Item is a cream coloured card with gold border and full-length portrait of three children, the youngest seated in a high chair in the middle, standing in front of a painted landscape backdrop. They stand on a patterened floor. On verso, small circular stamp with the text, "ISAAC HORNING,/ ARTIST,/ Talbot Street,/ SIMCOE,/ C. W." At top right, handwritten in pencil, "566".

Item is a cream coloured cabinet card with gold letterpress at bottom edge, "Dixon/ Cor. King & Yonge Sts./ TORONTO." Photograph is a full length portrait of three children, with the youngest wearing a velvet coat, tartan skirt and matching socks and seated on a bannister on the left. A girl is seated in a rustic tree branch chair on the right. The boy in the centre wears a sack coat with only the top button fastened. On verso, a lithographed design in gold with the text "ELECTRIC LIGHT PHOTO GALLERY." followed by the image of the front and back of a medal for the Industrial Exhibition Association of Toronto Opened Setp 5th 1879. Beneath that, "Highest Award at Toronto, Kingston and Hamilton./ S. J. Dixon,/ MEMBER OF THE/ Photographers'. Association. of. America./ All Photos made with the New Process./ NO CHANGE OF EXPRESSION./ The Exposure is but One Second./ GALLERY,/ Cor. King and Yonge Sts./ TORONTO./ Not Connected with any other Gallery of the/ Same Name."

Item is a white card with black letterpress at bottom edge, "BEVAN,/ LOWESTOFT." Photograph is of a man dressed in long, double breasted coat holding a quill in his hand and leaning on a writing desk. Studio backdrop features a column with view to conservatory at right. On verso, photographer's stamp in the design of an artist's palette with brushes contains the text "H.W. BEVAN,/ PORTRAIT PAINTER/ AND PHOTOGRAPHER,/ LOWESTOFT."

Item is a grey card with embossed oval border around a photograph of a black woman with white polka dotted blouse and tartan scarf. On verso, handwritten in pencil at the top right, "7.00".

Item is a white card with full length portrait of a old man in long loose coat, unbuttoned and wearing a top hat. He holds a small bag in his hands and stands against a plain background.

Item is a light grey card with photograph of a man holding a piece of paper(?) and standing outdoors. Image is vignetted and trees are blurred in background. Man has a suit jacket and starched white collar, and white mutton chops.

Item is a white card with full length portrait photograph of a woman in a long black dress with high collar and skirt train. She stands behind an upholstered chair, holding a book loose in her right hand. The backdrop is a painted scene with large window. On verso, lithographed in gold, "P. DOEBEREINER/ Photographer." A design with a cornucopia surrounded by an artist's palette and brushes, a camera and a scroll with the image of two people is at the centre. Drawings of cartes de visites fall out of the upturned cornucopia. At the bottom, also lithographed in cold, "CALEDONIA/ ONTARIO." At the top right corner, there is the faint impression of lettering reading "L Fox"?

Item is a pale yellow cabinet card with portrait of a woman in a flower patterened coat and high collar, gloves and feathered hat, leaning against a stone wall with potted plants. On verso, the motto and arms for the city of Aberdeen (showing three castles, two leapords and the motto "Bon Accord") followed by the photographer's stamp in black, "ARTIST/ &/ PHOTOGRAPHER/ W. Carey,/ 35 & 37 BACK WYND,/ ABERDEEN./ Pictures of every description,/ Copied, enlarged and finished in Oil,/ Water, or Crayon./ George Mason & Co."

Item is a cream coloured card with vignetted portrait of a young man with a plaid tie. At bottom edge, in blue letterpress, "Williams & Williams PHOTOGRAPHERS." On verso, elaborate lithographed design with woman standing on a globe holding an upside down cornucopia out of which spill circular portraits. The photographer's stamp gives 7 locations in the UK. "Williams & Williams" "67, THE TRIANGLE, BRISTOL/ 53, QUEEN STREET, CARDIFF/ ARCADE STUDIO NEWPORT/ 208a HIGH STREET, SWANSEA/ 90 TAFF ST, PONTYPRIDD/ 56 ELGIN STREET, HEREFORD/ 48 HIGH STREET, SHREWSBURY." At the bottom left, printed "No." and handwritten in pencil beside that, "33023". Text follows, "NEGATIVES ARE/ PRESERVED COPIES/ OR ENGLARGEMENTS CAN/ BE MADE FROM THIS OR ANY/ OTHER PHOTOGRAPH." Also written in pencil at the very bottom, "Dudjer(?)".

Item is a beige cabinet card with embossed lettering at bottom edge, "Brigham SCARBOROUGH". Photograph is a full length portrait of a young girl standing on a table in front of a stone wall (painted). The giel wears a frilly dress and bonnet and holds a small wooden shovel or scoop. On verso, elaborate border design resembling lace lithographed in a brown ink and at the centre, the text "W D Brigham/ 20, ESPLANADE/ SCABOROUGH". In small print a tthe bottom, "COPYRIGHT Marion, Imp Paris".

