Item is a portrait of woman in veil holding flowers. Information [illegible] pressed into tin on top of object.

Item is a marbled brown bi-fold card with oval overmat on photograph of a young woman wearing pearls and a gauzey wrap. At bottom righ ton mat, in brown letterpress, "Barrett Studio/ 327 YONGE ST./ TORONTO." On front left flap, art nouveau style design embossed in gold.

Item is a cream cabinet card with scalloped, gold-leafed edges and gold letterpress at bottom, "Goodwin/ EXTRA FINISH/ SYRACUSE, N.Y." Photograph is a full length portrait of a young boy, probably about 5 years old, wearing a lace shirt with dark cuffs and a dark ascot tie, trousers cut off at the knee, and holding a stick in one hand and a hat in another. He sits on the edge of a stone pillar with a background of abstracted leaves for a backdrop. On verso, an etching of a waterfall with the text "Goodwin./ 314 SO SALINA ST/ ART Photography./ INSTANTANEOUS PROCESS". At the top edge, handwritten in ink, "Georgia Wilson".

Item is a black card with oval photograph surrounded by an embossed ivy border, showing a young man in suit with tie and waistcoat. At the bottom right, in white letterpress, "Keenan/ BARRIE."

Item is a cabinet card portrait of young man with vignetting. Gold text below photograph reads, 'Summerhayes & Walford Montreal'

Item is a photograph of a boy standing in a studio. Inscription on verso reads, 'W. Roylance Gourt'

Item is a cream card with photograph attached to tissue. On pencil, on tissue, "Guttenbery/ Manchester." Photograph is a young man in suit and tie. On verso, grey ink "Guttenber/ Manchester/ No A622." In pencil, at top right, "3309 Kuld must Kant."

Item is a green card with beige border around photograph of a young soldier (same as 2008.001.158). Soldier wears hat with design of two crossed rifles and the number 2 and letter B. On collar, an "H" is pinned to the left lapel. Card has been cut down on left and right to approximate a cabinet card size.

Item is a cream coloured cabinet card with gold letterpress at bottom, "G. Dahms, BRADY ST./ Bet. 2nd and 3rd/ DAVENPORT,/ IOWA." Photograph shows a young man (same as in 2008.001.159) against studio backdrop with tropical plants. Man wears uniform of the Iowa National Guard with carbine belt and insignia of two rifles with the letter "B" on the hat.

Item is a portrait of a young woman in an off-the shoulder wrap holding flowers at her chest. Her image has been artistically blurred and warm toned.

Item is a photo postacard portrait of young woman in hat.

Item is a bi-fold card with greenish marbled paper. Inside, a photograph of a young woman in a flowered dress, standing in front of a window and table. On inside front-left flap, handwritten in ink, "To Cara".

5 photographs of the same woman in light-coloured blouse, different poses and backgrounds. Each image is stamped "PROOF ONLY" on the front, and again on the back with more explanatpry text. The studio's name is given as "The Stride Studios". The sitter was identified as "Miss Helen Ballock." on a manilla envelope which contained the images. [Envelope removed]

Item is a cream cabinet card with gold letterpress, partially obscured by the photograph which is pasted on top, sideways. "Van Aken/ ELMIRA, N.Y." with a decoration with letters "V" and "A" intertwined. Photograph shows two individual circular portraits of a man and a woman. Handwritten in ink at the base of the woman's portrait is "1851" and the man's, "1850". Given the style of dress and hair, this is probably the date of the original picture and not a birth or death date. On verso, an elaborate border and design with griffon and foliage, with the text "E.M. Van Aken/ Photographic/ Art/ Studio./ Practical Photographer,/ 120 West Water Street,/ ELMIRA, N.Y./ COPYRIGHTED 1889."

Item is a photograph of two seated women in white blouses and plain, dark skirts. The one on the right has a wrap skirt with buttons at the seam near the waistband and holds a book loosely in her right hand. A young man stands between them, wearing a suit and tie of a dark colour. On verso, printed in black ink, "POST CARD/ CORRESPONDENCE/ ADDRESS ONLY".

