This file contains a series of copy black and white acetate negatives of the interior and exterior of the Langley Museum in British Columbia. The article "Fort Langley, B.C.: Museum and Fort" written by J. Calder Peeps appeared in the 1958, November issue of The Canadian Architect.
The file is comprised of 42 black and white acetate negatives. A selection accompanied "Banff 1958," a transcription of three addresses by Paul Rudolph at the annual Session at Banff and published in The Canadian Architect in March of 1959.
The file contains 10 black and white acetate copy negatives of sculptures and paintings by the artist Michael Snow. A selection of these photographs accompanied an interview of Snow by Sara Bowser and published in the April 1959 issue of The Canadian Architect.
File contains 27 black and white acetate negatives depicting exterior and interior views of the Carling Breweries building. A selection of these photographs were reproduced in the 1959 June issue of The Canadian Architect for an article titled, "Office Building, Toronto. The building was designed by the architects Weir, Cripps & Associates.
This file contains a series of black and white acetate negatives depicting a steel fountain by Gordon Raynor, owned by Mr. and Mrs. Meltzer of Toronto and published in the August 1958 issue of The Canadian Architect.
The file contains black and white acetate negatives of interior views of the offices of Hugh C. Maclean Publication Ltd.. A selection of these images appeared in the December 1958 issue of The Canadian Architect in the article "Factory-Into-Offices: Don Mills, Ontario", written by the architect James A. Murray.
The file contains 3 black and white acetate copy negatives of paintings by Lewis Crutcher. Images of the paintings accompanied the article "Banff 1958 Cityscape" by Lewis Crutcher and were published in the March 1959 issue of The Canadian Architect.
This item contains two black and white acetate negatives of images published in the November 1958 issue of The Canadian Architect. The photographs are part of the article "Shelter Bay: Project for a New Mining Town on the St. Lawrence" concerned with the work of the archtectural firm Rother/Bland/Trudeau.
This item contains a series of black and white acetate negatives commissioned by The Canadian Architect periodical to accompany a special issue on Shopping Centres and published October 1958. James H. Acland and James F. Harris are identified as authors of the sections of the magazine relating to shopping centres.
This file contains 19 copy black and white acetate negatives by James H. Acland. A selection of these images accompanied the article "The Architecture of Water" by Charles W. Moore and published in the 1959 November issue of The Canadian Architect.
This file contains 12 medium format black and white negatives of the St. Lukes Lutheran Church located at the intersection of Finch and Bayview avenues in Toronto, Ontario.
This file contains a series of black and white acetate copy negatives produced by James H. Acland. A selection of these images appeared in the article titled Shopping Centres, a special issue, October 1958.
The file contains 28 black and white acetate negatives of exterior and interior views of a house designed by the architect Jack Klein and constructed in North York, Ontario.
The Éperon building was constructed to complement the existing historic architecture of the area, and was built to match the proportions of the Royal Insurance Company building that was previously on the site. The building matches the roof lines of the other structures on the Rue de la Commune, and the tower building (pictured) is an easily identifiable element in the museum complex.
Exterior view of office buildings within Westmount Square, Montréal. The four buildings, two of which are residential, were designed by architect Ludwig Mies van der Rohe. The complex opened on December 13, 1967. (www.wikipedia)
Photographs of the renovation of the former Radio-City cinema in Montreal. It was purchased by Gratien Gélinas for La Comédie-Canadienne in 1957 and renovated by André Blouin.
La Comédie-Canadienne was active from 1958-1969. The company produced Canadian and Québecois theatre, dance and music productions. The company closed down in 1973 and its theatre became the permanent home of the of Theatre du Noveau Monde (http://www.tnm.qc.ca).
From Canadian Architect magazine, July 1985: [the building] features a curved profile at the top in aluminum cladding. Light enters large windows at the building's ends and middle and through translucent panels on the south wall and stairwells. Openings below the floor allow for ventilation and are coupled with a plenum in a heat distribution system.
Photographs of the exterior of the single storey elementary school building. 16 classrooms and offices are grouped around a central auditorium. View of entrance mural above main entrance painted by Adrian Vilandré. The building has a light steel structural frame with brick veneer and tongue-and-groove boards for exterior finishing. All windows are double-glazed, ceilings are perforated fibreboard, flooring is vinyl asbestos tile.
Photograph of a nineteenth century clapboard church with bell tower which was removed from its location (pictured) due to the rising waters of the St. Lawrence seaway. (Information from typewritten caption pasted on verso.) The area being submerged was one of the earliest settled in Upper Canada and a key battle site during the War of 1812. This church was preserved as part of Upper Canada Village (Morrisburg, Ontario), a restored historic village operated as a museum and recreation area.
Exterior view of church entrance, with huge ceramic mural executed by Claude Vermette, and interior view of a decorative panel "Blessed Virgin Mary" designed by J. C. Charuet. Additional interior view of round altar in the centre of the church.
The house Cormier built for himself (1930-31) in the Golden Square Mile, an elegant Montréal neighbourhood. Cormier experimented with a variety of styles in the house: Art deco on the facade, monumental on one side and more modernist in the back. Cormier created most of the furniture, with remaining pieces acquired at the 1925 Exposition Internationale des Arts Décoratifs et Industriels Modernes in Paris
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