Item is a cream coloured card with portrait of boy leaning against a book on top of a table. He holds a stick in his right hand and a hat in his left, and wears a sack jacket and waistcoat and his short hair parted in the middle. On verso, and red lithographed photographer's stamp on a green background. "W. H. MIDWINTER,/ Artist and/ Photographer/ 24, College Green,/ BRISTOL./ Copies may be had any time." At the top right, printed sideways in pencil, "4".

Item is a white carte de visite with photograph of a young girl in dres with short lace sleeves and a dark sash around the waist. She is seated on fur. At the bottom of the card, in black letterpress, "Grimmett, INSTANTANEOUS PORTRAIT/ PARSONS ST BANBURY." On verso, a form is laid out sideways on the card. "IN ORDERING COPIES IS NOT NECESSARY/ TO SEND THIS PHOTOGRAPH SIMPLY QUOTE/ THIS NO". In black ink, no is given as "1136". "GRIMMETT,/ Art Photographer/ ALL PORTRAITS TAKEN BY AN INSTANTAEOUS PROCESS/ Parsons Street,/ Banbury./ THE NEGATIVE OF THIS PORTRAIT WILL BE PRESERVED SO THAT COPIES MAY BE HAD AT ANY TIME IT CAN BE ENLARGED OR/ REDUCED AND FINISHED IN OIL OR WATER COLOURS".

Item is a white card with portrait of an infant laying against a dark fabric. The child wears a tartan dress with lace collar. At the bottom edge of the card in gold letterpress, "BONGARD & TAYLOR, Oshawa, Ont." On verso, also printed in gold at a diagonal, "FROM THE STUDIO OF/ Bongard & Taylor/ SIMCOE STREET N., OSHAWA, ONT." At upper right corner, handwritten in pencil, "5-".

Item is a black card with gold embossed lettering at the bottom of the card reading "Squiers./ 9 Frances RD/ EDGBASTON." The photograph is a vignetted portrait of a man with a thick mustache with his eyes scrunched up in a laugh.

Item is a cream card with light pink backing. Vignetted portrait of a woman in a high collared dress with vertical ribbon decoration. At bottom of front of card, in brown letterpress, "G. W. Secretan 210a TUFNELL PARK Rd". On verso, also in brown, "210a TUFNELL PART Rd/ LONDON N./ G. W. Secretan/ FROM Mora NEW YORK/ GROUNDS ATTACHED TO THE STUDIO/ FOR PHOTOGRAPHING CYCLISTS GROUPS/ & EQUESTRIAN PICTURES./ NEGATIVES ARE NEVER DESTROYED./ COPIES CAN BE HAD AT ANY TIME./ NO...../ ALEX:LINDNER, BERLIN".

Item is a grey card with thin red border and the portrait of a man seated in a wooden, upholstered chair holding a cane. He wears a double-breasted jacket and light, probably woolen trousers. His long beard has been partially inked in. On verso, photographer's stamp printed sideways, "GEO. C. NUTTER,/ PHOTOGRAPHER,/ Nathan Jones' Building,/ Belleville./ Copies can be had at any time." At the top, handwritten in pencil, "$15-".

Item is a white card with portrait of a child of about 3 or 4 seated on a fur covered chair. The child wears a lace frilled dress with dark, possibly velvet, wrap around the waist. At the bottom, in brown letterpress, "John Best, Oshawa, Ont." On verso, handwritten in pencil, "2.50".

Item is a white card with textured surface and a portrait of a young boy in a sailor style suit and hat, seated on the edge of a wicker chair and holding a shovel. At the bottom of the card, embossed in gold, with a geometric design, "A. G. PITTAWAY/ 58 SPARKS ST./ OTTAWA." Following the text, a design with three gold medals is embossed into the bottom right corner, reading "WORLDS/ COLUMBIAN/ EXHIBITION/ CHICAGO/ 1893" and "EXHIBITION JAMAICA 1891" and "-RDED/ -RPIZE/ -ARIS/ -889".

Item is a light grey cabinet card with full length portrait of a young boy, about 5 or 6 years old, wearing a frilled white dress shirt and dark shorts with dark knee socks. He has curls down to his shoulders in the Fauntleroy fashion. He leans against a diamond-patterened fence made of tree branches and there is the trunk of a tree to the left of the image. Fence is in front of an interior wall, implying a studio setting. At bottom of card in black letterpress, "P. BOGRAND, Wausakee, Wis." On verso, handwritten in pencil, "5-".

Item is a dark purple cabinet card with portrait of a child standing in a winter scene with showshoes at his side. The child wears a double breasted fur coat with toque. At the bottom of the card in gold letterpress, "J. W. POWELL./ 163 Princess Street,/ KINGSTON, ONT."

Item is a cream coloured card with gold border and a portrait of a child in tartan dress seated on a rocking horse and holding a whip. At the base of the horse, a hat with feathers is sitting on the floor. On verso, handwritten in pencil, "Wemyss Chisholm" followed by the text in pen, "1864-1954". At the centre of the card, a photographers stamp in brown ink, "J. H. GRIFFITHS,/ PHOTOGRAPHER,/ London, C. W./ Copies may be had."