Item is a grey card with an oval photograph showing a man seated in a wooden chair, resting his arm on a table with floral-patterned cloth and with a floral studio backdrop. Embossed at lower right on card, "Jas.? Mason/ PENETANG & ELMVALE."

Item is a cabinet card of a professor with a long beard. Imprint below photograph reads 'Kellie and Co. Portraits', illegible inscription on surface of photograph. Inscription on verso reads, 'From Prof. Duchariue to his pupil Florence L. Roe Dec 26th 1893. 900 Dorchester St Montreal'.

Photograph is of a woman sitting in front of a fireplace, with Redbook magazine open on her lap. The support for the image is a neon-red paper. On the lower right of the tan card mount is embossed the studio logo. On the verso is inscribed in green ink: "To Jessie, Wishing you many happy returns of the day. Violet. Jan. 1 1912."

Managed by William Hebb until 1876, when Oliver M. Hill took over the position.grey card which fades from light to dark from left to right, with round portrait of a woman with a ruffle-collared dress. At bottom right, embossed in white on a diagonal, "F. W. Wood Ltd. 347 & 349 EDGEWARE RD. ,W./ 8, 22 BISHOPS RD., W." On verso, handwritten in pencil, "112330".

Item is a portrait of seven men. Stamp on back of card reads, 'F.H. Denison, Photographer, Dealer in Picture Frames, Chromos, Oil paintings, Stereoscopic Views, Albums, Wall Pockets, Brackets, &c. Court St. Fergus Falls, Minn.'

Brown/maroon bound cover labeled "6". Notations in pencil. Photographs are mounted behind window-cutouts on the pages. Some photographs quite faded.

Locations include: Granada, Alhambra, Algeciras, Spain; Scheveningen, Netherlands; Southamphton, England.
Sites include: Rio Genil, Puerta de Elvira, Rio Frio, S.S. Olympic.

Themes include: portraits, scenic views, bullfighting, ships, sailing.

Item is a tintype portrait of Teddy Orr as a boy with a friend. Housed in a black embossed mat. Inscription in pencil on back reads, 'Teddy Orr & Friend, April 1912'

Portrait of King George V, King Edward VII and Prince Edward, Duke of Windsor (King Edward VIII) on board the Royal Yacht 'Victoria and Albert. Print is mounted on 34.5 x 29.5 cm cardboard.

The image is of two men, identified from their name tags as Tony Miller and Bill Hastings, discussing a Suzuki motorcycle.

Item is a photograph of two girls in traditional dress. Text beneath photograph reads, 'Delintraz Phot. Rue Duphot, 9.' Text on back of card reads, '9, Rue Duphot, 9 Cidevant No 15, en face l'Eg de la Madeleine a l'Entree du Boulevart. Delintraz Photographe Specialite de reproductions et tous genres. PARIS'

Series consists of gelatin silver prints, albumen prints, acetate negatives, and various colour photographic processes produced by amateur photographers, usually in an informal, outdoor setting.

Item is a cabinet card portrait of baby. Brown text below photograph reads, 'Copyright Barraud 263 Oxford St London A few doors West of The Circus'. Brown text on back of card reads, 'Mr. Barraud 263, Oxford St. W (regent circus) London. Mr. Barraud bestows particular attention on enlargements, miniatures and reproductions which can be made from any photograph. All negatives registered and carefully preserved. Mr. Barraud's studios are approached by a lift constructed on the most approved patents which will be found a great advantage to sitters as no stairs have to be ascended, childrens portraits the same prices as other sitters.' Inscription in ink on back of card reads, Willi a Kiss, from Phyllis Margaret Dickson'.

Item is a white cabinet card with thin gold border and a photograph with oval border of a woman in apron and chef's hat. A basket of vegetables is slung under her right arm. On verso, handwritten in blue ink, "Mother". In pencil, "L-30.00".

The photograph envelope is printed for the Owl Drug Store, of 336 Bloor St. West, and noted that the customer is "Mrs. Atwood, 23 Spadina." The negatives are of a woman wearing a white ensemble.

