. 8/ REGENT'S TERRACE." On verso, black text printed sideways, "Photographers to Their Royal Highnesses/ The Prince & Princess of Wales,/ Duke of Edinburgh and/ Duke of Cambridge". Handwritten in pencil at the lower left corner, "43825".

Item is a green cabinet card with gold box at bottom edge of card and the text, "Perkins/ 293 YONGE STREET/ TORONTO." Photograph shows a man and woman standing next to a tall, thin table. The woman holds a card in her right hand. The mean wears a dark coat and waist coat with pinstriped trousers. The woman wears a plain dress with fabric gathered over the bustle in the back.

Item is a white cabinet card with gold letterpress at bottom edge, "The Dominion TORONTO." Photograph shows an old woman seated in an upholstered chair with a book in her lap. Her dress has an elaborate ruffled front. On verso, a gold ribboned border surrounds the text "THE/ DOMINION/ Photo Studio,/ 388 Queen St. West./ 6 DOORS WEST OF BROCK. TORONTO./ Duplicates can be had at any time by sending/ name in full." Near the top of the design, a graphic with a caged bird. Handwritten in ink to the left of the bird, "Aunt Jennie/ Mrs. Rowat".

Item is a brown cabinet card with gold letterpress at bottom edge, "Dixon/ COR. KING & YONGE STS./ Toronto." Photograph shows a man standing next to a small statue of a horse and rider, the rider holds a fox or small animal upside down while two dogs at the horse's feet jump up at it. On verso, also in gold letterpress, "ELECTRIC LIGHT PHOTO GALLERIES" followed by a design with front and back of a medal by the Industrial Exhibition Association of Toronto. Text continues "Highest Award at Toronto, Kingston and Hamilton/ S. J. Dixon/ Member of the Photographer's Association of America/ ALL PHOTOS MADE WITH THE NEW PROCESS/ No Change of Expression. The Exposure is but One/ Second./ STUDIOS/ CORNER/ KING AND YONGE STREETS AND CORNER/ YONGE & TEMPERANCE STS./ TORONTO".

Managed by William Hebb until 1876, when Oliver M. Hill took over the position.grey card which fades from light to dark from left to right, with round portrait of a woman with a ruffle-collared dress. At bottom right, embossed in white on a diagonal, "F. W. Wood Ltd. 347 & 349 EDGEWARE RD. ,W./ 8, 22 BISHOPS RD., W." On verso, handwritten in pencil, "112330".

Item is a white cabinet card with grey letterpress at bottom edge, "J. F. BRYCE 107 KING STREET WEST, TORONTO". Photograph is a full length portrait of a man and woman standing in in front of a painted nature scene with birch tree. The woman holds an unopened parasol and her hat rests on a rock between them. The man holds his hat behind him.