Item is a cream coloured cabinet card with portrait of a young boy, about 5 or 6 years old, seated on the edge of an upholstered chair holding a hat in his left hand. He wears a polka dot blouse and large polka dot ascot with short, probably velvet, pants. At the bottom of the card, embossed in gold, on the left "HERBERT E. SIMPSON/ PHOTOGRAPHER/ 143 COLLEGE STREET/ TORONTO." At the bottom centre, a coat of arms is also embossed, with a lion and unicorn and the motto, "DIEU ET MON DROIT", a variant design on the British Royal Coat of Arms. On the right, also embossed in gold, "SUCCESSOR TO/ LATE/ NOTMAN & FRASER./ COPIES OF THEIR NEGATIVES".

Item is a dark brown cabinet card with gold letterpress at the bottom reading "Smith/ Galt". Photograph shows two children in dark dresses with pleating down the front seated on hay with palm fronds in the background and holding a picture book open on their laps. On verso, at bottom right, a sticker with the handwritten ink "$4.00/ SW".

Photograph of a family group with husband in naval uniform and child seated between the husband and wife wearing the husband's hat, which reads "HMS TIGER". Behind them, a painted landscape scene. Embossed at the lower right corner, "M. Johnson/ TEDDINGTON". The photograph is mounted flush with a postcard backing. On verso, the text "POST CARD/ BR1778 MADE" is followed by the text "CORREPSONDENCE" on the leftt and "ADDRESS ONLY" on the right. There is a square printed on the upper right with the numbers "23533". Handwritten sideways in pencil, "1920/ Fred Heley/ Wife & Son".

Item is a white card with full length portrait of a boy with curls and a suit with frilled dress shirt in Fauntleroy style. A fur pelt is on the ground at the right and the boy holds a gun. At the bottom edge in gold letterpress, "Lind/ MARINETTE,/ WIS." At the centre of the text, a design with shield, a ship and the text "SEMPER FIDELIS". On verso at bottom right edge, handwritten in pencil, "10-".

Item is a cream card with gold letterpress at the bottom edge reading "Barraud Bros. BARRIE, ONT." Photograph is a full length portrait of a girl holding a puruse and standing in front of a scenic backdrop showing a river and trees. The edge of a canoe is visible on the left and a pile of hay and dried leaves on the right.

Item is a green card with gold border and full length portrait of a young boy (about 5 years old) leaning against a wooden fence holding a walking stick. He wears a sailor style suit with rope necklace and a dark hat with ribbon sits at his feet. Painted landscape with trees behind him. On verso, elaborate gold lithographed design with oval pearl and ribbon border and the text "W. H. GOUGH/ Artist/ & PHOTOGRAPHER,/ 7, SWANSWEEL ST./ COVENTRY./ ALL NEGATIVES KEPT/ COPIES CAN ALWAYS BE OBTAINED THIS OR ANY/ OTHER PORTRAIT CAN BE ENLARGED & FINISHED/ IN OIL OR WATER COLORS." Handwritten at the upper left corner in ink, "24/ Aug 1885".

Item is a green card with gold letterpress at bottom edge, "F. C. D. Hure SHEPTON MALLET." Photograph is a portrait of an old woman in a white bonnet with long side panels seated by a table with a vase of flowers. She wears a fitted blouse buttoned up the front and a wool skirt. On verso, also in gold and printed sideways on the card, "F. C. D. Hure/ Artist,/ Portrait & Landscape Photographer./ 10, COWL STREET, SHEPTON MALLET." At top left "COPIES MAY BE/ HAD AT A REDUCED/ PRICE." And at top right, "BY SENDING/ NAME, DESCRIPTION,/ AND DATE WHEN/ TAKEN." Handwritten in pencil at the top of the card, "L-5.00"

Item is a cream card with red letterpress at bottom, "JOHN BULL. PETERBOROUGH." Photograph shows a woman in tight fitting polonaise style dress with no bustle fullness at the back, a style popular briefly at the end of the 1870s. She wears a feathered hat and beaded necklace with a small chain looped from a button near her waist to her left pocket. She stands in front of a painted backdrop with outdoor scene, resting her left hand against a low stick fence. On verso, lithographed in brown, "ART/ Photographer/ John Bull/ CITY ROAD/ PETERBOROUGH."

Item is a cream card with think brown border and foliate motifs, and the text in brown letterpress at the bottom edge, "Palace Railway Art Car." Inset is an oval portrait of a woman in a polka dot blouse and white tie. On verso, handwritten in pencil upside down, Thomas Name/ 2-24/ max".

Item is a white card with raised oval photograph of a man with a thick beard seated profile. On verso, photographer's stamp lithographed in gold, "W. NOTMAN" with the Royal Crest at the centre and a ribbon wrapping that which reads "PHOTOGRAPHER TO/ HER MAJESTY" followed by the locations of studios in "MONTREAL/ OTTAWA/ TORONTO/ & HALIFAX". At four corners of the design are images of medals, which read clockwise from top left, "LONDON" "1862/ LONDINE/ HONORIS/ CAUSA/ 1862" "1867" and "NAPOLEON III EMPEROR/ PARIS".