Item is a cabinet card photograph of a character from Wagner's opera Lohengrin. Mostly illegible script written on photograph, except, '1894'. Text below photograph reads, 'Lohengrin, Bayreuther Buhrenfest - Spiel'. Text on verso reads, 'W. Hoffert, Hof Photograph. Breslau, Hamburg, Leipzig, Berlin, Magdeburg, Dresden, Hannover. Photographische Kartenfabrik v. Paul Suss, Dresden.

Item is a white cabinet card with thin gold border and a photograph of a woman in an apron holding a large basket with greens balanced on her head in front of a studio backdrop. On verso, handwritten in blue ink, "Mother". In pencil, "L-40.00".

Item is a carte de visite portrait of a young man dressed as jester. Text below photograph reads, 'Camille Rensch Phot.'. Text on back of card reads, 'Camille Rensch Photographe 19 Rue Royale St. Honore Au premier PARIS'.

Item is a carte de visite of a young man in a jester costume sitting in a photography studio. Text below photograph reads, 'Camille Rensch, Phot' Text on verso of card reads, 'Camille Rensch Photographe 19 Rue Royale St Honore au premier PARIS' Inscription on verso reads, 'Mon ami Alfred Roe, Garcia William, 8 Mars 1866'

Item is a nitrate 8x10 negative. Inscription on negative "Eastman - Nitrate - Kodak 137." Nitrate film was manufactured between 1887 and 1950, but Notman studios operated until 1936, and this negative was housed in a Notman envelope. Image is a portrait of a man with a mustache, with the background completely blocked out (painted in opaque red paint), and his face has been touched up with pencil. The man's face is closely cropped, to one side. Unidentified man.

Item is a silver gelatin print that has been adhered to centre of a matt board. Matt board is grey. Image is a profile portrait of a bulldog. Inscription on verso "$15/4."

File contains three cream-coloured cards embossed with the coat of arms of the University of Guelph and the words "Macdonald Hall/ Guelph" in the upper left corner. On the lower right, the photographer's studio is identified as "The O'Keefe's/ Guelph, Ontario". Two of the portraits are duplicates. The third portrait is identified as "Jennie". Each card has a piece of glassine tissue covering the photo inside.

Item consists of a black mat with five oval openings and a portrait in each. All five portraits are of the same young boy, in different hats, but same suit. The last image is one of him, with no hat. He wears a cowboy hat, a military cap or fez hat, a top hat and a boater hat. The black matt has flower details around each opening. On verso, sticker with "$3.50 sw."

Item consists of a black matt with five oval openings and a portrait in each. All five portraits are of the same woman, in different poses. In two of the portraits there is a parasol behind the woman, in one she is holding a top hat, in two others she is looking away from the camera. The black matt has flower details around each opening. On verso, sticker with "$3.50 sw." Same design as 2008.001.1891.

Item is an unmounted studio group portrait of five men, three seated and two standing. All men are wearing suits with jackets, white shirts and ties. They all have mustaches and beards. Background of house and trees.

Item is an unmounted studio group portrait of five men, three seated and two standing. Two of those seated have legs crossed, the other is seated on an armrest. Man standing behind seated man on armrest, has his hand on his shoulder. Two of the faces are blurry from movement during exposure. One man on left and centre man (both seated) have handkerchief in breast pocket. All are wearing suits, with jakets and vest, bowties, hats and chain watches. Top left corner is angled off.

Item is an unmounted studio portrait of four women. Two are sitting, and two stand between the seated ones. All cheeks have been tinted pink. They are wearing fitted dresses with skirts looping in front, narrow sleeves and high collars, most wear a brooch at the throat. Style is suggestive of 1880s fashion. Hair is up, with curled bangs. All four corners of tintype are angled off.

Item is an unmounted group portrait of four women and four men. All four women wear hats and dresses with puffy sleeves in keeping with fashion of the 1890s. Men wear sutis with jackets and vest with chain watches. Two top corners angled off.

