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Shields, Lorne Commercial portraiture
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Lorne Shields Historical Photograph Collection

  • 2008.001
  • Fonds
  • 1840-1970, predominant 1860-1900

The collection consists of a large number of studio portrait photographs from the late 19th and early 20th centuries in carte-de-visite or cabinet card formats. There is a large collection of landscape and industrial imagery dating from the Victorian era to the 1960s. The collection also comprises many vernacular photographic albums, good examples of glass and metal photographic processes including cased daguerreotypes, ambrotypes and tintypes. The fonds is comprised of the following 8 series: Portraits (sub-series for Groups and Celebrities), Vernacular Photography (amateur snapshots), Landscapes and Industry (sub-series for Slides), Albums, the A.T. Orr collection and a Miscellaneous group of images which were generally created in mixed media.

Shields, Lorne

England album

Item consists of brown, textured, hardcover, leather-bound album with decorative flower detailing on cover. Leather has worn off the spine. Pages are an off-white colour with decorative gold embossing and illustrative floral detail. Photographs slide in between two pieces of card that make each page and hold them in place.

Photographs are mostly portraits of one or two figures taken in studios across England, primarily around London, in towns and cities that include Brighton, Luton, Woburn, Tavistock, Bedford, Northampton and London. One photograph was made at J. C. Waler & Co. at 147 Yonge Street, Toronto.The address written inside the cover of the album is 61 High Street Ridgmont Bedford. Some notes and captions are written under and on the back of a few of the photographs in pencil and black ink. Inserted in the front page of the album are two loose pages with personal notes dated 1847 and 1881.

Studio names include: Chenhall & Son, The American Photo Co., W. Hall & Son, Powell Studios, T. Miller - Artist, Photo Artist - Lewes,

Names: W, M, Francis, T.G. Roberts The County Tea Exchange and Provision Warehouse [address was 45 & 46 High Street]

Shields, Lorne

Canada album

Item consists of a brown album with gold embossing and darker brown detailing. Item has part of a metal clasp on right of cover. Pages are white with gold embossing and sleeves with cutouts to insert the photographs into. Spine is torn and in very poor condition.
Photographs are all carte de visite size, and there are 5 tintypes in paper mats spread throughout the album. Some are hand-coloured. They are all portraits, some are labeled in pencil or black ink on the back of or below the photograph with the subject's name and sometimes a date. The photographs were taken accross Canada in Charlottetown, Montreal, Halifax, Pictou, Ottawa, and others as well as Boston, Washington D.C., New York and Auckland New Zealand. Some of the studios that made the photographs in this album are the Notman Studio, Brady's National Portrait Galleries, James Inglis, and J.W. Black. Photographers include C.S. Lewis and Tanton.

Loose materials include: photographs, tintypes in individual envelopes.

Shields, Lorne

Black album, "Photographs"

Black leather album, lined with satin, bound with black string. "Photographs" is embossed on the front cover, and "Royal Albums" and "Made in USA" are in gold letterpress inside the back cover. Snapshots are glued to 40 black construction paper pages. Primarily vernacular images of weddings, soldiers, and vacations. Only Dick Gossett, Alan Pride, Bill McMillan, Duncan Wallace, and Minnie (Wallace) Owens are identified. One photograph of young men is entitled "Bolsover Flirts."

Royal Albums

Canterbury cathedral and girl

Two pairs of photographs originally grouped together. Two photographs are of a girl seated on a miniature chaise longue in front of garden wall, and two photographs are of the interior of Canterbury Cathedral. The cathedral photographs have both been written on verso in pencil "Canterbury Cathedral," and individually in ink, "Presbytery and Archbishop Bourchier's Tomb" and "Effigy of the Black Prince from his Tomb."

Shields, Lorne

Horse team

Photographic image is of a two-horse team standing on a dirt road with cart and driver in front of residential buildings. The card mount is taupe and dark gray.

Jesse J. H. Plato

Redbook reader

Photograph is of a woman sitting in front of a fireplace, with Redbook magazine open on her lap. The support for the image is a neon-red paper. On the lower right of the tan card mount is embossed the studio logo. On the verso is inscribed in green ink: "To Jessie, Wishing you many happy returns of the day. Violet. Jan. 1 1912."

Rembrandt's Studio

Photo cards, portraits

The card-mounted photographs are all studio portraits of unidentified individuals. The first of two cabinet cards is embossed with "Quartley", and the second is embossed with "Morton." Two Cartes de visites are printed on verso with "J.F. Rowe. A fifth card is identified as a "Gem" photo card, printed on verso with "R.W. Knorr" and an advertisement for the tiny Gem format.

Quartley, Baltimore, M.D.