Item is a white card with raised oval photograph of a man with a thick beard. On verso, photographer's stamp lithographed in gold, "W. NOTMAN" with the Royal Crest at the centre and a ribbon wrapping that which reads "PHOTOGRAPHER TO/ HER MAJESTY" followed by the locations of studios in "MONTREAL/ OTTAWA/ TORONTO/ &/ HALIFAX". At four corners of the design are images of medals, which read clockwise from top left, "LONDON" "1862/ LONDINE/ HONORIS/ CAUSA/ 1862" "1867" and "NAPOLEON III EMPEROR/ PARIS". Handwritten in black ink at bottom, "Taken 2/72". Handwritten very lightly at the top of the card, "70710".

Item is a white card with raised oval photograph of a woman with an embroidered jacket and her hair pulled back in braids. On the bottom of the card, in gold letterpress, "WILLIAM NOTMAN PHOTO". On verso, photographer's stamp lithographed in gold, "W. NOTMAN" with the Royal Crest at the centre and a ribbon wrapping that which reads "PHOTOGRAPHER TO/ HER MAJESTY" followed by the location of studio in "MONTREAL". At four corners of the design are images of medals, which read clockwise from top left, "LONDON" "1862/ LONDINE/ HONORIS/ CAUSA/ 1862" "1867" and "NAPOLEON III EMPEROR/ PARIS". Below the design, also in gold, "Branches at/ Toronto and Halifax." Handwritten lightly at top edge, "77159".

Item is a cream card with gold letterpress at bottom edge "NOTMAN & FRASER TORONTO ONT". Photograph is a portrait of a man with a thick beard seated in an upholstered chair holding a piece of paper on his knee. On verso, photographer's stamp lithographed in gold, "W. NOTMAN" with the Royal Crest at the centre and a ribbon wrapping that which reads "PHOTOGRAPHER TO/ HER MAJESTY" followed by the locations of studios in "MONTREAL/ OTTAWA/ &/ TORONTO". At four corners of the design are images of medals, which read clockwise from top left, "LONDON" "1862/ LONDINE/ HONORIS/ CAUSA/ 1862" "1867" and "NAPOLEON III EMPEROR/ PARIS". Handwritten in black ink across top, "J Akin Esq./ Montreal" and at the bottom of card "Recd Nov 22nd 1869."

Item is a white card with raised oval photograph of a man with a thick beard seated profile. He wears a thick fur hat and fur suit coat. On verso, photographer's stamp lithographed in gold, "W. NOTMAN" with the Royal Crest at the centre and a ribbon wrapping that which reads "PHOTOGRAPHER TO/ HER MAJESTY" followed by the locations of studios in "MONTREAL/ OTTAWA/ TORONTO/ & HALIFAX". At four corners of the design are images of medals, which read clockwise from top left, "LONDON" "1862/ LONDINE/ HONORIS/ CAUSA/ 1862" "1867" and "NAPOLEON III EMPEROR/ PARIS". Handwritten lightly at top edge, "70147".

Item is a white card with raised oval photograph of a woman with a lace collar and a dark ribbon tied around her neck. On verso, photographer's stamp lithographed in gold, "W. NOTMAN" with the Royal Crest at the centre and a ribbon wrapping that which reads "PHOTOGRAPHER TO/ HER MAJESTY" followed by the locations of studios in "MONTREAL/ OTTAWA/ TORONTO/ &/ HALIFAX". At four corners of the design are images of medals, which read clockwise from top left, "LONDON" "1862/ LONDINE/ HONORIS/ CAUSA/ 1862" "1867" and "NAPOLEON III EMPEROR/ PARIS". Handwritten lightly at top edge, "70782".

Item is a beige cabinet card with black letterpress at bottom edge, "Turner & Drinkwater/ 8, Regents Terrace/ Hull." Photograph is a portrait of a man leaning against a chair with his right hand in his pocket. He wears a checked suitjacket and matching waistcoat with plain trousers. There is a thin piece of glassine tissue attached at the top of the card that folds over the front of the card. The tissue has a design lithographed on it with the heraldic badge of the Prince of Wales above the text "TURNER & DRINKWATER/ THE STUDIO ROYAL, HULL./ NO. 8/ REGENT'S TERRACE." On verso, black text printed sideways, "Photographers to Their Royal Highnesses/ The Prince & Princess of Wales,/ Duke of Edinburgh and/ Duke of Cambridge". Handwritten in pencil at the lower left corner, "43825".

Item is a white card with raised oval photograph of a woman with her long hair loose on her shoulders. On verso, photographer's stamp in a ribbon design lithographed in gold, "THE NOTMAN STUDIO,/ W. J. TOPLEY, Prop./ OTTAWA." A crown with three feathers tops the design, the heraldic badge of the Prince of Wales. At the top of the card, handwritten in blue ink, "Jessie Freelane".

Item is a green cabinet card with gold box at bottom edge of card and the text, "Perkins/ 293 YONGE STREET/ TORONTO." Photograph shows a man and woman standing next to a tall, thin table. The woman holds a card in her right hand. The mean wears a dark coat and waist coat with pinstriped trousers. The woman wears a plain dress with fabric gathered over the bustle in the back.