Item is an unmounted group studio portrait of six children set agains a landscape background. Four children in front are seated,and two stand behind. Two seated on the same chair on the right appear to be toddlers. The two standing behind, one girl & one boy, are older than the rest. The girls wear dresses with big white lace collars, very fashionable in children's fashion from the 1870s. All four corners are angled off.

Item is an uunmounted studio portrait of three women. One is standing, one is perched on a stool, and one is sitting on the ground. All three have hats, two are wearing them, and one is holding it in her hands. All wear black dresses, two have purses. There's an umbrella leaning on stool. Cheeks are tinted pink. Given their clothing perhaps they are in mourning. All four corners are angled off.

Item is an unmounted group portrait of four men and one woman sitting in a car. It is believed to be a Ford Model A car dating from 1903 which is how the photograph is dated. All four men are wearing bowlers hats, and suits with jackets and ties. Woman is wearing a large hat with flowers. Man behind wheel and another in backseat both have mustaches. Studio backdrop. Black band across top of image.

Item is a cyanotype image featuring a portrait of a man dressed in the Canadian Navy uniform, on his hat is written H.M.C.S. He stands in what looks like the back yard or garden of a house. Paper is very thin.

Item is an unmounted, hand-coloured tintype of a man and woman, both sitting and looking directly at the camera. The woman wears a dress buttoned down the front, with a white lace collar. The man wears a dark suit, with jacket and tie.

Consists of two group portraits of women in Victorian aprons, white dresses and bows in their hair. One portrait is set indoors and one is an exterior shot. Both prints have the Topley Ottawa stamp at the bottom left corner.

File consists of four card mounted photographs, 3 of the same man in various poses and 1 of a woman. All mounted on black card by studios in Montreal. The photographs were found inside the Agnes Osberg album (2009.005.023) with a yellow sticky note that read: Came from the same family But Not this album.

Item is an unmounted tintype is a photograph of a photograph of an older couple. Original photograph is in a decorative frame/case (daguerreotype or ambrotype?), and it is a studio portrait of a man and woman, sitting side by side, looking straight out at the camera, hands folded in lap. Woman wears a white bonnet and checked dress. Clothing of sitters suggest that original photograph dates from the 1850s. Handwriting on the back in pencil, not able to decipher.

Item is a piece of photographic jewelry, a pendant with makeshift loop at top for chain. Very detailed gold plated metal pendant with glass image in centre. Image is adhered beneath a rectangular piece of glass, brown colour. Image is a portrait of a man standing, in a top hat and suit and bow tie. The glass is adhered to the centre of the piece.

Item is a cream cabinet card with scalloped edges and red letterpress at bottom edge, "E. R. Owen, RED BUD, ILL." At the centre, printed inside a design of artist's palette and brushes, the text "EXTRA FINISH". Photograph of a drawing of a young man in suit jacket and tartan tie, vignetted so the image is quite small. The photograph has a pink tone.

Item is a cream coloured card with long rectangular photograph of a girl in a photographer's studio, leaning against a cloth-draped side table with an open book. On the back of the card, a handwritten message to Marion Morris, to whom the card was given.

Item is a cream coloured bi-fold card (3 flaps) with an embossed ribbon on the front flap at lower right. Inside, a vignetted photograph of a man in Canadian army uniform, with a badge on his right shoulder labeled "Toronto". The back of the photograph is stamped "HALKSWORTH WHEELER/ 109A SANDGATE ROAD./ FOLKESTONE". This is handwritten on the front of the photograph, and the date August 1917 is written on the card.

Item is a hinged union case (plastic case) with design of "Night with Her Children, Sleep and Death" based on an engraving of Bertel Thorvaldsen's popular bas-relief. "The angel is a messenger holding dominion over Sleep and Death," p. 149 of same book mentioned in 2008.001.1870. Casemaker is S. Peck and Company which began manufacturing after 1852. Chosen case reflects sentiments of a newspaper clipping found inside case that reads :

"Died . Holmes - In Adeleide, on the 15th of February, 1878, of diptheria, Emma Margaret, aged 4 years, and Ellen Jane, on the 20th February, 1878, aged 10 years and 4 months, daughters of Mr. O.C. Holmes, of Adelaide. The grief-striken parents have the sympathy of their neighbors in their great bereavement."