Item is a white card with raised oval photograph of a woman with a lace collar. On verso, photographer's stamp lithographed in gold, "W. NOTMAN" with the Royal Crest at the centre and a ribbon wrapping that which reads "PHOTOGRAPHER TO/ HER MAJESTY" followed by the locations of studios in "MONTREAL/ OTTAWA/ TORONTO/ &/ HALIFAX". At four corners of the design are images of medals, which read clockwise from top left, "LONDON" "1862/ LONDINE/ HONORIS/ CAUSA/ 1862" "1867" and "NAPOLEON III EMPEROR/ PARIS". Handwritten lightly at top edge, "71127".

Managed by William Hebb until 1876, when Oliver M. Hill took over the position.grey card which fades from light to dark from left to right, with round portrait of a woman with a ruffle-collared dress. At bottom right, embossed in white on a diagonal, "F. W. Wood Ltd. 347 & 349 EDGEWARE RD. ,W./ 8, 22 BISHOPS RD., W." On verso, handwritten in pencil, "112330".

Item is a brown cabinet card with gold letterpress at bottom edge, "Dixon/ COR. KING & YONGE STS./ Toronto." Photograph shows a man standing next to a small statue of a horse and rider, the rider holds a fox or small animal upside down while two dogs at the horse's feet jump up at it. On verso, also in gold letterpress, "ELECTRIC LIGHT PHOTO GALLERIES" followed by a design with front and back of a medal by the Industrial Exhibition Association of Toronto. Text continues "Highest Award at Toronto, Kingston and Hamilton/ S. J. Dixon/ Member of the Photographer's Association of America/ ALL PHOTOS MADE WITH THE NEW PROCESS/ No Change of Expression. The Exposure is but One/ Second./ STUDIOS/ CORNER/ KING AND YONGE STREETS AND CORNER/ YONGE & TEMPERANCE STS./ TORONTO".

Item is a white cabinet card with gold letterpress at bottom edge, "The Dominion TORONTO." Photograph shows an old woman seated in an upholstered chair with a book in her lap. Her dress has an elaborate ruffled front. On verso, a gold ribboned border surrounds the text "THE/ DOMINION/ Photo Studio,/ 388 Queen St. West./ 6 DOORS WEST OF BROCK. TORONTO./ Duplicates can be had at any time by sending/ name in full." Near the top of the design, a graphic with a caged bird. Handwritten in ink to the left of the bird, "Aunt Jennie/ Mrs. Rowat".

Item is a white cabinet card with grey letterpress at bottom edge, "J. F. BRYCE 107 KING STREET WEST, TORONTO". Photograph is a full length portrait of a man and woman standing in in front of a painted nature scene with birch tree. The woman holds an unopened parasol and her hat rests on a rock between them. The man holds his hat behind him.

Item is a beige cabinet card with scalloped edges and brown letterpress at bottom. On the right, "Phipps" and on the left "NEW CASTLE,/ PA." In the centre, a design with artist's palette and brushes and the text "PHIPPS'/ EXTRA/ FINISH". Photograph is a portrait of an infant in a dress with wide lace collar, seated on a chair draped in fabric. On verso, elaborate border design with vases and the text "A. W. PHIPPS/ PHOTOGRAPHIC/ Art Studio./ 61 1/2 Washington Street/ New Castle, Pa."

Item is a white cabinet card with gold letterpress at bottom edge. On the left, a design with a shield and the letters "L" "C" and "O" intertwined. On the right, "Owens Ground floor Studio/ S. MILL ST./ NEW CASTLE, PA." Photograph is a vignetted portrait of two children about 2 and 4 years old, with white blouses and large white ties done in bows around their necks.

Item is a white card with gold letterpress at bottom edge. On the left, a design with a green shield and the letters "L" and "S" intertwined. On the right, "Leavy's Art Gallery/ NEW CASTLE, PA." Photograph is a portrait of a woman with large puffed sleeves seated in a wicker chair, with an older man with beard standing on either side of her. On verso, handwritten in blue ink, "Seth Stoughton/ Jane Stoughton Cobble/ William Stoughton/ Grandfather of Jean Ellis Douglass".

Item is a beige cabinet card with gold scalloped edges and brown letterpress at bottom edge, "A. W. Phipps, NEW CASTLE, PA." Photograph is a portrait of an older woman in bonnet and glasses. On verso, a design with flowers, brushes, and the text "INSTANTAENOUS/ PORTRAITS/ OF CHILDREN/ A SUCCESSFUL/ SPECIALITY./ ARTISTIC/ PHOTOGRAPHY/ A. W. Phipps,/ 6 1/2 Washington Street,/ NEW CASTLE, PA./ DUPLICATES CAN BE/ PROCURED/ AT ANY TIME." Handwritten in blue ink at the top edge, "Ruth Vogan Hamilton/ Mother of Mary Jane Marshall/ (My grandmother)/ Stoughton".

Item consists of a green card with thin beige border and photograph of a young soldier in uniform. At bottom right of card, embossed in silver, "BURGESS/ MITCHELL ONT."

Item is a portrait of a young woman in an off-the shoulder wrap holding flowers at her chest. Her image has been artistically blurred and warm toned.

Item is a portrait printed on textured art paper of a man seated in a window with his arm around a woman standing beside him, looking out the window. Posed artistic portrait.

Item is a portrait printed on textured art paper of a man seated in a window with his arm around a woman standing beside him, looking out the window. Posed artistic portrait. Embossed at bottom right, "Baker Art Gallery/ COLUMBUS, O." Embossed at top left, a coat of arms with lion. In grey bi-fold mount.

Item consists of a grey card with photograph of a boy in white suit with matching tricorn hat and a holding a shepherd's staff. He is seated on a low stone wall with an outdoor scene painted on the backdrop behind him.

Item is a white cabinet card with red letterpress at bottom edge, "CABINET PORTRAIT/ S. PORTER, PHOTO, CHIPPENHAM". Photograph shows a young girl in peasant-style costume with long braids and a small basket slung across her right wrist. A painted landscape backdrop. On verso, large red lithograph design of a potted plant with the British royal crest followed by the text "Artist &/ Photographer/ S. Porter./ ST PAUL'S STREET,/ CHIPPENHAM/ THIS PORTRAIT CAN BE REDUCED/ FOR TEH SMALLEST LOCKET/ OR ENLARGED TO LIFE SIZE AND FINISHED IN/ OIL, CRAYON OR WATER COLORS ETC./ Negatives Kept/ Copies can always be had./ REEVES & HOARE, LONDON".

Item is a white cabinet card with thin gold border and a photograph with oval border of a woman in apron and chef's hat. A basket of vegetables is slung under her right arm. On verso, handwritten in blue ink, "Mother". In pencil, "L-30.00".

Item is a white cabinet card with thin gold border and a photograph of a woman in an apron holding a large basket with greens balanced on her head in front of a studio backdrop. On verso, handwritten in blue ink, "Mother". In pencil, "L-40.00".

Item consists of a cream coloured card with thin gold border and grey text embossed at the bottom right, "Simpson Bros/ 357 YONGE/ Toronto." Photograph shows a young woman in white dress with veil and holding a bouquet of roses. She stands in profile, her head bowed a bit towards the flowers in her hands. On verso, handwritten in pencil, "2.50".

Item consists of a photograph mounted on cream card with decoratively frayed edges. Handwritten note at bottom of image on card in black ink, "To my friend/ Alf Martin, with all regards/ T. A. Brown." Photographer's stamp to the right, "J. Alex Castonguay". Photograph is portrait of a man in suit and tie, blurred, against dark background.

Item consists of a photograph mounted on cream card with decoratively frayed edges. Handwritten note at bottom of image on card in black ink, "With Best Wishes/ Sincerely/ Ed Auselle(?)" Photograph is portrait of a man in suit and tie, turned 3/4, against dark background.

Item consists of a photograph mounted on cream card with decoratively frayed edges. Handwritten note at bottom right corner of image in blue ink, "To my good friend 'Alf'/ Martin, with best/ wishes/ T. Dhass(?)" Photograph is portrait of a man in pinstriped suit.

Item consists of a photograph mounted on cream card with decoratively frayed edges. Handwritten note at bottom right corner of image in black ink, "Best regards has(?) to/ my friend Alf/ Phil Mal--m/ 1944" In white, at bottom left of image, "Don Baltim-". In pencil, at bottom right of image on card, "Sufters(?)-Colmer(?)/ Vancouver BC." Photograph is portrait of a man in checkered suit with pince-nez.

Item consists of a photograph mounted on cream card with decoratively frayed edges. Handwritten note at bottom of image on card, in black ink, "Alf, Kindest regards./ Wals(?)." At left, Toronto photographer's stamp in gold, "Ballard & Jarrett". Photograph shows a man in wool suit with patterned tie.

Item consists of a photograph mounted on cream card with decoratively frayed edges. Handwritten note at bottom right of image in blue ink, "If you get your just/ deserts(sic) I will be/ satisfied - and you ought/ to be./ Victor Goggin/ 24.9.45" light wool suit with glasses and diamond patterned tie.

Item consists of a photograph mounted on cream card with decoratively frayed edges. Handwritten note at bottom right of image on card in black ink, "To my friend 'Alf' Martin/ P Lauren(?) Druehl" Photograph shows a man in dark suit with pinstriped shirt. Underneath the text, embossed in the card, "RICE/ MONTREAL". On verso, handwritten in pencil, "65769".

Item consists of a photograph mounted on cream card with decoratively frayed edges. Handwritten note at bottom right of image in blue ink, "To my Friend,/ Alf Martin/ W. A. Harrison". Photograph shows a man in light checked suit.

Crayon finished photograph showing a man with beard in suit with watchchain affixed to the top button of his waistcoat. Image is oval in shape on a rectangular card mount. Tears at all four corners show were cover mount would have been adhered. On verso, light blue stamp reads "Universal Copying Co./ MANUFACTURERS OF/ India Ink, Berlin Finish, Crayon, Pastel and Oil Portraits,/ also, Cabinets and Cartes de Visites./ All orders promptly attended to:/ Jeffers, Wells & Kipps, Proprietors./ Office 1436 & 1438 Market St., between 8th and 9th,/ SAN FRANCISCO, CAL."