Image is a tintype of a baby in long white gown, pink cheeks, being held by unidentified person, most likely the mother. Inside cover has a red velvet cushion which falls out when case is opened, to reveal hidden beneath it a piece of floral cloth as well as the newspaper clipping. Image is held in place with a cover glass, brass matt and brass preserver. Date for tintype based on daughters ages from newspaper clipping.

Item is a light brown card with photograph of a man from the shoulders up, on a plain background. Embossed into the card at the base is the studio mark for William Notman and Son at 14 Phillips Square, Montreal. On verso, the name Guy Bulloch with the date 1900s is handwritten in blue ink.

Item is a white card with vignetted portrait of a young woman. On verso, an elaborate printed design featuring celtic-style scrollwork, cherubs with paint and canvas or a cornucopia. The photographer's name is given as "TOPLEY" with an address at "104 SPARKS ST/ OTTAWA". In the centre, text identifies the photographer as "PHOTOGRAPHER BY APPOINTMENT TO/ HIS EXCELLENCY/ THE MARQUIS OF LOFANE(Sic)/ AND/ HER ROYAL HIGHNESS/ THE PRINCES LOUISE."

Item is a tintype, loose from mount. Cream card-frame with gold details and oval opening. Handwritten on back of card-frame "Probably the father of Uncle John Lonctot." Tintype is portrait of a man with beard and mustache. Hair is standing up on left side, like he has just removed a hat. He stares a camera. He wears a suit jacket and vest, no tie. White shirt underneath. Cheeks are tinted pink. All four corners are angled off.

Item consists of a black and white photograph of a man with a mustache. The man is wearing a suit, vest and tie, and is looking off to the left. Behind him is a plain white backdrop. He has a large mustache that connects to his sideburns. The photograph is 6.5 x 3.75 cm and is mounted to a white card that is unevenly cut at the bottom.

Item is a grey and green mottled-pattern bi-fold card with, art nouveu floral design embossed into the upper left corner of the front flap. On the front of the right flap is embossed the name of the photographer: "Craswell/ Charlottetown, P.E.I." Inside, a photograph of a woman with a short haircut. The image is very dark, causing the rest of her body to be obscured. On the inside of the left flap, a handwritten note gives her name and the date.

Item is a cream coloured card with photograph of a boy seated in a studio setting. At the bottom of the card, in gold letterpress: "H. D. Wallis, Photographer, 61 SPARKS STREET OTTAWA". On verso, elaborate design in gold ink repeating the photographer's name and studio address, along with a handwritten note and negative number. A cartoon of two Chinese (?) men appear in the lower left of the design. The card design was provided by Free Press Print, Ottawa.

Item consists of a toned black and white photograph of a girl. She is wearing a dress with a ruffled collar and a hat. Her hair is long and curled. She is looking off to the left. The photograph is mounted to a piece of card painted gold.

Item is a brown bi-fold card with text at the bottom edge of the front left flap in black letterpress: "Portrait by Bayer, Charlottetown, P.E.I." Inside, a photograph of a boy in a sailor-style suit holding a small toy ship in his left hand. A piece of knotted rope hangs from his shirt pocket.

Item is an unmounted studio portrait of a young girl in a dress sitting in a chair with a cap and tassle hanging off the left side. Her feet are crossed and her hands rest on her lap. Her head rests against the back of the chair. She is wearing a frilly blouse with a necktie under a coat with a skirt.

Item is an unmounted portrait of a man and woman, sitting side by side, woman's arm through the man's. She is holding a book on her lap. He has a hand inside his vest and one on his knee. Both are looking directly at camera. Both their cheeks are tinted pink. Brooche, rings and tie clips are painted in gold. Background is of a window and bookshelves.

Item is a loose daguerreotype in a frame with cover glass and brass matt, no case. Image is of a man and woman seated. Man wears a suit with vest and white shirt with black bowtie. The woman wears a dark dress with white bonnet and bow tied under her chin.