Item is in a cream coloured card-frame embossed opening, with embossed letters "Potter's Patent March 7 1865." Which is how we dated the tintype. Photograph is a studio portrait of two women, both seated, arms resting on the one armrest with fringes. Woman on right is dressed all in black, with black hat and veil - perhaps mourning wear. The woman on the left is in full skirt with black trim and black top, white collar and black hat. Both have pink tinted cheeks.

Item is an unmounted tintype featuring an image of a young blond girl sits in a chair, in a studio portrait with elaborate background. Her one leg is crossed underneath her. The chair is made of wood, and looks like branches. She wears a sailor style dress.

Item is an unmounted tintype is a photograph of a photograph of an older couple. Original photograph is in a decorative frame/case (daguerreotype or ambrotype?), and it is a studio portrait of a man and woman, sitting side by side, looking straight out at the camera, hands folded in lap. Woman wears a white bonnet and checked dress. Clothing of sitters suggest that original photograph dates from the 1850s. Handwriting on the back in pencil, not able to decipher.

Item is an unmounted studio portrait of a young man, seated in a chair. His posture is very casual, his chin resting in his hand, legs crossed. He leans low in the chair. The studio backdrop is of a fireplace and plants. There is carpet underneath him. He is wearing a hat with no brim, vest, bowtie, suit jacket and striped pants. Three corners are cut off at an angle. His cheeks are hand painted.

Item is an unmounted tintype featuring an image of two men posed in studio, with their fists up in imitation of a fight. They face each other, man on right has a pipe in his mouth. He is wearing a long coat, tall hat with a coloured flower in it.Man on left has a pink spot near his mouth. Studio backdrop is of a mountain, plants, water. Sticker on the back of tintype says "$4.00."

Item is an unmounted studio portrait of two young men, dressed in black suit jackets, with top hats. They are sitting side by side, one on right is holding an umbrella, and one on left a can. Dressed in gentleman's attire. Two top corners are angled off.

Item is an unmounted studio portrait of four women. Two are sitting, and two stand between the seated ones. All cheeks have been tinted pink. They are wearing fitted dresses with skirts looping in front, narrow sleeves and high collars, most wear a brooch at the throat. Style is suggestive of 1880s fashion. Hair is up, with curled bangs. All four corners of tintype are angled off.

Item is an unmounted studio portrait of one young boy and one adolescant boy. The older one sits in a chair, while the younger perches on the armrest. The younger boy is wearing a suit with vest and jacket, top two buttons done only. The older boy has no jacket, but wears a vest with a tie. He is leaning his arm against opposite armrest, with legs crossed. Casual pose.

Item is an unmounted studio portrait of two men, seated and smoking pipes. Both have facial hair, and are wearing hats and jackets. Casual pose, man on right has legs crossed and looks at camera. Man on left looks away from the camera, and leans in his chair, arm resting on the back. Both men's cheeks are tinted pink.

Item is an unmounted studio portrait of one young boy and one older boy. The older one sits in a chair, while the younger perches on the armrest, on his right. The younger boy is wearing a jacket that is buttoned up. The older boy has a jacket, only top button done up, with vest and tie. Both arms are on armrest, with legs crossed. The younger boy's face is slightly blurred, from moving it during exposure. It looks to be same studio, props and seating arrangement as 2008.001.1811.

Item is an umounted portrait of two men in suits and hats, sitting on rocks outdoors. Not studio setting. Man on left holds a cane with both hands resting on it, with a ring on his finger, cigar in his mouth, chain watch, suit with vest and tie and hat. Man on right sits with legs crossed, one hand in his pocket and other across his lap, cigar in mouth and suit with vest and tie and chain watch and hat.

Item is an unmounted studio portrait of two men. One on right is wearing a top hat (tilted to left side), with a black suit and striped pants. He has a big handlebar moustach, cigar in his mouth, open book in his lap and his legs are crossed. The man on the left has a cigar in his mouth, and is wearing a hat, with black suite. His legs are crossed and both hands rest on his lap, with his left arm resting on a table. Both their cheeks are tinted pink.

Item is an unmounted studio portrait of a seated man, his right arm resting on a table, his legs crossed. On the table is his hat, and a framed photograph of a woman standing, though unrecognizable (possibly mourning portrait). Table is quite ornate, as is the armoir in the background. Carpet is flowered. He is well dressed in a dark frock coat, with a white high-collared shirt and tie. He has a mustach and his cheeks are tinted pink. The hat is perhaps a boater hat, straw with a wide black band and trim. Due to frock coat and hat dated after 1870s. All four corners are rouned off.

Item is an unmounted studio portrait of a young boy, with body stand obvious in background. Little boy is standing, with right arm leaning on chair armrest. He wears short trousers, above the boot tops, and the boots have side-button closures, in keeping with the style of the 1870s. His cheeks are tinted pink.

Item is an unmounted studio portrait of a boy in dark suit with white shirt and black bowtie. Chain watch in vest. He is sitting and his right arm leans on the armrest. White cloth as background. His hair is combed forward across forehead, and wings out at the sides - hairstyle is in keeping with boys hairstyles of 1870s. Top corners of tintype are rounded.

Item is an unmounted group portrait of four women and four men. All four women wear hats and dresses with puffy sleeves in keeping with fashion of the 1890s. Men wear sutis with jackets and vest with chain watches. Two top corners angled off.