Item has a cream coloured card-frame with embossed vignetting around oval opening. Tintype is of a little girl sitting on a chair, her right arm resting on the chair's armrest. Her other hand is in her lap. She stares at the camera.She is wearing a plaid dress, with black detailing. Her hair is pulled back from her face. Her cheeks are tinted pink. Gem size?

Item is a daguerreotype framed in cover glass and brass preserver, but no case. Image is of a man and woman. Woman wears a white bonnet with bow tied under her chin. Man wears a suit with double breasted vest and bow tie. He has a can between his legs.

Item is a cabinet card portrait of a man exercising.

Item is a daguerreotype framed in brass matt, cover glass and brass preserver, but no case. Image is of a man with a mustache and a hat. He's wearing a dark suit with vest and silk tie tied in a bow. Looks as though the daguerreotype has been removed from its case.

Item is an unmounted portrait of a man standing against a studio backdrop of a castle in the mountains with a lake and flowers in foreground. He right arm is held behind his back, the left one hangs at his side. His feet are apart, and he wears dark slippers with dark leotards. His shirt hangs down to mid-thigh, and is fringed around the bottom and at the sleeves. It has a pattern of leaves on it. He is blond, and his cheeks are tinted pink. He stands still with the aid of a body stand. Top and bottom left corners angled off.

Item has a cream card-frame with green details of ivy around square opening. Edges of card mount are rounded out, like bubbles. Tintype is a portrait of a man standing on a sidewalk outdoors. He wears a suit jacket, vest and tie with high white collar and fedora hat. There are people in the background, walking on the sidewalk, and what looks like a car parked beside him. You cannot make out any details in his face. He wears something on his lapel, maybe a handkerchief in his breast pocket. Image dated in the 1930s due to the popularity of the fedora in this decade.

Item is a cream coloured card with photograph of a man wearing a suit with hand-coloured purple tie. On verso, design in gold ink for the Notman Studio: "W. NOTMAN" with the Royal Crest at the centre and a ribbon wrapping that which reads "PHOTOGRAPHER TO/ HER MAJESTY" followed by the locations of studios in "MONTREAL/ OTTAWA/ TORONTO/ & HALIFAX". At four corners of the design are images of medals, which read clockwise from top left, "LONDON" "1862/ LONDINE/ HONORIS/ CAUSA/ 1862" "1867" and "NAPOLEON III EMPEROR/ PARIS".

Item is an unmounted portrait of a man standing outside, one hand on his hip. He's wearing a white one piece undergarment, and shorts on top. He has a mustache. Maybe he is a performer. Left top and bottom corners angled off.

Item is an unmounted portrait of a man, in a suite with jacket, double breasted vest, bowtie and watch chain. His shirt has a white collar and is checked. His beard frames his face, with his chin and upperlip are bear.

Item is an unmounted portrait of a man sitting with his arm on a table. The whole background has been painted over with opaque paint, singling out the subject. He wears a suit jacket, vest, cravat and chain watch. He has facial hair. His cheeks are painted pink.

Item is a brown hinged case with daguerreotype inside, held in with a brass mat, cover glass and brass preserver. Opens with metal clasps. Inside cover is a soft red velvet cushion with detail of flowers. Red cloth frames image side too. Image is of a man looking directly at camera. He has long sideburns that come down to under his chin, and hair in a high wave off his forehead, similar to the hairstyles of the 1840s. His cheeks are tinted pink. He wears a checked suit with matching vest.

Item is a hinged black case with ambrotype inside. However, hinge is now gone and both front and back covers are loose. Held close with two metal clasps. Inside front cover has a red velvet soft cushion with some leaf details. Gold details outside edges of black case. Brass matt and brass preserver around ambrotype, but no cover glass. Image is a portrait of a man facing camera. Beards grows along side and under chin, with hair long and parted on the side. Cheeks are tinted pink.

Item is a black cased ambrotype. Closes with one metal clasp. Inside cover has a gold velvet soft cushion. Image side has brass matt and brass preserver with cover glass. Brass matt inscription on recto "Ambrotype July 4 & 11 185-,". Ambrotype is an image of a man, seated, wears a dark suit with vest and checked bow tie. Has a beard that grows down sides of face to under chin. Cheeks tinted pink.

Item is an example of an ambrotype with broken glass and worn coloured backing. Ambrotype is in a velvet-lined thermoplastic union case, showing a male sitter in front of a studio backdrop. The case was intended for use with 1/6 plate daguerreotypes, as indicated by the manufacturer's stamp on the inside back cover beneath the ambrotype plate: "Littlefield, Parsons & Co.,/ MANUFACTURERS OF/ Daguerrotype Cases./ L., P. & Co., are the sole/ Proprietors and only legal Manu-/ facturers of UNION CASES, with the/ Embracing Riveted Hinge./ Patented October 14, 1856,/ and April 21, 1857."

Item is an ambrotype photograph in a velvet-lined thermoplastic union case, showing a male sitter. A stamp on the inside back cover beneath the ambrotype plate gives the manufacturer of the case: "Littlefield, Parsons & Co.,/ Sole Manufacturers of / UNION CASES,/ with/ Embracing Riveted Hinge./ PATENTED/ October 14, 1856, & April 21, 1857."

Item is an unmounted studio portrait of a seated man, his right arm resting on a table, his legs crossed. On the table is his hat, and a framed photograph of a woman standing, though unrecognizable (possibly mourning portrait). Table is quite ornate, as is the armoir in the background. Carpet is flowered. He is well dressed in a dark frock coat, with a white high-collared shirt and tie. He has a mustach and his cheeks are tinted pink. The hat is perhaps a boater hat, straw with a wide black band and trim. Due to frock coat and hat dated after 1870s. All four corners are rouned off.

Item is an unmounted studio portrait of a young man, seated in a chair. His posture is very casual, his chin resting in his hand, legs crossed. He leans low in the chair. The studio backdrop is of a fireplace and plants. There is carpet underneath him. He is wearing a hat with no brim, vest, bowtie, suit jacket and striped pants. Three corners are cut off at an angle. His cheeks are hand painted.

Item is a cased ambrotype, covered in paper, no front cover. Metal loop at the top suggests it was a frame as opposed to a case. Ambrotype held in with brass mat, cover glass and a soft brass preserver. Image is of a girl toddler, sitting on a chair, holding a basket. She wears a dress with black piping.

Item is a daguerreotype framed in gold with a cover glass but no case. Image is of a woman holding a book, looking right at camera. She wears a dark dress with big white lace collar. Looks as though it has been removed from its case, but still in cover glass and brass preserver.

Item is an unmounted portrait of a woman in a dark dress buttoned down the front, with what lace collar and a white bonnet and big bow. Her cheeks are tinted pink.

Item has a pink card-frame with gold details around opening. Back of card-frame is pink with gold details with space to write name or photographer's name? Tintype is a portrait of a woman from waist up, wearing a hat, hair in ringlets, with a dress buttoned down the front, with a big white lace collar. Her head is turned away from the camera. Her cheeks are tinted pink. Image is slightly blurry due to movement during exposure. Faint studio backdrop is visible in background.

Item is an unmounted portrait of a woman standing against a doorway.She stands somewhat informally staring at the camera. She is wearing a dark dress with white collar, and a chain hanging down the front. She wears jet earrings.

Item is an unmounted studio portrait of a woman in a black dress standing against a plain background. She has a pin at her throat, and a white collar is visible under her black coat. Same woman as in 2008.001.1825 but now she is wearing a hat, with feathers, flowers and a bow. The hat is in keeping with the fashion of the 1880s. In this photograph is mostly head and shoulders.

Item is a black hinged case with daguerreotype inside, held in with a brass mat, cover glass and soft brass preserver. Closes with a metal clasp, but binding is no longer holding both covers together. The inside cover has the image, and back cover has a decorated red (faded) velvet cloth cushion. The image is of a young woman in a dress and jewellery which has been painted gold.

Item is a portrait photograph of a woman in studio setting, seated in a chair with a blanket draped over the side. She wears a loose, gathered vest over her dress in a style popular in the 1910s.