Item is an unmounted portrait of a man seated and a woman standing with her left arm resting on back of his chair. There is a table in front of her, beside him with a book on it. She also holds a book, that is resting on the table. She wears a hat and shirtwaist with buttons, the sleeves are puffy which are in keeping with fashion of the 1890s. She wears a brooch at her neck. He is sitting with his legs crossed, his body rurned away from the camera, but his face looking right at camera. He holds a scroll in his hand, and wears a sash of somesort across his chest. He looks very pleased with himself. Both their cheeks are tinted pink. Top corners angled off, and bottom edge is curved.

Item is an unmounted studio group portrait of five men, three seated and two standing. Two of those seated have legs crossed, the other is seated on an armrest. Man standing behind seated man on armrest, has his hand on his shoulder. Two of the faces are blurry from movement during exposure. One man on left and centre man (both seated) have handkerchief in breast pocket. All are wearing suits, with jakets and vest, bowties, hats and chain watches. Top left corner is angled off.

Item is an unmounted group portrait of four men and one woman sitting in a car. It is believed to be a Ford Model A car dating from 1903 which is how the photograph is dated. All four men are wearing bowlers hats, and suits with jackets and ties. Woman is wearing a large hat with flowers. Man behind wheel and another in backseat both have mustaches. Studio backdrop. Black band across top of image.

Item is an unmounted studio portrait of two men, both seated and turned toward each other, but not looking at each other. Both wearing dark frock coat with white shirts, no ties. One on left has a mustach. Both cheeks are inted pink. Man on right has his arm on armrest, and the other one on his knee. Varnish coating gives tintype a brownish colouring. Studio background looks like a fireplace.

Item is an unmounted studio portrait of a woman in a black dress standing against a plain background. She has a pin at her throat, and a white collar is visible under her black coat. Same woman as in 2008.001.1825 but now she is wearing a hat, with feathers, flowers and a bow. The hat is in keeping with the fashion of the 1880s. In this photograph is mostly head and shoulders.

Item is an unmounted studio portrait of a young girl in a dress sitting in a chair with a cap and tassle hanging off the left side. Her feet are crossed and her hands rest on her lap. Her head rests against the back of the chair. She is wearing a frilly blouse with a necktie under a coat with a skirt.

Item is an unmounted group studio portrait of six children set agains a landscape background. Four children in front are seated,and two stand behind. Two seated on the same chair on the right appear to be toddlers. The two standing behind, one girl & one boy, are older than the rest. The girls wear dresses with big white lace collars, very fashionable in children's fashion from the 1870s. All four corners are angled off.

Item is an unmounted studio portrait of a woman in a black dress standing against a plain background. She has a pin at her throat, and a white collar is visible under her black coat. Hair tied back with soft bangs is in keeping with the fashion of the 1880s. Her hands are held together in front, in black gloves. She is shown from the waist up.

Item is an unmounted portrait of a man standing against a studio backdrop of a castle in the mountains with a lake and flowers in foreground. He right arm is held behind his back, the left one hangs at his side. His feet are apart, and he wears dark slippers with dark leotards. His shirt hangs down to mid-thigh, and is fringed around the bottom and at the sleeves. It has a pattern of leaves on it. He is blond, and his cheeks are tinted pink. He stands still with the aid of a body stand. Top and bottom left corners angled off.

Item is an unmounted studio portrait of a boy in a dark suit with hat. His arms are folded across his chest, and he looks away from the camera. He is seated, and his body is turned away from the camera. His legs are crossed. He sits on a chair made of branches, and the backdrop is of water and sails.

Item is an unmounted studio portrait of two men seated, with a flowered curtain behind them, and a plaid carpet at their feet. Both men have facial hair. Both are wearing hats, and are holding pipes - man on right holds it in his mouth, and on left in his hands. One on right has a bandaged finger on his left hand. Man on left has his legs crossed, and is holding something white in his right hand, pipe in his left. White sticker on back of tintype with the letter 'c' written on it.

Item is an unmounted studio portrait of a man seated, and a woman standing with her hand on his shoulder. The background is simple, no colour or decoration. Armrest of chair man sits in, is fringed.

Item is an uunmounted studio portrait of three women. One is standing, one is perched on a stool, and one is sitting on the ground. All three have hats, two are wearing them, and one is holding it in her hands. All wear black dresses, two have purses. There's an umbrella leaning on stool. Cheeks are tinted pink. Given their clothing perhaps they are in mourning. All four corners are angled off.

Item is an unmounted studio portrait of a man sitting with his right arm resting on the armrest. His left hand is onl his lap. He looks directly at the camera, he is centred in the image. No background. He wears a dark suit with jacket and vest, with a chain watch. He wears a white shirt and his tie is loosely knotted in style with the 1890s slipknot tie with the ends hanging. His hair is slick and parted.

Item is an unmounted studio portrait of two men sitting on the same wood bench, facing the camera. They look stiff and posed. Their arms rest on the armrest and on their laps. They both wear suit and tie, with only the top button done on the jacket. Their cheeks are tinted pink. The top and bottom left corners are angled off.Man on left with blond hair looks like the man in 2008.001.1833 - not sure if same person.